Overview
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Length: 109 minutes
Released: 2nd August 2013
Rating: 6.5 out of 10 from 4168 users
MPAA Rating: R – Restricted. Under 17 requires an accompanying parent or adult guardian. Contains some adult material.
Language: English
Director: Baltasar Kormákur
Creators: Blake Masters,Steven Grant
Actors: Denzel Washington, Mark Wahlberg, Paula Patton, Edward James Olmos, Bill Paxton
TagLine: Never rob a bank across from a diner with the best donuts in three counties.
2 Guns (2013) Trailer
2 Guns (2013) Trailer
You ever heard the saying, never rob a
bank across from a diner that has the
best doughnuts in three counties?
That's not a saying.
Yes, it is.
No, it's not.
I've never heard it.
Never heard it?
Never heard it, but it's not a saying.
It is a saying.
Okay.
It's a saying, man.
Go!
Everybody sit down on the floor.
Fire in the hole!
Let's go, come on!
How much you figure?
Forty million.
Forty million dollars?
But I got bad news for you.
What is that?
Is that a badge in your hand?
DEA.
Hey, Officer Michael Stigman.
You know Bobby Beams was DEA?
Man, your boy Stig's a piece of work.
Did you know he was Special Forces?
You've been out of this lamp way too
long.
Pull over!
Did you miss me?
All right, all right.
On the count of three, we'll let each
other go.
All right.
One, two, three.
Now you're making me not be able to
trust you.
The bank was a setup.
We gotta figure out whose money that was.
What, like we're working together?
No, not like we're working...
Yeah!
No, like we're working in the same vicinity.
Together.
In the same area code.
Together.
He ripped off the CIA.
Where's the money?
If it ain't down there, I can guarantee
you that.
You got 24 hours to bring me the
money.
So, Parker.
What's your plan?
I got a plan.
I mean, I'm capable of coming up with
a plan.
I'm not saying you're not capable.
I'm just saying you haven't told me what
it is.
I'm working on it.
Yeah.
Screw it.
What's your plan?
No one expected it.
You should've seen your face.
You sure you can trust this guy?
Who are they?
Yesterday I said they were my family.
Today they kind of want to kill me.
I understand the feeling.
What'd I ever do to you?
Besides shoot me?
I think time's over.
Have I properly incentivised you?
More than you know.
Make it rain.
You're my people and there's a code.
You fight for the guy that's fighting next
to you.
Give me the keys.
What?
Come get them.
Oh, man.
What was I called for?
Give me the keys.
You saw that move coming?
That's correct.
Give me the keys.
bank across from a diner that has the
best doughnuts in three counties?
That's not a saying.
Yes, it is.
No, it's not.
I've never heard it.
Never heard it?
Never heard it, but it's not a saying.
It is a saying.
Okay.
It's a saying, man.
Go!
Everybody sit down on the floor.
Fire in the hole!
Let's go, come on!
How much you figure?
Forty million.
Forty million dollars?
But I got bad news for you.
What is that?
Is that a badge in your hand?
DEA.
Hey, Officer Michael Stigman.
You know Bobby Beams was DEA?
Man, your boy Stig's a piece of work.
Did you know he was Special Forces?
You've been out of this lamp way too
long.
Pull over!
Did you miss me?
All right, all right.
On the count of three, we'll let each
other go.
All right.
One, two, three.
Now you're making me not be able to
trust you.
The bank was a setup.
We gotta figure out whose money that was.
What, like we're working together?
No, not like we're working...
Yeah!
No, like we're working in the same vicinity.
Together.
In the same area code.
Together.
He ripped off the CIA.
Where's the money?
If it ain't down there, I can guarantee
you that.
You got 24 hours to bring me the
money.
So, Parker.
What's your plan?
I got a plan.
I mean, I'm capable of coming up with
a plan.
I'm not saying you're not capable.
I'm just saying you haven't told me what
it is.
I'm working on it.
Yeah.
Screw it.
What's your plan?
No one expected it.
You should've seen your face.
You sure you can trust this guy?
Who are they?
Yesterday I said they were my family.
Today they kind of want to kill me.
I understand the feeling.
What'd I ever do to you?
Besides shoot me?
I think time's over.
Have I properly incentivised you?
More than you know.
Make it rain.
You're my people and there's a code.
You fight for the guy that's fighting next
to you.
Give me the keys.
What?
Come get them.
Oh, man.
What was I called for?
Give me the keys.
You saw that move coming?
That's correct.
Give me the keys.
2 Guns (2013): A Critical Examination of Its Flaws and Merits
Overview of 2 Guns: Plot Summary and Key Characters
2 Guns attempts to blend the action-comedy genre with a convoluted plot that ultimately falls short. The film follows two undercover agents, played by Denzel Washington and Mark Wahlberg, who find themselves on opposite sides of the law. The premise is intriguing: each believes the other is a criminal, leading to chaotic events that should have been rife with comedic potential.
However, the film’s plot summary reveals significant flaws. The narrative lacks cohesion, leaving viewers struggling to keep track of motivations and allegiances. Washington’s character, Bobby Trench, is meant to be a suave and cunning operative, while Wahlberg’s Stigman brings a more brash energy. Yet, their chemistry sometimes feels forced and fails to elevate the script’s weaknesses.
The main characters are drawn with broad strokes; they are archetypes rather than fully fleshed-out individuals. While both actors deliver solid performances—Washington’s charm and Wahlberg’s comedic timing shine through—their talents are undermined by an uninspired script that relies heavily on clichés rather than innovative storytelling.
In summary, “2 Guns” presents an action-comedy experience that could have been engaging but suffers from its disjointed plot and underdeveloped characters. It reminds us that star power alone cannot save a film lacking in substance or originality.
Thematic Exploration: Friendship and Betrayal in 2 Guns
In “2 Guns,” the thematic exploration of friendship and betrayal presents a rather cynical view of loyalty, particularly within the context of buddy cop films. At first glance, the dynamic between the protagonists seems to embody the quintessential camaraderie expected in this genre; however, as the plot unfolds, it becomes evident that trust is merely a façade. The film cleverly subverts traditional notions of friendship by illustrating how easily bonds can be fractured when ulterior motives come into play.
The theme of friendship and betrayal in the buddy cop film 2 Guns offers a rather pessimistic perspective on ideas of loyalty. The relationship portrayed between the main characters of the film has the appearance of a traditional buddy cop friendship. However, as the film progresses, it becomes apparent that all trust is an illusion. The film cleverly upends ideas of friendship in illustrating the fragility of relationships when motives are present. Seemingly close-knit partnerships and betrayal lurk just beneath the surface—a theme that resonates deeply within contemporary cinema.
Cinematography and Direction: An Insight into the Visual Style
When examining the cinematography in “2 Guns,” directed by Baltasar Kormákur, one cannot help but notice the glaring shortcomings in its visual storytelling techniques. While Kormákur attempts to marry action with narrative depth, the execution often falls flat, leading to a disjointed viewing experience. The film’s reliance on clichéd action sequences raises questions about originality and creativity.
Though occasionally striking, the cinematography fails to elevate the story beyond a superficial level. Lighting and framing seem more focused on creating an aesthetic appeal rather than serving the plot or character development. Analysis of action sequences reveals a troubling pattern: instead of building tension or enhancing emotional stakes, they often feel like mere filler—distractions from an otherwise lacklustre script.
In this context, it becomes evident that while Kormákur has potential as a director, “2 Guns” is unable to fully harness the power of visual storytelling. This lack of cohesion between cinematography and direction ultimately undermines what could have been a compelling narrative about trust and betrayal in the world of crime.
Critical Reception: What Critics Said About 2 Guns Upon Release
Upon its release, “2 Guns” garnered a mixed bag of responses from critics, with film reviews reflecting a clear divide in opinion. The film, which aimed to blend action and comedy, received a rather lacklustre Rotten Tomatoes score that highlighted the scepticism surrounding its execution. Critics pointed out that while the chemistry between Denzel Washington and Mark Wahlberg was palpable, it often felt overshadowed by a convoluted plot that struggled to maintain coherence.
Audience reception analysis further revealed that many viewers were entertained but unsatisfied. The critical consensus on action comedies suggests that the genre demands thrilling sequences, a clever narrative, and sharp wit—elements that 2 Guns seemed to falter on. As such, while some fans appreciated the film’s light-hearted approach to crime drama, others lamented its failure to elevate itself beyond standard genre tropes. This dichotomy in reception raises important questions about what audiences seek in action comedies today and whether “2 Guns” successfully met those expectations or fell short of its potential.
The Role of Humour: Balancing Action with Comedy in the Narrative
The role of humour in action films often teeters on a precarious edge, and “2 Guns” serves as a prime example of this delicate balancing act. While the film attempts to weave comedic elements into its narrative, it raises critical questions about the effectiveness of such an approach. Action films have traditionally relied on adrenaline-pumping sequences to engage audiences, but when humour is injected haphazardly, it can detract from the intensity these genres aim to deliver.
In “2 Guns,” the interplay between comedy and drama is sometimes jarring. The film’s reliance on humour risks undermining pivotal action scenes, leaving viewers uncertain whether they should laugh or hold their breath in suspense. This tonal imbalance can lead to a disjointed viewing experience where comedic moments feel forced rather than organic.
While some may argue that humour can provide necessary levity amidst high-stakes scenarios, one must consider whether this strategy enhances or detracts from the overall narrative arc. The challenge lies not just in including comedic elements but ensuring they complement rather than clash with the film’s core themes and emotional beats. Ultimately, “2 Guns” exemplifies how humour in action films must be wielded with precision; otherwise, it runs the risk of overshadowing the very essence of what makes an action-packed storyline compelling.
The Influence of Genre Conventions on Audience Expectations
The influence of genre conventions on audience expectations cannot be overstated, yet it often leads to a troubling complacency within the film industry. Bodies of genre analysis reveal that action-comedy conventions have become so formulaic that they risk alienating audiences rather than engaging them. The reliance on predictable tropes—such as the mismatched buddy duo, over-the-top action sequences, and obligatory comedic relief—has created a landscape where originality is sacrificed for box office performance.
When we examine box office performance comparisons across various films, it becomes evident that those adhering strictly to established conventions often outperform more innovative entries. This raises critical questions about what audiences truly want: Are they genuinely invested in fresh narratives or conditioned to respond favourably to familiar structures? The danger lies in the industry’s tendency to prioritise immediate financial returns over artistic integrity, leading to a cycle where creativity is stifled in favour of safe bets.
As we move forward, filmmakers and writers alike must challenge these confines. By doing so, they can redefine audience expectations and pave the way for richer storytelling that transcends mere genre limitations. Otherwise, we risk perpetuating a culture where mediocrity reigns supreme under the guise of familiarity.
Reflecting on the Lasting Impact and Legacy of 2 Guns (2013)
While “2 Guns” (2013) may have garnered a fair amount of attention upon its release, it’s essential to critically assess its lasting impact and legacy in the film landscape. At first glance, the film presents as an entertaining blend of action and comedy, featuring well-known stars like Denzel Washington and Mark Wahlberg. However, beneath the surface lies a narrative that often falls flat, relying heavily on clichés and predictable plot twists.
The film’s attempt to meld genres raises questions about its effectiveness in delivering a cohesive message or memorable characters. Instead of crafting a compelling story that resonates with audiences long after the credits roll, “2 Guns” leans into formulaic tropes that have been seen countless times before. This lack of originality may limit its appeal to future generations who seek innovative storytelling rather than recycled ideas.
Moreover, while some may argue that “2 Guns” is an enjoyable distraction, it’s crucial to consider whether such films contribute meaningfully to the broader cinematic dialogue. Its legacy could be mediocrity rather than innovation—a cautionary tale for filmmakers aiming for commercial success without pushing creative boundaries. As we reflect on this film years later, it becomes evident that while it may entertain momentarily, its impact on cinema will likely be fleeting at best.
Audio for 2 Guns (2013)
Audio and Transcript
Includes English subtitles and an English transcript. To change the subtitle and transcript language, please use the language drop-down menu at the bottom left of the page.
2 Guns (2013) - Audio
How many?
Listen, um, I wanted to get a safe
deposit box.
Can you do that for me?
Okay.
Your box will be available any time from
an hour after opening to thirty minutes before
close.
This is your key.
Thank you.
Oh, um, also, if you have any questions,
please let me know.
If you open a checking account, we'll give
you five percent off the box, along with
free overdraft protection.
Oh, here I was, hoping for a free
toaster.
Why would a bank give out free toasters?
Hello, Ma.
I'm ordering you the French toast.
No, thank you.
Our very patient waitress, Maggie, well at least
it says Maggie on the name tag, has
asked me to order four times.
If I don't order at this point, it's
just rude.
I can come back.
It's okay.
You know what?
I'm making an executive decision.
Pancakes.
Okay.
Uh, no pancakes.
I don't like pancakes.
No pancakes.
What are you, a communist?
You know, my friend will have the pancakes
and the fried egg.
I'm thinking hash, but only in slightly chunky
style, okay?
Listen, if you order me eggs and pancakes,
I'm going to kick your behind.
Well, you've got to eat breakfast.
It's the most important meal of the day.
Uh, ma'am, ignore everything he said, okay?
Don't, don't, don't, uh, bring me any eggs
and pancakes.
Just bring me some coffee and bring him
a couple eggs.
I don't want eggs.
I want hash.
You know, put a couple eggs on it.
And give him some rye toast, too.
No rye toast for me.
I don't like rye toast.
And a pancake.
No pancakes.
No silver dollar ones.
No silver dollar ones.
No pancakes.
No silver dollars.
No rye toast.
I like pumpernickel.
I do have pumpernickel, yeah.
Pumpernickel toast.
Hey, Maggie, wait.
One more thing.
Yeah.
That's for you.
You take that with you till we see
each other again in case you miss me
too much, okay?
Why you got to do that?
What?
Wink at the waitresses like that.
Waitresses like me.
Nobody likes you.
So?
So.
What do you got?
So, it is a sleepy bank.
Doable?
That's correct.
I told you.
That is a lot of doughnuts.
I'll be right back with your hash.
Maggie, your hot homemade doughnuts, any good?
Best in three counties.
I tell you what you do.
You bring us three of those bad boys,
put them in a to-go box for
us, all right?
All right.
Thank you.
All right.
Time to make the move.
All right.
There's going to be some sirens on this
bench.
I'm going to go shake the weasel.
Shake the weasel.
Shake the weasel.
Hey, good morning, sir.
How are you?
Hey, Maggie.
Good morning.
I'm very sorry about my friend.
He was kicked in the head as a
child.
He's really not that bad.
No, he is.
What's going on?
Okay, I'm just going to have you all
exit the building.
It might be a false alarm, but just
do it safely.
Thank you.
Thank you.
Is everybody out?
I'm interested in understanding.
Go ahead, Maggie.
I'm just going to grab my friend.
Okay.
We've got to pay our bill.
Okay.
We should go.
Is that all you're going to leave for
a tip?
It's 15%.
You leave 15%.
You know you've got to leave at least
30.
No, you don't.
15% is standard.
Why, Maggie's about to be out of a
job, man.
Don't be cheap.
Okay, there's five.
That's seven.
There you go.
Come on.
All right.
What?
No, you didn't.
Yes, I did.
Oh, my God.
How'd you say it?
Never overbank a crossing.
Dino's the best doughnut in three counties?
That's correct.
Bobby.
Hey.
Bobby's down in the stables.
Why don't you get something to eat?
I'm not hungry.
Sure you are.
I want to come with you.
Hey, listen.
We're here to do business.
Diplomatically.
Well, I can be diplomatic and be hungry,
too, right?
Bobby.
Wait here.
Okay.
Somebody sitting here?
I need a toro.
Oh, you move your feet, you lose your
seat, right?
You lose your head, too.
That's correct.
So, where's little toro?
Ahi, where you put him.
Aki?
Ahi.
Let's play some dominoes.
Bobby's ready.
Yeah.
Bobby Greco!
I know a guy, Bobby.
That's correct.
Quick.
An ostrich, a tank of ether, a 63
Impala convertible.
Make it a 64.
Nice out of the border.
All right.
I know a guy.
Que te dije?
What'd I tell you?
He never says no, never says maybe, never
says, see what I can do.
Nice bull.
I hope he's a good breeder.
That's a shame about little toro.
Who you call him skimming?
I don't sound like little toro.
Except for me.
That's correct.
Everybody skims a little cream.
It's human nature, just because it's human don't
mean you let it go.
Nice lines.
That's right.
Good colour.
That's right.
He knows a guy.
What you got for me?
Cash.
Cash?
You're supposed to be giving me a hundred
thousand to deal with.
You're supposed to be giving me a hundred
thousand dollars worth of cocaine.
Where's the cocaine?
My buyer wants cocaine.
So let him buy cocaine.
That's what he's trying to do.
He's trying to buy cocaine.
I told him I knew a guy.
Therefore, I come to you.
You're the guy I know.
That's why I told him.
So take back the passports.
After little daughter, we're not taking on any
new customers.
With no disrespect, but I ain't no new
customer.
You've been dealing with me for a long
time.
Keep the passports.
Keep the money, too.
When you're ready to give me the product,
you give me the product.
Till then...
You owe me.
Not very sporting, man.
At least give the chickens a chance to
shoot back.
Hey, man, I'm just saying.
I'm a killer, defenceless animal.
I'm gonna honour its sacrifice by grilling it
into some tasty barbecue.
What I'm not gonna do is torture it
just to prove I can't hit anything further.
Your cuate's a real junkyard dog.
¿Dónde se conocieron?
Él le arrementé un hueso y me siguió
a la casa.
Hey, cowboy.
You're the pretty one.
You ever hear the expression, you got a
face only a mother can love?
That don't apply to you.
You are uglier than the devil's arsehole itself.
Hey.
What are you doing?
They're torturing chickens, man.
What are you eating?
A chicken.
It's not the same thing, okay?
See that bag over there by the table?
Buffet table next to the potato salad?
Yeah, the bowling bag.
What about it?
Little Tom's head is in that bag.
Bullshit.
Yeah?
Son of a...
You know what?
That's fucked up, man.
I'm...
Hey, whoa, whoa, whoa.
Let's go.
Okay.
Come on, let's go.
¡Dale, wey!
Say it in English, you goat fuck.
¡Maricón!
Suck my chicken!
That's funny coming from you, fat boy.
You ain't seen your pecker since you were
a baby.
Puto.
Just because you put your finger in your
belly button, brown shit comes out, don't mean
it's your arsehole.
What did you say?
Don't worry about it, man.
I'll dig him up and make some damn
barbecue.
Bye, chica.
Did you just wink at him?
I did wink at him, because he's my
bitch now.
Uh-oh.
That's good shooting.
Gracias.
You know, little Toto never did nothing to
nobody, man.
We should rip out Poppy's stash at the
Trace Cruises and save us some money.
You know, Poppy's guy delivers a briefcase full
of money to the Trace Cruises every two
weeks.
That's got to add up to, what, like
three million at least.
If Poppy knew we were even talking about
ripping off Trace Cruises, it would be our
heads in that bag next to the potato
salad.
No way.
Our two heads would never fit in a
bag that small.
Come on, man, let's hit the road.
Hit the bank.
Little Toto was your friend.
He was my friend.
So?
What do you mean, so?
What if it was me?
What if my head Poppy ran through the
sawmill?
You wouldn't come after him?
Nope.
You wouldn't kill him?
Nope.
Shit, maybe he did that to you, I'd
kill him.
You know why I'd kill him?
Because you're my people and there's a code.
There is no code, first of all.
You do whatever you got to do.
Whatever it takes.
One second.
Right.
We're not people because you, you don't have
people.
That's correct.
Come on, come on.
Purpose for your visit to Mexico?
Quail hunting.
My aunt in Tuba City had a heart
attack, so we cut our trip short.
Tuba City?
It's near Odessa.
Nice place?
Hell-hole, but she's my favourite aunt.
Don't do it!
Let me see your hands!
Tell us about your trip.
Lawyer.
What's the big deal?
Lawyer.
You were down in Sonora, weren't you?
You don't think Agent Jessup and the D
.A. know about you and Papi Greco?
Lawyer, lawyer.
They know you were at his ranch.
I know I need a lawyer.
Tell Agent Reese about Papi Greco.
Who?
Papi Greco.
Who's that?
Some Mexican Santa Claus or something?
Come on, Mr. Stigman.
I think it's in your best interest to
cooperate.
You need to stop playing the stupid card,
right?
Ma'am, it's my intent to cooperate with
whatever you need.
I mean, as an American, I know you're
just doing your job, and sometimes you need
a little help.
Sometimes innocent folks like me get caught up
in the system.
It's like the airlines.
They don't lose your luggage on purpose, right?
But everybody takes it so damn personally.
Come on, Mr. Stigman.
So you want to play games?
What do you have in mind?
You want to help yourself.
Yes.
Do I have to do it in front
of him?
All right, we're done here.
Thank you, Mr. Stigman.
You gonna leave?
Ah, yes.
Concentrate, work with her, man.
Five border agents are ripping apart your car
as we speak.
They ain't gonna find anything.
Where's your other cocaine?
Can they hear us?
No.
Can they see us?
No.
Okay.
There was no cocaine.
You had a deal in place.
Right.
Five hundred passports in return for cocaine.
Right.
Hey, Bobby.
How you doing, Debbie?
Good.
Man, your boy Stig's a piece of work.
He winked at you, didn't he?
How'd you know?
Bobby didn't get the cocaine.
What?
What happened?
Papi offered me cash.
I told him no.
I told him to keep the passports.
So, eventually he's got to come up with
the cocaine.
What about this guy you said you could
flip, Lil' Turo?
I got him.
He's real close.
I don't know who you are anymore.
It's like, it's like you're out of this
limb.
And you've been out there way too long.
And you're saying that to say what?
I don't like going to the funerals of
my own men.
Well, then don't come, boss.
Don't come.
Okay.
I spent the last three years of my
life crawling through a Mexican sewer trying to
work my way up the line to get
next to Papi Greco.
You can't take me off this now.
Jessup, he's close.
He can't take me off this now.
I know.
Not now.
Two weeks.
Yeah, I'll flip Lil' Turo by then.
I'm pulling you out.
We're done.
Think Jessup knows about us?
What us?
You don't do us, remember?
Oh, I remember.
Besides, I'm dating.
Oh, right, right, right, right.
You're dating, uh...
Mm-hmm.
...your imaginary boyfriend.
He whored me.
Uh, he's not a whore.
He's not my boyfriend.
His name's not Harvey.
I like Harvey.
It has a nice ring to it.
Harvey.
You don't get to be jealous anymore, Bobby.
Harvey.
You pushed me away.
So you could be with Harvey.
Fuck you.
Lil' Turo's dead.
You told Jessup you were close to flipping
him.
I was.
But when I got down to the ranch,
Papi's boys was throwing his head around in
the bag.
Well, that's game then.
With Lil' Turo off the board, Jessup's pulling
you out.
Not if you don't tell me.
I'm your control, Bobby.
That's correct.
I have to tell him.
That's why I need you...
to let me rob Trace Kruse's savings amount.
You wanna rob a bank?
No, Stig wants to rob the bank.
It's his idea.
So there's no entrapment.
What I want is access to that money
that Papi's got in that safe deposit box.
You know no judge is gonna give you
a blanket warrant for the boxes.
We don't need a warrant.
Not the money's evidence in the crime.
We just trace it back to ownership we
got Papi on tax evasion, possible Rico.
Yeah?
Yeah.
And what about Stig?
What about him?
He's a side dish.
You bust him in front of the bank,
he does a smooth 20 years in the
penitentiary, you get a medal.
The bank...
gets us, Papi.
And that's all that matters, right?
Takes whatever it takes, baby.
Did you ever really love me?
I really meant to love you.
You don't have to knock, you know, it's
always open.
Yeah, good.
Let's hit the bank.
Let's hit the bank.
Betray Scruces?
That's correct.
Oh, shit.
He and I are still spinning over how
we got Yank on the line at the
border.
So?
You in or you out?
I'm in, yeah, it's just...
I mean, have you ever had anything like
that happen to you before?
I mean, they were 100% convinced we
were holding.
And we would have if Papi had the
wealth on that coat.
So you're saying that to say what?
I'm saying this only because you're hearing it.
No, you're saying something.
And if you're saying it, I'm hearing it
because you're saying it.
What are you saying?
Let it be said.
Well, I think you're fucking playing me.
Oh, you want to be playing?
I've been at your hip for 10 months,
but after this, I think maybe you're playing
me.
I got you.
No, you didn't.
Oh, I did.
The corner of your eye was twitching.
The corner?
Yeah.
That wasn't a twitch.
Yeah.
That was a wink.
That's my move.
Yeah, that's Papi's chubby little kid right there.
Eat that motherfucker quesadillas.
Oh, my God.
She's chubby too.
Been all the right places.
How does an old, fat, ugly fucking girl
like that?
Money.
All right, here we go.
Same thing every two weeks.
Papi flies over the border with a briefcase
full of cash.
Spends a week with the mistress.
Ferret knows Julio.
Drives it out to the Tres Cruces Savings
Zone.
And then he's gone.
Think they got three million in the bank,
huh?
Easy.
Bingo.
Money, money, money, money.
Crap.
Why don't you get to the diner and
check out the doughnuts?
What kind of moron a corned beef hash
man would tell you the truth?
You never heard the saying, never rob a
bank across from a diner that has the
best doughnuts in three counties?
That's not a saying.
Yes, it is.
No, it's not.
I get what you're saying, but it's not
a saying.
It is a saying.
Okay.
It's a saying.
Am I bad?
Yes, you are.
Am I a bad girl?
Yes, you are.
Stig decided to hit the bank tomorrow, three
o'clock.
Stig decided?
A wither without me is going in.
Well, I still haven't talked to Jessa.
Stig doesn't know that.
Three o'clock tomorrow, he's going in.
If we want Papi, I gotta go in
with him.
Oh.
You're not even gonna give me a choice,
are you?
I'm giving you no other options.
There's a way to protect you.
Let's have the truth meet me outside the
bank, three o'clock, when we come out.
Three o'clock.
Okay.
And don't shoot me, even if you want
to.
Licence and registration, cowboy.
Cute.
What's up, Timo?
What's up, brother?
How are you, brother?
Nice to meet you, man.
Nice to meet you, man.
That's a turkey burger, special sauce.
The man wants to see you.
Yes, sir.
So, half a mile from home.
Got Bobby all lined up and ready to
go, sir.
All right.
Ordinance you requested.
But you know the Admiral's proud of what
you've done.
You've done way out on a limb.
If the bank falls right tomorrow, says you
can come in from the cold, rejoin your
brothers.
Right.
Could just put the uniform back on, sir.
I mean, and join the Navy to commit
fountains and hang with drug dealers, you know?
You really think you're damn good at it?
I do what I do for the Navy,
sir.
That's all part of the Admiral's plan.
We get the three million from the bank.
We run cross-border ops on Poppy and
all the other cartels.
So, tomorrow, clean and precise.
Take all the boxes, nothing left undone.
You got it?
Yes, sir.
Let's go.
Let's go.
Watch it.
Hey, nice jacket.
Hey, tell your mother she's got to move
out of my house at some point, man.
All right.
Who do you want, Cloud or Frankie?
Frankie.
So, what'd you do with the .22?
Traded it to my cousin for an espresso
machine.
You're gonna need special beans for that, right?
Uh-uh-uh.
You can reach me at firearms.
Do it real slow.
Any other people in the building?
What the hell is this?
It's a bank robbery.
Only instead of robbing the bank and letting
you chase after us, we decided to come
after you first.
Let's go.
Oh, my God!
All right, give me a gun, then.
All right, everybody, sit down.
Everybody, sit down on the floor.
Ladies, behind the counter.
Keep your hands visible.
Not on the alarms, okay?
All right, girls, just give him the drawer
cash.
Did we ask for the drawer cash?
Come on, come on, come on.
Sit, sit, sit.
Right here, sit, sit.
Let's go, on the floor.
Hey, guys!
Hey!
Hey!
Look, I'm trying to be polite, all right?
Just sit tight, and this will be over
soon.
Open the gate.
I don't have a key.
Aren't you sure?
Easy.
If you lie to me again, it's gonna
be more than a fucking problem.
Get out, get out.
Get on the floor.
Good, I'm going in.
It's all right.
Hi, baby.
Hey, it's okay.
It's okay.
Yeah?
Okay, there you go.
Showtime!
Fire in the hole!
Shit!
Hey, Frankie, something's not right.
They're all stuffed with money.
I thought you said there would only be
one or two.
Every single one of them.
I'm at 32 boxes and counting.
There's way more than three million.
And there's still a lot more here.
All right, well, take them all.
We'll figure it out later.
Go ahead, I'll get the rest.
All right.
Listen.
There may be gunfire outside, okay?
So if it hits, you get everybody behind
the counters.
This is for the jail across the street.
You let the cops out.
Let them out.
Come on.
That's a hell of a lot more than
three million dollars.
How much you figure?
We couldn't be the luckiest chumps on the
face of the Earth, could we?
You feel lucky?
No, I don't.
I mean, this can't be Papi's money.
I mean, money like this?
He wouldn't chase us off the end of
the Earth for money like this.
You know, I hate to tell you this,
Dick, but I got more bad news.
Take that hand away nice and slow, Bobby,
okay?
Put the gun down, Dick.
You know I really like you, right?
I like you too.
No, you don't.
Yes, I do.
No, you don't.
Nobody likes me, okay?
And I'm okay with it.
I do.
I like you more than most.
You're not just saying it because I got
a gun pointed to you.
Why don't you just put the gun down?
Ugh.
Shit.
Oh!
I'm talking.
I'm sorry, man.
What'd you do that for?
Shit, man.
I had to.
No, you didn't.
That's just a little flesh wound, okay?
You're gonna be all right.
Drink the water, and then you'll be okay.
What is that?
In your hand.
Is that a badge in your hand?
Tell me you're not a no-good two
-timing son of a bitch.
Two-timing?
Tell me.
You shot me.
Hey, wait a minute.
Wait a minute, man.
Hang on.
No, you wait a minute.
Hey.
Take it.
Hey.
The United States is the greatest country in
the world because we accept a man is
at his call.
Greedy, selfish, and covetous.
I had no choice.
They took my key.
I would never willingly open the vault.
Keep your hands on the desk, please.
In America, we line everybody up.
Say you're on your own.
Grab all you can grab.
I'm innocent.
Nobody's innocent, friend.
There's just the guilty, the ignorant, and the
unlucky.
Did you take our money?
You fellas look like you're waiting for a
bus.
You guys let us know when you're done.
Oh, I'm done, and thank you for the
courtesy.
Who is that guy?
You heard of the hidden hand of God?
That's God's son of a bitch.
Call the DDL and get a list of
everyone who knew we had money in this
bank.
Don't you realise those sunglasses make you look
like arseholes?
Excuse me.
When did that diner burn?
Yesterday.
I want interviews with the waitstaff and every
customer in the place.
It was just a grease fire.
Did I ask your opinion, Goma?
You ever hear the saying, never rob a
bank crossing a diner with the best doughnuts
in three counties?
If that diner fire's a coincidence, it's only
because we ain't looking hard enough.
That is an impressive amount of greenbacks.
43,125,000 of them, sir.
All right.
Recount it, pack it up, we'll steal it
back in Corpus.
It was my impression we were supposed to
come out of that bank with three million
M.O., sir.
Mm-hmm.
Whose money was it?
Bad men unworthy of it.
Did you know Bobby Beams was DEA?
No, I didn't.
No offence, sir, but you really need to
work on your surprise face.
Well, if he was DEA, he helped you
rob a bank.
Which means he's dirty, and for that I
have no mercy.
Where'd you leave him?
In the desert.
He dead?
More than likely.
More than likely.
You wanna tell me what that means?
You know, the whole point of you working
with Bobby Beams was to kill him off
and create a cutout so the op couldn't
get traced back to us.
My cover's solid, there's no way it'll trace
back.
My cover's solid, there's no way it'll trace
back, sir.
That's a call made above your pay grade.
Sir.
Assign two of the boys to stow the
money back to the naval base.
The rest will come with us to check
on the body of Mr. Beams.
Stigman, you wanna come with me?
Hey.
You Abla?
Yeah, yeah, I, uh...
Hi, Ablo.
I'm good.
That's good.
Go trust him.
Do you see his papers?
If he's got papers, I'll see his papers.
You got papers, right?
No.
No, I got no papers.
Well, that's gonna be a problem.
See, Slim J and me, we done assigned
ourselves protection this here stretch of the border.
Officially.
Unofficially.
So we really gonna have to see your
papers.
Make sure you ain't no Muslim or nothing.
Well...
Oh, yeah.
No, I, I do have...
As-salamu alaykum.
And, uh...
Let me have your gun.
You do it.
Gracias.
Now to pray.
Timo.
How we doing, boys?
Any sign of Bobby Beans?
Checked all the washes to the southeast.
No sign of everybody.
Well, Stig.
You put us in quite a hole.
I don't see it that way, sir, but
you're the man with the oak leaves.
All that pride I had in you.
That loyalty.
You just tossed it to the wind.
Yes, sir.
I'm sorry, sir.
Mr. Stigman!
Doesn't matter if you run.
Your jacket's wired, so you're six months AWOL
after stabbing an MP.
Talk to anyone, they're just gonna hand you
right back over to me.
You all right?
Yeah.
Then get your ass up!
Toss the gun.
Jesus.
What am I supposed to do with this?
Oh, man.
Oh.
Come on.
I'm a vet, not a trauma surgeon.
I can't help you with this, man.
You gotta go.
Go with?
Just, you gotta leave.
I can't do anything.
Kenny, you remember a couple of months ago
you offered to sell me 500 hits of
ketamine?
Yeah.
You said you weren't interested.
Right.
I'm a DEA agent.
And if you don't fix me up, I'm
gonna go to the DEA.
I'm gonna tell them that you like Cruz
and Tori Amos concerts, selling special K to
little weepy college girls.
There's no way you're a cop.
No?
No.
You sure?
I'm positive.
You have the right to remain silent.
Mm-hmm.
You have the right to have a lawyer
present during questioning.
Do I need to keep going?
No, I'm good.
You're a cop.
Nice shirt.
Thanks.
JCPenney's.
Yeah?
All right.
Hold on one second.
Hey.
You were late.
What the hell happened?
Excuse us.
We robbed a bank.
What happened to you?
I was there with six agents at 305.
Yes, I was.
You were late.
You went early.
As not as if you couldn't have pulled
your badge at any time and stopped it.
I did.
Stig shot me.
What?
He shot me in the shoulder.
Well, we gotta take you to the hospital.
I didn't interrupt your rendezvous with Harvey.
I don't think so.
This is what we need to do.
We need to find Stig.
We need to find the money.
Hey, listen.
Let me go upstairs, make my excuses, and
then we'll find Stig together, okay?
Let's do this.
Let's do this.
Why don't you recheck Stig's background?
Maybe there was something that we missed.
I'm going to Stig's apartment.
See what I can find out.
Call Harvey.
I said hi.
Who'd you patch up?
What are you talking about?
What am I talking about?
Well, well, there's a dune buggy parked out
back that was stolen by a man with
a bullet hole in him.
Now, before he had a bullet hole in
him, he burned down a diner and robbed
a bank.
I don't know anything about that, so...
Okay.
Okay.
Fair enough.
Say, let me ask you something.
You ever play Russian roulette?
Hmm?
Of course not.
What am I thinking?
The thing is, most people, they put the
gun to the temple.
And that's what, that's just stupid.
What if the bullet's in the first chamber?
You blow a man's head off before he's
had a chance to tell you what you
want to know.
Huh?
Oh, no.
No, no.
Come on, man.
Case in point.
Stay.
Hey.
What are
you doing here, Bobby?
What are you ducking for, man?
You know I set you up, right?
They told me all about you.
Tough cat, knows everybody, doesn't have people.
That guy?
Well, shit, that guy's a perfect cutout.
I mean, he takes the bullet, who's gonna
care, right?
Pick up the phone.
Pick up the damn phone, Bobby.
You got anything to say?
First question.
If you're DEA and you're clean, why are
you here alone?
Where's your backup, Bobby?
Come on, Bobby, it's this kind of attitude
makes me think you're not one of the
good guys.
If I wanted you, I could've had you
before you walked into that building, Bobby.
That's a beautiful rifle stick.
Is that an army issue?
You like that?
That's a Kmart Blue Line Special.
Now answer my question.
Where's your backup?
No, no, that's a military rifle.
What's the military doing robbing banks, Dick?
Can we just have a straight-up conversation,
Bobby?
I got you dead to right.
Yeah?
Shoot me.
Again.
No?
I'll shoot myself.
Huh.
Not bad.
I'm glad you're impressed.
Were you testing me to see if I
would shoot first?
Where's the money, Stig?
You know, if I thought you were clean,
I might tell you, but I don't, so
I can't.
You're lying.
You don't have it, do you?
Where's the money?
Oh, shit.
What?
You're not the only one I was expecting,
Bobby.
Three very nasty men just showed up.
If they find you in my place, they
will get ugly.
Who are they?
Yesterday I said they were my family.
Today they kind of want to kill me.
I understand the feeling.
Now, fuck you.
What do you know about family?
You don't even have people.
No, Bobby, that's a stupid idea.
They're already coming up the stairs.
Bobby!
I told
you.
Now, Bobby, hang up the speaker and answer
your cell phone, okay?
If you want me to help you out,
listen...
Just stay in the shadows, okay?
I'm gonna guide you out from there.
Wait.
Wait.
He's coming up your rear.
You better dart across the hall.
Go over to the bedroom and hide behind
the lockers.
Go.
Go.
All right, Bobby, you're gonna want to scoot
across the hall.
Go.
Sorry, Seymour.
Where's our money?
I have no idea what you're talking about.
You think D.A. can just waltz into
our bank...
and steal our money and we're not gonna
kick?
Your man, Bobby Trench, stole 43 million of
our dollars.
We'd like it back.
Because it's our money.
Because it's a blatant act of disrespect.
And because it's our money.
Please tell me it's you, Bobby.
Anything new on Stig?
He's coming up clean on every database I'm
cleared for.
No military connection?
No regular service?
To go deeper, I'd need to get clearance
from Jessup.
Well, try your old contacts in the military.
I'm gonna tell Jessup everything I know.
Wait, are you sure?
Someone has to know his money was in
the bank.
Yeah, Stig.
Stig didn't even know I was D.A.
Besides, somebody tried to kill him, too.
Bobby, let me help you.
What do you need?
Take it easy.
Bye.
Bobby.
Fuck.
That's how you take down a man.
Shut the door.
Just let it come.
Agent Robert Lynn Trench.
A.K.A. Bobby T.
A.K.A. Bobby B.
A.K.A. Bobby B's.
Let's have a chat.
You stole 43.125 million dollars that did
not belong to you.
Now, man-to-man, who at D.A.
authorised you to rob our bank?
You a banker?
You ever play Russian roulette?
Thing is, most people put the gun to
the temple.
Well, that's just stupid.
You blow a man's head off, before he's
had a chance to tell you what you
want to know.
Mess up your suit, too.
Who told you it was all right to
take our money?
Our money?
Our bank?
Who are you?
If you don't know who I am, how
did you know to steal our 43 million?
I don't know what you're talking about.
You don't?
No.
Well!
Where's the money?
Oh, boy.
Well, uh...
It ain't down there, I can guarantee you
that.
A.K.A. Bobby Ball, cleaning, shaving.
You know what you are?
You.
Are a dirty D.E.A. agent.
That's right.
You're a dirty D.E.A. agent who
robbed a bank, and shot your boss.
You walk into any federal office, and that's
the story they're gonna have.
Unless you bring me 43.125 million, and
you walk away clean.
Have I properly incentivised you?
More than you know.
Unless you want to rot in jail, you
best get after it.
Go on.
You're thinking he deserved better?
You're right.
Morning, Papi.
Don't move.
Go inside.
Quick.
Mommy!
Whose money did we steal?
You really want to know?
I really want to know.
Easy, old man.
Get in there.
Get in there.
Payback's a bitch!
Payback's a bitch!
Whoa, whoa, whoa, Bobby.
Drop the gun, give me the keys.
Give me the keys.
Nice and easy.
Can't do that.
Why not?
Well, I got him first.
I got dibs.
I got a .44. I'm taking Papi.
Give me the keys.
You want them?
Come get them.
I see the wheels turning.
You're thinking, hmm, a blindfold.
Maybe use your teeth.
That's not what I'm thinking.
You know what I'm thinking?
What?
Oh, shit, man.
How's that?
That was uncalled for.
Shit.
You know, I liked you better when you
were I know a guy, Bobby.
I mean, that Bobby was a good guy.
Yeah, well, I liked you better when you
were winking at waitresses and shooting the heads
off of chickens.
Give me the keys.
Give me the keys.
Shit!
You saw that move coming?
That's correct.
Give me the keys.
Damn, you're good.
One of us is going to have to
pick up those keys.
Guess.
All right.
I'll get them, all right?
Get them.
But that must get away, man.
Get them.
Hey, Papi, you like my driving?
Come on,
Papi.
I ain't got all day.
What do you
want to do?
All right.
All right, all right.
All right, let me go.
You let me go first.
No, you let me go.
On three.
On three.
One, two, three.
Okay.
Now you're making me not be able to
trust you.
All right, on the count of three, we'll
let each other go.
All right.
All right?
That's fair.
One, two, three.
I knew it.
Let me go.
No.
All right, I'm going to let you go.
I'm going to let you go.
All right.
One.
Come on, man, you got to admit, that
was kind of fun, no?
You didn't like that?
Who are you?
Shit.
US Navy intel?
Yeah.
Well, I was.
My commander fool bought my jacket.
And now I'm AWOL for stabbing an MP.
You're lucky.
They got me framed for killing my boss.
Think your boss ordered your four closest friends
to kill you?
No, he got me there.
I'm Petty Officer Michael Stigman.
DEA Officer Bobby Trench, but I guess you
know that already.
Pleasure.
So what, you just happened to pick me
or you got orders to set me up
on purpose?
I had orders, man.
I didn't know you were DEA.
My people did.
Their intel is not much they don't know.
Your people.
No, I'm just trying to piece together the
truth so I can take it on my
commander's head to the Admiral.
That's why they want to kill me and
why I want to talk to Bobby.
Right.
Well, I guess we can both talk to
him at the same time.
What, like we're working together?
No, not like we're working together.
Yeah.
No, like we're working in the same vicinity.
Together.
In the same area code.
Together.
The same county.
And don't get all we are the world
on me either when this is over.
Well, we're partners.
Yeah, but I'm still gonna shoot you.
Come on, man, Ebony and Ivory.
Shit, I think he's puked or he's dead.
Oh, yeah, he puked.
Hey.
I'm gonna fucking kill you both.
This might take a while.
I got all day, partner.
Hold on.
Let me put that in there with you.
Put that on here.
So, partner, how you want to do this?
I like that.
It's got a nice roll off your tongue
there.
Partner, we're not that close.
We're kumbaya with me.
We're kumbaya.
I'm gonna get my bucket and towel and
waterboard his ass.
Nah, we gotta give him a chance to
talk.
You got anything to say?
I hope you guys like the taste of
balls because I'm gonna chop yours off, stuff
them in your mouths.
See?
Or maybe I'll put yours in his and
his in yours.
I'm gonna get the bucket.
Kumbaya.
So, why were you putting so much money
in Tres Cruces?
Tres Cruces.
We thought you just stashed a little cash
there until we robbed the place, found 40
million.
Why is that?
You robbed Tres Cruces.
That's correct.
Why is that?
That's funny.
You're dead.
Yeah, that is funny, isn't it?
You're both dead.
And I didn't even have to kill you.
I thought you were sharp.
I know a guy, Bobby.
But you, you just ripped off the CIA.
The CIA.
The CIA.
The CIA.
It's full of crap.
Why would he have money in the same
bank as the CIA?
Why would you have money in the same
bank as the CIA?
I don't have shit in that bank.
The only money I deliver to Tres Cruces
is a payment.
To the CIA?
The CIA.
They take 7% of my revenue.
In return, they let me use their planes.
So I get my shit across the border.
I could do it a lot cheaper, but
there was really no negotiations.
You know, they take it from all the
cartels.
Bullshit.
You're okay.
They're still gonna kill you.
Bobby?
You said stop by anytime.
You kidnap a drug kingpin.
That's correct.
Poppy Gretko.
And you tied him up in my garage.
Sorry.
Would you mind if I swipe a yoghurt?
Yeah, sure.
Please, help yourself to anything.
Take whatever you want.
That's just a yoghurt.
Yeah, but it's her yoghurt.
Just put it back.
Please.
You two like ex-boyfriend and girlfriend?
Actually, you know what?
We never put a name on it.
So what?
You broke his heart or he broke yours?
Wow, this guy will really ask anyone anything
at any time.
Why don't you go check on him, Bobby?
What do you see in this guy?
I could go on for hours.
But I don't know you.
I don't think this is the right time
for us to have this conversation, okay?
Leave.
So, daddy issues, huh?
Daddy!
Is he serious?
Garage.
Poppy, go.
I go.
Go to the garage.
Can I have the yoghurt?
Yes.
I like her, man.
You don't get a broken heart.
I don't want you.
Bobby.
What are you doing?
Are you 100% sure you can trust
this guy?
No.
But he's all the help I got.
Jessup's dead.
The money we stole was CIA money.
They came looking for it.
I'm sorry, Deb.
I didn't mean to get you involved in
all this.
You okay?
What are you smirking at?
You know I've been racking my brain trying
to figure out who you look like and
it finally dawned on me you look like
a Mexican Albert Einstein.
Minus the genius factor, obviously.
You want some yoghurt?
Payback's a bitch.
That's for little Toro.
Dave.
Is that your people?
You have to say it like that?
Like what?
They're your people.
Right?
Technically, yes.
But I thought you were my people now.
All right.
Two taps, we're here at the garage.
On go.
Okay, on you go.
Go.
What was that about?
It was messed up.
What the hell's going on?
I don't know.
I don't know.
Give me your phone.
Now.
I'll take the car, too.
Get out.
Get out.
Oh, my God.
It's them, Grey Charger.
How do sticks people know to come to
your house?
I don't know.
They must have followed you.
I don't think so.
We would have seen them.
You should have seen them.
How do they know to come to your
house?
Huh?
Why were they at your house, Debbie?
Oh, no.
Are you serious?
Bobby.
Where are the cargo, macho?
Hurry up.
What the hell is this?
On your knees.
On your knees.
I know some guys, too, Bobby.
Dag them up.
Let's take them home.
You want to talk about it?
No.
You sure?
Yeah, I'm sure.
I told you I didn't like her, man.
Shut up.
What are you getting mad at me for?
Because you talk too much.
What did I ever do to you?
Besides shoot me?
You know what you are?
No, you're a misanthrope.
It's misanthrope.
I'm a misanthrope.
Did you know what I meant to say?
No.
What did you mean to say?
That you don't like people.
Shut up.
Now who's the chicken, huh?
Get up.
Time for my massage.
Yeah.
I'll have housekeeping clean up your bed.
Ah, shit.
My grandfather cut cane for 30 years every
day and never got a blister.
He says it smells like hell.
Toughen those hands.
You know what I like about this?
Not only do I get to take my
time with you guys but this time I
don't have to worry about leaving any marks.
Don't put your hands on me, man.
Shit.
What did you say?
Just don't put those pissy hands on me,
man.
You ain't got a home, Bobby.
DEA doesn't want you around.
Not with your sins.
Payback's a bitch.
You smell like warm corona, man.
God.
You remember my prize breeding bull with cojones
the size of coconuts?
You want to see him?
No, it's okay.
We can see good from here.
Adios, Bobby.
No, no.
Forty-three million dollars.
It's everything we stole from the CIA.
You let us go, we'll bring it to
you.
Venga, Santoro.
Mételo.
You hear?
I've got the money.
What are you talking about?
I got it.
You don't have it.
I know I don't have it.
He doesn't know that.
You don't have the money.
I know you don't have it because I
have it.
You have it.
Where is it?
Commander Quincy said Corpus Christi never leaves this.
Tell him.
Oh, shit.
Where is it?
Go.
Commander Quincy said Corpus Christi Naval Air Station.
Yes, sir.
That guy's pissing on us and you're asking
if we should fucking tell him.
If that's the truth, I might as well
just kill you now.
Llevame las niñas al cuarto.
Si, mi amor.
I had a run-in with a couple
of boys out of your organisation.
Hello, Earl.
Mr. Bobby Beans and Mr. Michael Stigman.
Well, they're not from my organisation.
They're freelancers from Bobby Beans' undercover DEA.
And Mr. Stigman's AWOL U.S. Navy.
They stole 43.125 million from the trace
cruisers.
We want it back.
Is there a fine to his fee?
Fee is we let you continue to do
business.
Fee is we don't raise our cut from
7% to 20%.
The fee is we don't come down here
with a squad of Apache A6 helicopters and
wipe you off the face of the earth.
You like my country weak and corrupt, don't
you?
So you can buy your cheap crap at
the mall.
Well, Earl, I'm not cheap.
Is this about pride, Manny?
About machismo?
Prove you got a big Mexican cock?
Well, your cock is huge, it's massive.
And I, I'm in awe of your cock.
So what?
You're still a drug dealer.
And I'm still the governor of the United
States.
It's a free market, Manny.
Not a free world.
I'll take a look.
Hard.
You'll look hard.
Under every rock in Mexico.
Let's get out of this shit.
Bring me those bastards who are hanging and
clean them up.
Yes, sir.
If that number is real, the Navy will
bring me 43 million dollars.
And our friend from the CIA, fuck his
mother.
Let's go, man.
I've decided to let you bring me the
43 million.
The truck will take you north to the
border.
From there, you'll cross on foot with the
Coyotes.
It's all the same, we'd rather drive.
With everybody looking for you, they'll pull you
out of line in two seconds.
No, you go the way you forced my
people.
If we can't risk crossing, how are we
supposed to bring you back the money?
I'll meet you north of the border in
24 hours.
Now, I'm trusting you to fulfil your part
of the bargain.
Hey, Bobby.
You got 24 hours to bring me the
money.
Or I'm gonna shoot her right in the
head.
Then I'm gonna find you and I'm gonna
gut you like a pig.
So what's another one?
The mirror is a trigger and your mouth's
a gun Lucky for me, I'm not the
only one And if it works to me
Like you and your reflection Bland and agile
Fight to this dimension They'll tell it that
this ain't no free for all to see
There's only three It's just you and me
against me I get the feeling that it's
two against one I'm already fighting me So
what's another one?
The mirror is a trigger and your mouth's
a gun Lucky for me, I'm not the
only one Lucky for me, I'm not the
only one I get the feeling that it's
two against one I'm already fighting me So
what's another one?
What's another?
Another one?
The mirror is a trigger Lucky for me,
I'm not the only one I get the
feeling that it's two against one I'm already
fighting me So what's another one?
The mirror is a trigger Lucky for me,
I'm not the only one I get the
feeling that it's two against one It ain't
no Les Miserables for you tonight, man.
Les Miserables.
Oh, man, whatever the fuck, man.
Don't remind me.
Look, it's not my fault Quince took the
money back to the base.
Oh, you said you took the money back
to the base.
No, I never said that.
So the money could be anywhere.
It could be in East Jabip, the Cayman
Islands.
No, the money is on the base, okay?
You gave it to Commander Quince at the
Camino Royale, and he told the guys to
take it back to the base.
Right before he took you out and tried
to kill you.
That doesn't mean he's lying about the base.
Not everybody's as paranoid as you, Bobby.
Jeez.
What about the Prius?
You like the Prius?
Camino Royale.
Yeah, it's a hotel.
I met Debbie at the Camino Royale.
No shit?
Yeah.
What was she doing there?
She said she was there to meet her
boyfriend, Harvey.
Wait, your girlfriend has a boyfriend?
She's not my girlfriend.
Holy shit.
Man, just pick a car.
Right here.
You picked that one?
Yeah.
Fuck, you want a fucking Bentley?
I got it.
Hey.
Crazy question.
Wouldn't everybody know how to fix a snowmobile?
I don't think so.
Did you check for me?
I really need to fix mine tonight.
Why, a big storm coming?
You never can be too sure.
I'll be right back.
What about that?
What?
She smiled at you, you didn't wink at
her?
Well, I don't wink at every woman I
see.
Snowmobile in Texas, huh?
Must have been some serious shit selling.
He got himself a new claw, huh?
Give me a call.
So do you.
You still got my ring today, Stash?
Yeah.
See you later, C.
All right.
You know what they say.
Talks off being carrying M4 with a grenade
launcher.
Wow.
Which one you want?
This one.
What's your point of getting on the base?
I'm working on it.
All right, remember, once we get to the
command building, Quinn's office is the first floor
end of the hall.
He's not in the field.
That's where he lives 18 hours a day.
Right, right.
But you still haven't told me what the
plan is to get through the gate.
Well, I got a plan.
I mean, I'm capable of coming up with
a plan.
I'm not saying you're not capable.
I'm just saying you haven't told me.
What is it?
I'm working on it.
Better work faster.
Much faster.
Rickman!
Oh, fuck.
Is that gas enough for you?
Shit!
Go, go!
On the radio, now!
On it!
Hold it!
That was your plan?
Well, we're on the base, aren't we?
That's not a plan.
Nobody in their right mind breaks into a
naval base.
That's why it's a brilliant plan.
Nobody expected it.
You should have seen your face.
Damn, they were surprised.
All right, you'll start coming up.
I'll play decoy, lead them away, try to
get to the admiral, OK?
All right.
Things go wrong, I'll see you back at
the boat yard.
Oh, things ain't going wrong.
I'm getting a medal.
I get to the admiral, I'm getting a
medal.
Watch.
You're going to wish me luck, aren't you?
Come on, man, let's hit it.
Good luck.
Quinn's office is at the end of the
hall.
Remember, first floor, end of the hall.
Get down.
Sir, Petty Officer Michael Sigman, ID number 540333.
Wait a minute.
What's the problem?
Oh, shit.
Sorry, I didn't mean to do that.
Sir, I've been in the service 12 years,
sir.
I've never stepped foot in an officer's mess,
much less crashed it.
Please, sir, it's an emergency.
Stand outside, please.
Leave us alone.
Thank you, sir.
Hey, I'm really sorry about that, man.
I didn't mean to hit you like that.
I apologise.
I'm listening, sailor.
Sit.
Thank you, sir.
You believe this stolen money would all be
used to fight drug cartels?
Yes, sir.
I thought the orders came down the valid
chain of command.
Blind loyalty is not loyalty.
I know that, sir.
That's why I'm here.
Well, you've shown a lot of tenacity and
a lot of guts bringing this to me.
Well, thank you, sir.
That means a world coming from you.
Unfortunately, there's nothing I can do for you.
Well, of course, sir.
I mean, you can just lock down the
base.
You can arrest Commander Quince.
The United States Navy does not rob banks.
Its personnel did not rob a bank.
I'm not going to tarnish the integrity of
the Navy over one crooked sailor.
If there was money taken from the bank
that was part of an illegal CIA slush
fund, the Navy had no knowledge the fund
existed.
Your jacket has you six months AWOL?
Yes, sir.
It's going to stay that way.
Commander Quince's jacket will likewise be amended, so
he's also AWOL, making none of this the
Navy's problem.
Sir, this isn't right.
Well, I'd offer more.
But when the hand has gangrene, you chop
it off to save the body.
You don't keep the pinky around just because
it meant well.
Have petty officer Stigman dropped outside the main
gate.
He sets foot on a military base anywhere
in the world.
I want him shot.
This is bullshit.
You know, men like me fight and die
in the orders of men like you.
Without us, those dogs on your shoulder are
a fucking costume.
Open the safe.
Does your boss know you're doing this?
Open it.
What if the CIA kill her like they
did Jessup?
What's it to you?
I don't like loose ends.
Neither do I.
Harvey.
Huh?
Well, my mother named me Harold.
I like Harvey.
Harvey has a nice ring to it.
Don't you like Harvey?
I don't know what you're talking about.
Yes, you do.
Been to the Camino Real Hotel lately.
Open the safe.
There's the money.
Can you tell me where Deb is?
She's getting the nails done.
Where is the money?
I don't know.
All right, tell me what you do know.
Well, your girl found out where the CIA
was stashing the money right about when I
did.
And when I told her that she and
I could get away with the money by
setting you and Stigman up, she didn't even
blink.
Don't lie to me.
Was she that unhappy, Bobby?
Where is the money?
Don't lie to me.
You think I'd keep it here with you
and Stigman still alive?
Come on, Bobby.
You gave it to her, didn't you?
Didn't you?
Commander.
Back up.
Clear.
You okay, sir?
Yeah, I'm fine.
This is a really good barbecue.
You don't want to regret not trying it.
Why don't you stop wasting my time and
just kill me?
Even if Bobby was coming with the money,
he'd still kill us both.
But he's not coming.
He'll be here.
No.
He won't.
You think he's just gonna let you die?
You think it was a coincidence?
The Navy came looking for Bobby at my
house?
If I couldn't have Bobby, at least I'd
have half of 43 million.
You set up Bobby Beans.
I wouldn't be coming for you either.
Where's the money?
Come on.
I don't know.
I'm going out of the country.
It's certainly not our Navy days, Bobby.
Where does that leave you?
Exactly where I deserve to be.
Yeah?
Bobby.
You're late.
I got the money.
I don't believe you.
No, I got it.
Believe me, I got it.
I believe you.
Where are you?
Hi, Bobby.
Debbie?
Can you hear us?
Just hang up the phone and run.
Okay, listen to me.
Tell him I got the money.
Hang up the phone.
It's not your fault.
Just...
Debbie, tell him I have the money, okay?
And I know you know where the money
is.
Just tell him I have it.
Debbie, listen to me.
I'm sorry.
I really meant to love you.
Debbie.
Where are you, Debbie?
Hello?
Hello?
Debbie.
What'd they say?
What'd the Admiral say?
What'd the Admiral say?
Having to wash his hands, the whole thing.
Baby turned her back.
Where's the money?
There was no money, Steve.
What?
There was no money.
Of course there is.
I gave Quince the money, right?
Quince gave it to Deb, and Deb is
dead.
Bobby killed her.
Fuck it.
Let's go down to Mexico.
We'll blow them all down.
They'll take everyone of them out.
Kill them all.
And then what?
Well, at least Quince and Bobby would be
dead.
And then what?
Oh, you just want to let them escape?
You don't get it, do you, Steve?
I mean, God bless you.
You still think there's some kind of code.
There is no code.
You followed every order the Navy gave you.
They kicked you in the teeth.
There is no code, Steve.
No one fights for the Navy, okay?
It's not about the Navy.
You fight for the guy that's fighting next
to you.
That doesn't mean anything to you?
I'm going to Mexico.
All right, and just so you know, my
code, my code saved your life.
It's three inches between your heart and your
shoulder.
If my bullet goes three inches left, you'd
be dead.
And I wouldn't be here, all right?
Because Quince only decided to kill me because
I let you live.
Oh, what, you think I missed?
Huh?
Is that what you think?
You think I missed?
When have you ever seen me miss?
You stay here.
I'm going to Mexico.
Our deal still stands.
I give you the money, I walk away
clean.
Hola.
Looks like you had a better morning.
You better have my money.
Right here, every penny.
Where's Bobby?
Oh, we had a philosophical falling out.
Open your trunk.
I just want your word, okay, that you
and your boys, Barrett knows who we are,
and you'll help me kill Commander Quince.
Who's Commander Quince?
That's him.
He's behind me!
Mr. Stegman, you promised me $43 million for
killing everyone on this ranch.
Got the money right here, sir.
Thing is, I promised Papi the $43 million,
too, so I'm afraid you two are going
to have to duke it out.
Maybe he and I will just kill you
instead and split the money.
What do you say, Papi?
50% of $40 million?
Better than 100% dead, right?
It'll double-cross you the minute your back
is turned, bullet in the head.
50-50.
The guy up on the roof says 60
-40.
He ain't got a trustworthy bone in his
body.
I came back, didn't I?
Fucking CIA.
Red rope or red rope, whoever's got my
43.125 million better come the fuck on
out.
You offer him the money, too?
I didn't call him.
It's in the trunk.
Why the fuck did you tell him that,
pinche culero?
Thank you, Commander.
Mr. Stegman, come on out and open the
trunk.
Nice and slow now.
Well, what do we got here?
Sounds like a Mexican wedding.
Is that my 60-40 parlour?
That's correct.
I told you.
I know a guy.
Now, who wants to see $43 million?
For a minute there, I thought you had
me chasing my tail.
You want to count it?
Oh, if you'll shorten me, I know where
to find you.
So we're good?
Did I not give you my word?
That's right.
Then don't treat me like an arsehole.
I'll try my best.
You and Mr. Stegman are free to go.
Yes, sir.
I trust you can find your own way
home.
That's right.
What are you doing, Bobby?
Let's go.
I'm not going to let him get away
with the money.
Let's go.
I hate these daggers.
They're not just going to let us go
on our own.
Let's go.
I got a plan.
Hey, I got my M16 on the money.
I got my M4.
Let's do this shit.
Don't worry about it.
I got a plan.
I'm capable of coming up with a plan.
It's a good plan.
Make it rain.
That was
your plan?
To blow up 40 million dollars?
Yeah, that's why it's a brilliant plan.
Nobody expected it.
Go!
Go ahead,
I'm right behind you.
Don't miss.
I never miss.
Told you.
Stig!
Don't do it.
Three times over.
No more fucking around.
Now, drop your weapon.
Tell Mr. Stigman to do the same.
You tell him.
It's real simple.
We can all make a deal or we
can all die.
I'm not making any deals.
Talk to your man, Bobby.
You're the smart one.
You think Trace Cruz is the only stash
we got?
We got 20 more.
We got money everywhere.
You're not going to change a damn thing.
Stig?
Yeah?
You're my people, right?
That's correct.
Oh!
You good?
Never better.
We're not people, though.
This makes us family.
All right, brother.
Hey, senior Einstein.
You're looking kind of fucked up sitting there,
man.
You all right?
Oh, my lord.
Son of a...
Well, you know what was so cool?
What?
You rolled in on that seat full of
pollen.
You like that?
I mean, you look badass, man.
Yeah, that's right.
Oh, like, holy shit.
Oh, listen, one more thing.
One more thing.
What?
Give me your gun.
Give me your gun.
Oh, you're not serious.
Yes, I am.
Thank you.
You're really going to do this after everything
we've been through?
One more leg.
One more leg.
This is not going to make you feel
better.
Because leg is, you know, there's more flesh.
There's not as much bone, you know, in
the arm.
Well, you are.
It's going to make me feel real good.
You are a bitch.
Oh, fucking son of a bitch.
Hurts, doesn't it?
You ain't could have killed me.
Is that right?
Three more inches to the left.
Don't even say it, man.
You'd be winking at waitresses anymore.
Oh, I'd still wink.
I just wouldn't be able to do anything
about it.
No, because I'd never miss.
You know me.
I don't miss.
I'd never miss.
When's the last time you saw me miss?
You carry my ass all the way home.
When's the last time you saw me miss?
Oh, shit, man.
You know, I shot you, and I didn't
know who you were before we were family.
Hey, what?
It's different.
But we're family.
Now, I shot you because I know who
you are.
Oh, man, that ain't right.
They definitely got the move.
Arseholes in windshield sunglasses.
Practically CIA uniform.
Can I get you boys anything else?
Are your doughnuts any good?
Tell you the truth, they're pretty lousy.
Can't tell you how happy we are to
hear that.
Give me some air.
I saw that.
Saw what?
You winked.
That's a twitch.
Ain't right.
Now, for a guy who just blew up
$43 million, all of a sudden you are
a very generous tipper.
You said I blew up $42 million.
What are you saying?
I'm saying anything.
What are you hearing?
I'm hearing something.
You're saying something.
You're hearing it.
It's only because you're hearing it, not because
I'm saying it.
How much did you keep?
Two million.
That's like one inch.
Oh, so now you get half?
Well, I shot half the guys.
So?
Two million.
I'll be running this show for years.
I'm burning like the sun To light up
everyone When you hear me shout You're gonna
feel the sound I'm gonna turn it up
Gonna take you down Are you ready?
Are you ready for me?
Are you ready?
Are you ready for me?
Are you ready?
Are you ready for me?
Are you
ready for me?
Listen, um, I wanted to get a safe
deposit box.
Can you do that for me?
Okay.
Your box will be available any time from
an hour after opening to thirty minutes before
close.
This is your key.
Thank you.
Oh, um, also, if you have any questions,
please let me know.
If you open a checking account, we'll give
you five percent off the box, along with
free overdraft protection.
Oh, here I was, hoping for a free
toaster.
Why would a bank give out free toasters?
Hello, Ma.
I'm ordering you the French toast.
No, thank you.
Our very patient waitress, Maggie, well at least
it says Maggie on the name tag, has
asked me to order four times.
If I don't order at this point, it's
just rude.
I can come back.
It's okay.
You know what?
I'm making an executive decision.
Pancakes.
Okay.
Uh, no pancakes.
I don't like pancakes.
No pancakes.
What are you, a communist?
You know, my friend will have the pancakes
and the fried egg.
I'm thinking hash, but only in slightly chunky
style, okay?
Listen, if you order me eggs and pancakes,
I'm going to kick your behind.
Well, you've got to eat breakfast.
It's the most important meal of the day.
Uh, ma'am, ignore everything he said, okay?
Don't, don't, don't, uh, bring me any eggs
and pancakes.
Just bring me some coffee and bring him
a couple eggs.
I don't want eggs.
I want hash.
You know, put a couple eggs on it.
And give him some rye toast, too.
No rye toast for me.
I don't like rye toast.
And a pancake.
No pancakes.
No silver dollar ones.
No silver dollar ones.
No pancakes.
No silver dollars.
No rye toast.
I like pumpernickel.
I do have pumpernickel, yeah.
Pumpernickel toast.
Hey, Maggie, wait.
One more thing.
Yeah.
That's for you.
You take that with you till we see
each other again in case you miss me
too much, okay?
Why you got to do that?
What?
Wink at the waitresses like that.
Waitresses like me.
Nobody likes you.
So?
So.
What do you got?
So, it is a sleepy bank.
Doable?
That's correct.
I told you.
That is a lot of doughnuts.
I'll be right back with your hash.
Maggie, your hot homemade doughnuts, any good?
Best in three counties.
I tell you what you do.
You bring us three of those bad boys,
put them in a to-go box for
us, all right?
All right.
Thank you.
All right.
Time to make the move.
All right.
There's going to be some sirens on this
bench.
I'm going to go shake the weasel.
Shake the weasel.
Shake the weasel.
Hey, good morning, sir.
How are you?
Hey, Maggie.
Good morning.
I'm very sorry about my friend.
He was kicked in the head as a
child.
He's really not that bad.
No, he is.
What's going on?
Okay, I'm just going to have you all
exit the building.
It might be a false alarm, but just
do it safely.
Thank you.
Thank you.
Is everybody out?
I'm interested in understanding.
Go ahead, Maggie.
I'm just going to grab my friend.
Okay.
We've got to pay our bill.
Okay.
We should go.
Is that all you're going to leave for
a tip?
It's 15%.
You leave 15%.
You know you've got to leave at least
30.
No, you don't.
15% is standard.
Why, Maggie's about to be out of a
job, man.
Don't be cheap.
Okay, there's five.
That's seven.
There you go.
Come on.
All right.
What?
No, you didn't.
Yes, I did.
Oh, my God.
How'd you say it?
Never overbank a crossing.
Dino's the best doughnut in three counties?
That's correct.
Bobby.
Hey.
Bobby's down in the stables.
Why don't you get something to eat?
I'm not hungry.
Sure you are.
I want to come with you.
Hey, listen.
We're here to do business.
Diplomatically.
Well, I can be diplomatic and be hungry,
too, right?
Bobby.
Wait here.
Okay.
Somebody sitting here?
I need a toro.
Oh, you move your feet, you lose your
seat, right?
You lose your head, too.
That's correct.
So, where's little toro?
Ahi, where you put him.
Aki?
Ahi.
Let's play some dominoes.
Bobby's ready.
Yeah.
Bobby Greco!
I know a guy, Bobby.
That's correct.
Quick.
An ostrich, a tank of ether, a 63
Impala convertible.
Make it a 64.
Nice out of the border.
All right.
I know a guy.
Que te dije?
What'd I tell you?
He never says no, never says maybe, never
says, see what I can do.
Nice bull.
I hope he's a good breeder.
That's a shame about little toro.
Who you call him skimming?
I don't sound like little toro.
Except for me.
That's correct.
Everybody skims a little cream.
It's human nature, just because it's human don't
mean you let it go.
Nice lines.
That's right.
Good colour.
That's right.
He knows a guy.
What you got for me?
Cash.
Cash?
You're supposed to be giving me a hundred
thousand to deal with.
You're supposed to be giving me a hundred
thousand dollars worth of cocaine.
Where's the cocaine?
My buyer wants cocaine.
So let him buy cocaine.
That's what he's trying to do.
He's trying to buy cocaine.
I told him I knew a guy.
Therefore, I come to you.
You're the guy I know.
That's why I told him.
So take back the passports.
After little daughter, we're not taking on any
new customers.
With no disrespect, but I ain't no new
customer.
You've been dealing with me for a long
time.
Keep the passports.
Keep the money, too.
When you're ready to give me the product,
you give me the product.
Till then...
You owe me.
Not very sporting, man.
At least give the chickens a chance to
shoot back.
Hey, man, I'm just saying.
I'm a killer, defenceless animal.
I'm gonna honour its sacrifice by grilling it
into some tasty barbecue.
What I'm not gonna do is torture it
just to prove I can't hit anything further.
Your cuate's a real junkyard dog.
¿Dónde se conocieron?
Él le arrementé un hueso y me siguió
a la casa.
Hey, cowboy.
You're the pretty one.
You ever hear the expression, you got a
face only a mother can love?
That don't apply to you.
You are uglier than the devil's arsehole itself.
Hey.
What are you doing?
They're torturing chickens, man.
What are you eating?
A chicken.
It's not the same thing, okay?
See that bag over there by the table?
Buffet table next to the potato salad?
Yeah, the bowling bag.
What about it?
Little Tom's head is in that bag.
Bullshit.
Yeah?
Son of a...
You know what?
That's fucked up, man.
I'm...
Hey, whoa, whoa, whoa.
Let's go.
Okay.
Come on, let's go.
¡Dale, wey!
Say it in English, you goat fuck.
¡Maricón!
Suck my chicken!
That's funny coming from you, fat boy.
You ain't seen your pecker since you were
a baby.
Puto.
Just because you put your finger in your
belly button, brown shit comes out, don't mean
it's your arsehole.
What did you say?
Don't worry about it, man.
I'll dig him up and make some damn
barbecue.
Bye, chica.
Did you just wink at him?
I did wink at him, because he's my
bitch now.
Uh-oh.
That's good shooting.
Gracias.
You know, little Toto never did nothing to
nobody, man.
We should rip out Poppy's stash at the
Trace Cruises and save us some money.
You know, Poppy's guy delivers a briefcase full
of money to the Trace Cruises every two
weeks.
That's got to add up to, what, like
three million at least.
If Poppy knew we were even talking about
ripping off Trace Cruises, it would be our
heads in that bag next to the potato
salad.
No way.
Our two heads would never fit in a
bag that small.
Come on, man, let's hit the road.
Hit the bank.
Little Toto was your friend.
He was my friend.
So?
What do you mean, so?
What if it was me?
What if my head Poppy ran through the
sawmill?
You wouldn't come after him?
Nope.
You wouldn't kill him?
Nope.
Shit, maybe he did that to you, I'd
kill him.
You know why I'd kill him?
Because you're my people and there's a code.
There is no code, first of all.
You do whatever you got to do.
Whatever it takes.
One second.
Right.
We're not people because you, you don't have
people.
That's correct.
Come on, come on.
Purpose for your visit to Mexico?
Quail hunting.
My aunt in Tuba City had a heart
attack, so we cut our trip short.
Tuba City?
It's near Odessa.
Nice place?
Hell-hole, but she's my favourite aunt.
Don't do it!
Let me see your hands!
Tell us about your trip.
Lawyer.
What's the big deal?
Lawyer.
You were down in Sonora, weren't you?
You don't think Agent Jessup and the D
.A. know about you and Papi Greco?
Lawyer, lawyer.
They know you were at his ranch.
I know I need a lawyer.
Tell Agent Reese about Papi Greco.
Who?
Papi Greco.
Who's that?
Some Mexican Santa Claus or something?
Come on, Mr. Stigman.
I think it's in your best interest to
cooperate.
You need to stop playing the stupid card,
right?
Ma'am, it's my intent to cooperate with
whatever you need.
I mean, as an American, I know you're
just doing your job, and sometimes you need
a little help.
Sometimes innocent folks like me get caught up
in the system.
It's like the airlines.
They don't lose your luggage on purpose, right?
But everybody takes it so damn personally.
Come on, Mr. Stigman.
So you want to play games?
What do you have in mind?
You want to help yourself.
Yes.
Do I have to do it in front
of him?
All right, we're done here.
Thank you, Mr. Stigman.
You gonna leave?
Ah, yes.
Concentrate, work with her, man.
Five border agents are ripping apart your car
as we speak.
They ain't gonna find anything.
Where's your other cocaine?
Can they hear us?
No.
Can they see us?
No.
Okay.
There was no cocaine.
You had a deal in place.
Right.
Five hundred passports in return for cocaine.
Right.
Hey, Bobby.
How you doing, Debbie?
Good.
Man, your boy Stig's a piece of work.
He winked at you, didn't he?
How'd you know?
Bobby didn't get the cocaine.
What?
What happened?
Papi offered me cash.
I told him no.
I told him to keep the passports.
So, eventually he's got to come up with
the cocaine.
What about this guy you said you could
flip, Lil' Turo?
I got him.
He's real close.
I don't know who you are anymore.
It's like, it's like you're out of this
limb.
And you've been out there way too long.
And you're saying that to say what?
I don't like going to the funerals of
my own men.
Well, then don't come, boss.
Don't come.
Okay.
I spent the last three years of my
life crawling through a Mexican sewer trying to
work my way up the line to get
next to Papi Greco.
You can't take me off this now.
Jessup, he's close.
He can't take me off this now.
I know.
Not now.
Two weeks.
Yeah, I'll flip Lil' Turo by then.
I'm pulling you out.
We're done.
Think Jessup knows about us?
What us?
You don't do us, remember?
Oh, I remember.
Besides, I'm dating.
Oh, right, right, right, right.
You're dating, uh...
Mm-hmm.
...your imaginary boyfriend.
He whored me.
Uh, he's not a whore.
He's not my boyfriend.
His name's not Harvey.
I like Harvey.
It has a nice ring to it.
Harvey.
You don't get to be jealous anymore, Bobby.
Harvey.
You pushed me away.
So you could be with Harvey.
Fuck you.
Lil' Turo's dead.
You told Jessup you were close to flipping
him.
I was.
But when I got down to the ranch,
Papi's boys was throwing his head around in
the bag.
Well, that's game then.
With Lil' Turo off the board, Jessup's pulling
you out.
Not if you don't tell me.
I'm your control, Bobby.
That's correct.
I have to tell him.
That's why I need you...
to let me rob Trace Kruse's savings amount.
You wanna rob a bank?
No, Stig wants to rob the bank.
It's his idea.
So there's no entrapment.
What I want is access to that money
that Papi's got in that safe deposit box.
You know no judge is gonna give you
a blanket warrant for the boxes.
We don't need a warrant.
Not the money's evidence in the crime.
We just trace it back to ownership we
got Papi on tax evasion, possible Rico.
Yeah?
Yeah.
And what about Stig?
What about him?
He's a side dish.
You bust him in front of the bank,
he does a smooth 20 years in the
penitentiary, you get a medal.
The bank...
gets us, Papi.
And that's all that matters, right?
Takes whatever it takes, baby.
Did you ever really love me?
I really meant to love you.
You don't have to knock, you know, it's
always open.
Yeah, good.
Let's hit the bank.
Let's hit the bank.
Betray Scruces?
That's correct.
Oh, shit.
He and I are still spinning over how
we got Yank on the line at the
border.
So?
You in or you out?
I'm in, yeah, it's just...
I mean, have you ever had anything like
that happen to you before?
I mean, they were 100% convinced we
were holding.
And we would have if Papi had the
wealth on that coat.
So you're saying that to say what?
I'm saying this only because you're hearing it.
No, you're saying something.
And if you're saying it, I'm hearing it
because you're saying it.
What are you saying?
Let it be said.
Well, I think you're fucking playing me.
Oh, you want to be playing?
I've been at your hip for 10 months,
but after this, I think maybe you're playing
me.
I got you.
No, you didn't.
Oh, I did.
The corner of your eye was twitching.
The corner?
Yeah.
That wasn't a twitch.
Yeah.
That was a wink.
That's my move.
Yeah, that's Papi's chubby little kid right there.
Eat that motherfucker quesadillas.
Oh, my God.
She's chubby too.
Been all the right places.
How does an old, fat, ugly fucking girl
like that?
Money.
All right, here we go.
Same thing every two weeks.
Papi flies over the border with a briefcase
full of cash.
Spends a week with the mistress.
Ferret knows Julio.
Drives it out to the Tres Cruces Savings
Zone.
And then he's gone.
Think they got three million in the bank,
huh?
Easy.
Bingo.
Money, money, money, money.
Crap.
Why don't you get to the diner and
check out the doughnuts?
What kind of moron a corned beef hash
man would tell you the truth?
You never heard the saying, never rob a
bank across from a diner that has the
best doughnuts in three counties?
That's not a saying.
Yes, it is.
No, it's not.
I get what you're saying, but it's not
a saying.
It is a saying.
Okay.
It's a saying.
Am I bad?
Yes, you are.
Am I a bad girl?
Yes, you are.
Stig decided to hit the bank tomorrow, three
o'clock.
Stig decided?
A wither without me is going in.
Well, I still haven't talked to Jessa.
Stig doesn't know that.
Three o'clock tomorrow, he's going in.
If we want Papi, I gotta go in
with him.
Oh.
You're not even gonna give me a choice,
are you?
I'm giving you no other options.
There's a way to protect you.
Let's have the truth meet me outside the
bank, three o'clock, when we come out.
Three o'clock.
Okay.
And don't shoot me, even if you want
to.
Licence and registration, cowboy.
Cute.
What's up, Timo?
What's up, brother?
How are you, brother?
Nice to meet you, man.
Nice to meet you, man.
That's a turkey burger, special sauce.
The man wants to see you.
Yes, sir.
So, half a mile from home.
Got Bobby all lined up and ready to
go, sir.
All right.
Ordinance you requested.
But you know the Admiral's proud of what
you've done.
You've done way out on a limb.
If the bank falls right tomorrow, says you
can come in from the cold, rejoin your
brothers.
Right.
Could just put the uniform back on, sir.
I mean, and join the Navy to commit
fountains and hang with drug dealers, you know?
You really think you're damn good at it?
I do what I do for the Navy,
sir.
That's all part of the Admiral's plan.
We get the three million from the bank.
We run cross-border ops on Poppy and
all the other cartels.
So, tomorrow, clean and precise.
Take all the boxes, nothing left undone.
You got it?
Yes, sir.
Let's go.
Let's go.
Watch it.
Hey, nice jacket.
Hey, tell your mother she's got to move
out of my house at some point, man.
All right.
Who do you want, Cloud or Frankie?
Frankie.
So, what'd you do with the .22?
Traded it to my cousin for an espresso
machine.
You're gonna need special beans for that, right?
Uh-uh-uh.
You can reach me at firearms.
Do it real slow.
Any other people in the building?
What the hell is this?
It's a bank robbery.
Only instead of robbing the bank and letting
you chase after us, we decided to come
after you first.
Let's go.
Oh, my God!
All right, give me a gun, then.
All right, everybody, sit down.
Everybody, sit down on the floor.
Ladies, behind the counter.
Keep your hands visible.
Not on the alarms, okay?
All right, girls, just give him the drawer
cash.
Did we ask for the drawer cash?
Come on, come on, come on.
Sit, sit, sit.
Right here, sit, sit.
Let's go, on the floor.
Hey, guys!
Hey!
Hey!
Look, I'm trying to be polite, all right?
Just sit tight, and this will be over
soon.
Open the gate.
I don't have a key.
Aren't you sure?
Easy.
If you lie to me again, it's gonna
be more than a fucking problem.
Get out, get out.
Get on the floor.
Good, I'm going in.
It's all right.
Hi, baby.
Hey, it's okay.
It's okay.
Yeah?
Okay, there you go.
Showtime!
Fire in the hole!
Shit!
Hey, Frankie, something's not right.
They're all stuffed with money.
I thought you said there would only be
one or two.
Every single one of them.
I'm at 32 boxes and counting.
There's way more than three million.
And there's still a lot more here.
All right, well, take them all.
We'll figure it out later.
Go ahead, I'll get the rest.
All right.
Listen.
There may be gunfire outside, okay?
So if it hits, you get everybody behind
the counters.
This is for the jail across the street.
You let the cops out.
Let them out.
Come on.
That's a hell of a lot more than
three million dollars.
How much you figure?
We couldn't be the luckiest chumps on the
face of the Earth, could we?
You feel lucky?
No, I don't.
I mean, this can't be Papi's money.
I mean, money like this?
He wouldn't chase us off the end of
the Earth for money like this.
You know, I hate to tell you this,
Dick, but I got more bad news.
Take that hand away nice and slow, Bobby,
okay?
Put the gun down, Dick.
You know I really like you, right?
I like you too.
No, you don't.
Yes, I do.
No, you don't.
Nobody likes me, okay?
And I'm okay with it.
I do.
I like you more than most.
You're not just saying it because I got
a gun pointed to you.
Why don't you just put the gun down?
Ugh.
Shit.
Oh!
I'm talking.
I'm sorry, man.
What'd you do that for?
Shit, man.
I had to.
No, you didn't.
That's just a little flesh wound, okay?
You're gonna be all right.
Drink the water, and then you'll be okay.
What is that?
In your hand.
Is that a badge in your hand?
Tell me you're not a no-good two
-timing son of a bitch.
Two-timing?
Tell me.
You shot me.
Hey, wait a minute.
Wait a minute, man.
Hang on.
No, you wait a minute.
Hey.
Take it.
Hey.
The United States is the greatest country in
the world because we accept a man is
at his call.
Greedy, selfish, and covetous.
I had no choice.
They took my key.
I would never willingly open the vault.
Keep your hands on the desk, please.
In America, we line everybody up.
Say you're on your own.
Grab all you can grab.
I'm innocent.
Nobody's innocent, friend.
There's just the guilty, the ignorant, and the
unlucky.
Did you take our money?
You fellas look like you're waiting for a
bus.
You guys let us know when you're done.
Oh, I'm done, and thank you for the
courtesy.
Who is that guy?
You heard of the hidden hand of God?
That's God's son of a bitch.
Call the DDL and get a list of
everyone who knew we had money in this
bank.
Don't you realise those sunglasses make you look
like arseholes?
Excuse me.
When did that diner burn?
Yesterday.
I want interviews with the waitstaff and every
customer in the place.
It was just a grease fire.
Did I ask your opinion, Goma?
You ever hear the saying, never rob a
bank crossing a diner with the best doughnuts
in three counties?
If that diner fire's a coincidence, it's only
because we ain't looking hard enough.
That is an impressive amount of greenbacks.
43,125,000 of them, sir.
All right.
Recount it, pack it up, we'll steal it
back in Corpus.
It was my impression we were supposed to
come out of that bank with three million
M.O., sir.
Mm-hmm.
Whose money was it?
Bad men unworthy of it.
Did you know Bobby Beams was DEA?
No, I didn't.
No offence, sir, but you really need to
work on your surprise face.
Well, if he was DEA, he helped you
rob a bank.
Which means he's dirty, and for that I
have no mercy.
Where'd you leave him?
In the desert.
He dead?
More than likely.
More than likely.
You wanna tell me what that means?
You know, the whole point of you working
with Bobby Beams was to kill him off
and create a cutout so the op couldn't
get traced back to us.
My cover's solid, there's no way it'll trace
back.
My cover's solid, there's no way it'll trace
back, sir.
That's a call made above your pay grade.
Sir.
Assign two of the boys to stow the
money back to the naval base.
The rest will come with us to check
on the body of Mr. Beams.
Stigman, you wanna come with me?
Hey.
You Abla?
Yeah, yeah, I, uh...
Hi, Ablo.
I'm good.
That's good.
Go trust him.
Do you see his papers?
If he's got papers, I'll see his papers.
You got papers, right?
No.
No, I got no papers.
Well, that's gonna be a problem.
See, Slim J and me, we done assigned
ourselves protection this here stretch of the border.
Officially.
Unofficially.
So we really gonna have to see your
papers.
Make sure you ain't no Muslim or nothing.
Well...
Oh, yeah.
No, I, I do have...
As-salamu alaykum.
And, uh...
Let me have your gun.
You do it.
Gracias.
Now to pray.
Timo.
How we doing, boys?
Any sign of Bobby Beans?
Checked all the washes to the southeast.
No sign of everybody.
Well, Stig.
You put us in quite a hole.
I don't see it that way, sir, but
you're the man with the oak leaves.
All that pride I had in you.
That loyalty.
You just tossed it to the wind.
Yes, sir.
I'm sorry, sir.
Mr. Stigman!
Doesn't matter if you run.
Your jacket's wired, so you're six months AWOL
after stabbing an MP.
Talk to anyone, they're just gonna hand you
right back over to me.
You all right?
Yeah.
Then get your ass up!
Toss the gun.
Jesus.
What am I supposed to do with this?
Oh, man.
Oh.
Come on.
I'm a vet, not a trauma surgeon.
I can't help you with this, man.
You gotta go.
Go with?
Just, you gotta leave.
I can't do anything.
Kenny, you remember a couple of months ago
you offered to sell me 500 hits of
ketamine?
Yeah.
You said you weren't interested.
Right.
I'm a DEA agent.
And if you don't fix me up, I'm
gonna go to the DEA.
I'm gonna tell them that you like Cruz
and Tori Amos concerts, selling special K to
little weepy college girls.
There's no way you're a cop.
No?
No.
You sure?
I'm positive.
You have the right to remain silent.
Mm-hmm.
You have the right to have a lawyer
present during questioning.
Do I need to keep going?
No, I'm good.
You're a cop.
Nice shirt.
Thanks.
JCPenney's.
Yeah?
All right.
Hold on one second.
Hey.
You were late.
What the hell happened?
Excuse us.
We robbed a bank.
What happened to you?
I was there with six agents at 305.
Yes, I was.
You were late.
You went early.
As not as if you couldn't have pulled
your badge at any time and stopped it.
I did.
Stig shot me.
What?
He shot me in the shoulder.
Well, we gotta take you to the hospital.
I didn't interrupt your rendezvous with Harvey.
I don't think so.
This is what we need to do.
We need to find Stig.
We need to find the money.
Hey, listen.
Let me go upstairs, make my excuses, and
then we'll find Stig together, okay?
Let's do this.
Let's do this.
Why don't you recheck Stig's background?
Maybe there was something that we missed.
I'm going to Stig's apartment.
See what I can find out.
Call Harvey.
I said hi.
Who'd you patch up?
What are you talking about?
What am I talking about?
Well, well, there's a dune buggy parked out
back that was stolen by a man with
a bullet hole in him.
Now, before he had a bullet hole in
him, he burned down a diner and robbed
a bank.
I don't know anything about that, so...
Okay.
Okay.
Fair enough.
Say, let me ask you something.
You ever play Russian roulette?
Hmm?
Of course not.
What am I thinking?
The thing is, most people, they put the
gun to the temple.
And that's what, that's just stupid.
What if the bullet's in the first chamber?
You blow a man's head off before he's
had a chance to tell you what you
want to know.
Huh?
Oh, no.
No, no.
Come on, man.
Case in point.
Stay.
Hey.
What are
you doing here, Bobby?
What are you ducking for, man?
You know I set you up, right?
They told me all about you.
Tough cat, knows everybody, doesn't have people.
That guy?
Well, shit, that guy's a perfect cutout.
I mean, he takes the bullet, who's gonna
care, right?
Pick up the phone.
Pick up the damn phone, Bobby.
You got anything to say?
First question.
If you're DEA and you're clean, why are
you here alone?
Where's your backup, Bobby?
Come on, Bobby, it's this kind of attitude
makes me think you're not one of the
good guys.
If I wanted you, I could've had you
before you walked into that building, Bobby.
That's a beautiful rifle stick.
Is that an army issue?
You like that?
That's a Kmart Blue Line Special.
Now answer my question.
Where's your backup?
No, no, that's a military rifle.
What's the military doing robbing banks, Dick?
Can we just have a straight-up conversation,
Bobby?
I got you dead to right.
Yeah?
Shoot me.
Again.
No?
I'll shoot myself.
Huh.
Not bad.
I'm glad you're impressed.
Were you testing me to see if I
would shoot first?
Where's the money, Stig?
You know, if I thought you were clean,
I might tell you, but I don't, so
I can't.
You're lying.
You don't have it, do you?
Where's the money?
Oh, shit.
What?
You're not the only one I was expecting,
Bobby.
Three very nasty men just showed up.
If they find you in my place, they
will get ugly.
Who are they?
Yesterday I said they were my family.
Today they kind of want to kill me.
I understand the feeling.
Now, fuck you.
What do you know about family?
You don't even have people.
No, Bobby, that's a stupid idea.
They're already coming up the stairs.
Bobby!
I told
you.
Now, Bobby, hang up the speaker and answer
your cell phone, okay?
If you want me to help you out,
listen...
Just stay in the shadows, okay?
I'm gonna guide you out from there.
Wait.
Wait.
He's coming up your rear.
You better dart across the hall.
Go over to the bedroom and hide behind
the lockers.
Go.
Go.
All right, Bobby, you're gonna want to scoot
across the hall.
Go.
Sorry, Seymour.
Where's our money?
I have no idea what you're talking about.
You think D.A. can just waltz into
our bank...
and steal our money and we're not gonna
kick?
Your man, Bobby Trench, stole 43 million of
our dollars.
We'd like it back.
Because it's our money.
Because it's a blatant act of disrespect.
And because it's our money.
Please tell me it's you, Bobby.
Anything new on Stig?
He's coming up clean on every database I'm
cleared for.
No military connection?
No regular service?
To go deeper, I'd need to get clearance
from Jessup.
Well, try your old contacts in the military.
I'm gonna tell Jessup everything I know.
Wait, are you sure?
Someone has to know his money was in
the bank.
Yeah, Stig.
Stig didn't even know I was D.A.
Besides, somebody tried to kill him, too.
Bobby, let me help you.
What do you need?
Take it easy.
Bye.
Bobby.
Fuck.
That's how you take down a man.
Shut the door.
Just let it come.
Agent Robert Lynn Trench.
A.K.A. Bobby T.
A.K.A. Bobby B.
A.K.A. Bobby B's.
Let's have a chat.
You stole 43.125 million dollars that did
not belong to you.
Now, man-to-man, who at D.A.
authorised you to rob our bank?
You a banker?
You ever play Russian roulette?
Thing is, most people put the gun to
the temple.
Well, that's just stupid.
You blow a man's head off, before he's
had a chance to tell you what you
want to know.
Mess up your suit, too.
Who told you it was all right to
take our money?
Our money?
Our bank?
Who are you?
If you don't know who I am, how
did you know to steal our 43 million?
I don't know what you're talking about.
You don't?
No.
Well!
Where's the money?
Oh, boy.
Well, uh...
It ain't down there, I can guarantee you
that.
A.K.A. Bobby Ball, cleaning, shaving.
You know what you are?
You.
Are a dirty D.E.A. agent.
That's right.
You're a dirty D.E.A. agent who
robbed a bank, and shot your boss.
You walk into any federal office, and that's
the story they're gonna have.
Unless you bring me 43.125 million, and
you walk away clean.
Have I properly incentivised you?
More than you know.
Unless you want to rot in jail, you
best get after it.
Go on.
You're thinking he deserved better?
You're right.
Morning, Papi.
Don't move.
Go inside.
Quick.
Mommy!
Whose money did we steal?
You really want to know?
I really want to know.
Easy, old man.
Get in there.
Get in there.
Payback's a bitch!
Payback's a bitch!
Whoa, whoa, whoa, Bobby.
Drop the gun, give me the keys.
Give me the keys.
Nice and easy.
Can't do that.
Why not?
Well, I got him first.
I got dibs.
I got a .44. I'm taking Papi.
Give me the keys.
You want them?
Come get them.
I see the wheels turning.
You're thinking, hmm, a blindfold.
Maybe use your teeth.
That's not what I'm thinking.
You know what I'm thinking?
What?
Oh, shit, man.
How's that?
That was uncalled for.
Shit.
You know, I liked you better when you
were I know a guy, Bobby.
I mean, that Bobby was a good guy.
Yeah, well, I liked you better when you
were winking at waitresses and shooting the heads
off of chickens.
Give me the keys.
Give me the keys.
Shit!
You saw that move coming?
That's correct.
Give me the keys.
Damn, you're good.
One of us is going to have to
pick up those keys.
Guess.
All right.
I'll get them, all right?
Get them.
But that must get away, man.
Get them.
Hey, Papi, you like my driving?
Come on,
Papi.
I ain't got all day.
What do you
want to do?
All right.
All right, all right.
All right, let me go.
You let me go first.
No, you let me go.
On three.
On three.
One, two, three.
Okay.
Now you're making me not be able to
trust you.
All right, on the count of three, we'll
let each other go.
All right.
All right?
That's fair.
One, two, three.
I knew it.
Let me go.
No.
All right, I'm going to let you go.
I'm going to let you go.
All right.
One.
Come on, man, you got to admit, that
was kind of fun, no?
You didn't like that?
Who are you?
Shit.
US Navy intel?
Yeah.
Well, I was.
My commander fool bought my jacket.
And now I'm AWOL for stabbing an MP.
You're lucky.
They got me framed for killing my boss.
Think your boss ordered your four closest friends
to kill you?
No, he got me there.
I'm Petty Officer Michael Stigman.
DEA Officer Bobby Trench, but I guess you
know that already.
Pleasure.
So what, you just happened to pick me
or you got orders to set me up
on purpose?
I had orders, man.
I didn't know you were DEA.
My people did.
Their intel is not much they don't know.
Your people.
No, I'm just trying to piece together the
truth so I can take it on my
commander's head to the Admiral.
That's why they want to kill me and
why I want to talk to Bobby.
Right.
Well, I guess we can both talk to
him at the same time.
What, like we're working together?
No, not like we're working together.
Yeah.
No, like we're working in the same vicinity.
Together.
In the same area code.
Together.
The same county.
And don't get all we are the world
on me either when this is over.
Well, we're partners.
Yeah, but I'm still gonna shoot you.
Come on, man, Ebony and Ivory.
Shit, I think he's puked or he's dead.
Oh, yeah, he puked.
Hey.
I'm gonna fucking kill you both.
This might take a while.
I got all day, partner.
Hold on.
Let me put that in there with you.
Put that on here.
So, partner, how you want to do this?
I like that.
It's got a nice roll off your tongue
there.
Partner, we're not that close.
We're kumbaya with me.
We're kumbaya.
I'm gonna get my bucket and towel and
waterboard his ass.
Nah, we gotta give him a chance to
talk.
You got anything to say?
I hope you guys like the taste of
balls because I'm gonna chop yours off, stuff
them in your mouths.
See?
Or maybe I'll put yours in his and
his in yours.
I'm gonna get the bucket.
Kumbaya.
So, why were you putting so much money
in Tres Cruces?
Tres Cruces.
We thought you just stashed a little cash
there until we robbed the place, found 40
million.
Why is that?
You robbed Tres Cruces.
That's correct.
Why is that?
That's funny.
You're dead.
Yeah, that is funny, isn't it?
You're both dead.
And I didn't even have to kill you.
I thought you were sharp.
I know a guy, Bobby.
But you, you just ripped off the CIA.
The CIA.
The CIA.
The CIA.
It's full of crap.
Why would he have money in the same
bank as the CIA?
Why would you have money in the same
bank as the CIA?
I don't have shit in that bank.
The only money I deliver to Tres Cruces
is a payment.
To the CIA?
The CIA.
They take 7% of my revenue.
In return, they let me use their planes.
So I get my shit across the border.
I could do it a lot cheaper, but
there was really no negotiations.
You know, they take it from all the
cartels.
Bullshit.
You're okay.
They're still gonna kill you.
Bobby?
You said stop by anytime.
You kidnap a drug kingpin.
That's correct.
Poppy Gretko.
And you tied him up in my garage.
Sorry.
Would you mind if I swipe a yoghurt?
Yeah, sure.
Please, help yourself to anything.
Take whatever you want.
That's just a yoghurt.
Yeah, but it's her yoghurt.
Just put it back.
Please.
You two like ex-boyfriend and girlfriend?
Actually, you know what?
We never put a name on it.
So what?
You broke his heart or he broke yours?
Wow, this guy will really ask anyone anything
at any time.
Why don't you go check on him, Bobby?
What do you see in this guy?
I could go on for hours.
But I don't know you.
I don't think this is the right time
for us to have this conversation, okay?
Leave.
So, daddy issues, huh?
Daddy!
Is he serious?
Garage.
Poppy, go.
I go.
Go to the garage.
Can I have the yoghurt?
Yes.
I like her, man.
You don't get a broken heart.
I don't want you.
Bobby.
What are you doing?
Are you 100% sure you can trust
this guy?
No.
But he's all the help I got.
Jessup's dead.
The money we stole was CIA money.
They came looking for it.
I'm sorry, Deb.
I didn't mean to get you involved in
all this.
You okay?
What are you smirking at?
You know I've been racking my brain trying
to figure out who you look like and
it finally dawned on me you look like
a Mexican Albert Einstein.
Minus the genius factor, obviously.
You want some yoghurt?
Payback's a bitch.
That's for little Toro.
Dave.
Is that your people?
You have to say it like that?
Like what?
They're your people.
Right?
Technically, yes.
But I thought you were my people now.
All right.
Two taps, we're here at the garage.
On go.
Okay, on you go.
Go.
What was that about?
It was messed up.
What the hell's going on?
I don't know.
I don't know.
Give me your phone.
Now.
I'll take the car, too.
Get out.
Get out.
Oh, my God.
It's them, Grey Charger.
How do sticks people know to come to
your house?
I don't know.
They must have followed you.
I don't think so.
We would have seen them.
You should have seen them.
How do they know to come to your
house?
Huh?
Why were they at your house, Debbie?
Oh, no.
Are you serious?
Bobby.
Where are the cargo, macho?
Hurry up.
What the hell is this?
On your knees.
On your knees.
I know some guys, too, Bobby.
Dag them up.
Let's take them home.
You want to talk about it?
No.
You sure?
Yeah, I'm sure.
I told you I didn't like her, man.
Shut up.
What are you getting mad at me for?
Because you talk too much.
What did I ever do to you?
Besides shoot me?
You know what you are?
No, you're a misanthrope.
It's misanthrope.
I'm a misanthrope.
Did you know what I meant to say?
No.
What did you mean to say?
That you don't like people.
Shut up.
Now who's the chicken, huh?
Get up.
Time for my massage.
Yeah.
I'll have housekeeping clean up your bed.
Ah, shit.
My grandfather cut cane for 30 years every
day and never got a blister.
He says it smells like hell.
Toughen those hands.
You know what I like about this?
Not only do I get to take my
time with you guys but this time I
don't have to worry about leaving any marks.
Don't put your hands on me, man.
Shit.
What did you say?
Just don't put those pissy hands on me,
man.
You ain't got a home, Bobby.
DEA doesn't want you around.
Not with your sins.
Payback's a bitch.
You smell like warm corona, man.
God.
You remember my prize breeding bull with cojones
the size of coconuts?
You want to see him?
No, it's okay.
We can see good from here.
Adios, Bobby.
No, no.
Forty-three million dollars.
It's everything we stole from the CIA.
You let us go, we'll bring it to
you.
Venga, Santoro.
Mételo.
You hear?
I've got the money.
What are you talking about?
I got it.
You don't have it.
I know I don't have it.
He doesn't know that.
You don't have the money.
I know you don't have it because I
have it.
You have it.
Where is it?
Commander Quincy said Corpus Christi never leaves this.
Tell him.
Oh, shit.
Where is it?
Go.
Commander Quincy said Corpus Christi Naval Air Station.
Yes, sir.
That guy's pissing on us and you're asking
if we should fucking tell him.
If that's the truth, I might as well
just kill you now.
Llevame las niñas al cuarto.
Si, mi amor.
I had a run-in with a couple
of boys out of your organisation.
Hello, Earl.
Mr. Bobby Beans and Mr. Michael Stigman.
Well, they're not from my organisation.
They're freelancers from Bobby Beans' undercover DEA.
And Mr. Stigman's AWOL U.S. Navy.
They stole 43.125 million from the trace
cruisers.
We want it back.
Is there a fine to his fee?
Fee is we let you continue to do
business.
Fee is we don't raise our cut from
7% to 20%.
The fee is we don't come down here
with a squad of Apache A6 helicopters and
wipe you off the face of the earth.
You like my country weak and corrupt, don't
you?
So you can buy your cheap crap at
the mall.
Well, Earl, I'm not cheap.
Is this about pride, Manny?
About machismo?
Prove you got a big Mexican cock?
Well, your cock is huge, it's massive.
And I, I'm in awe of your cock.
So what?
You're still a drug dealer.
And I'm still the governor of the United
States.
It's a free market, Manny.
Not a free world.
I'll take a look.
Hard.
You'll look hard.
Under every rock in Mexico.
Let's get out of this shit.
Bring me those bastards who are hanging and
clean them up.
Yes, sir.
If that number is real, the Navy will
bring me 43 million dollars.
And our friend from the CIA, fuck his
mother.
Let's go, man.
I've decided to let you bring me the
43 million.
The truck will take you north to the
border.
From there, you'll cross on foot with the
Coyotes.
It's all the same, we'd rather drive.
With everybody looking for you, they'll pull you
out of line in two seconds.
No, you go the way you forced my
people.
If we can't risk crossing, how are we
supposed to bring you back the money?
I'll meet you north of the border in
24 hours.
Now, I'm trusting you to fulfil your part
of the bargain.
Hey, Bobby.
You got 24 hours to bring me the
money.
Or I'm gonna shoot her right in the
head.
Then I'm gonna find you and I'm gonna
gut you like a pig.
So what's another one?
The mirror is a trigger and your mouth's
a gun Lucky for me, I'm not the
only one And if it works to me
Like you and your reflection Bland and agile
Fight to this dimension They'll tell it that
this ain't no free for all to see
There's only three It's just you and me
against me I get the feeling that it's
two against one I'm already fighting me So
what's another one?
The mirror is a trigger and your mouth's
a gun Lucky for me, I'm not the
only one Lucky for me, I'm not the
only one I get the feeling that it's
two against one I'm already fighting me So
what's another one?
What's another?
Another one?
The mirror is a trigger Lucky for me,
I'm not the only one I get the
feeling that it's two against one I'm already
fighting me So what's another one?
The mirror is a trigger Lucky for me,
I'm not the only one I get the
feeling that it's two against one It ain't
no Les Miserables for you tonight, man.
Les Miserables.
Oh, man, whatever the fuck, man.
Don't remind me.
Look, it's not my fault Quince took the
money back to the base.
Oh, you said you took the money back
to the base.
No, I never said that.
So the money could be anywhere.
It could be in East Jabip, the Cayman
Islands.
No, the money is on the base, okay?
You gave it to Commander Quince at the
Camino Royale, and he told the guys to
take it back to the base.
Right before he took you out and tried
to kill you.
That doesn't mean he's lying about the base.
Not everybody's as paranoid as you, Bobby.
Jeez.
What about the Prius?
You like the Prius?
Camino Royale.
Yeah, it's a hotel.
I met Debbie at the Camino Royale.
No shit?
Yeah.
What was she doing there?
She said she was there to meet her
boyfriend, Harvey.
Wait, your girlfriend has a boyfriend?
She's not my girlfriend.
Holy shit.
Man, just pick a car.
Right here.
You picked that one?
Yeah.
Fuck, you want a fucking Bentley?
I got it.
Hey.
Crazy question.
Wouldn't everybody know how to fix a snowmobile?
I don't think so.
Did you check for me?
I really need to fix mine tonight.
Why, a big storm coming?
You never can be too sure.
I'll be right back.
What about that?
What?
She smiled at you, you didn't wink at
her?
Well, I don't wink at every woman I
see.
Snowmobile in Texas, huh?
Must have been some serious shit selling.
He got himself a new claw, huh?
Give me a call.
So do you.
You still got my ring today, Stash?
Yeah.
See you later, C.
All right.
You know what they say.
Talks off being carrying M4 with a grenade
launcher.
Wow.
Which one you want?
This one.
What's your point of getting on the base?
I'm working on it.
All right, remember, once we get to the
command building, Quinn's office is the first floor
end of the hall.
He's not in the field.
That's where he lives 18 hours a day.
Right, right.
But you still haven't told me what the
plan is to get through the gate.
Well, I got a plan.
I mean, I'm capable of coming up with
a plan.
I'm not saying you're not capable.
I'm just saying you haven't told me.
What is it?
I'm working on it.
Better work faster.
Much faster.
Rickman!
Oh, fuck.
Is that gas enough for you?
Shit!
Go, go!
On the radio, now!
On it!
Hold it!
That was your plan?
Well, we're on the base, aren't we?
That's not a plan.
Nobody in their right mind breaks into a
naval base.
That's why it's a brilliant plan.
Nobody expected it.
You should have seen your face.
Damn, they were surprised.
All right, you'll start coming up.
I'll play decoy, lead them away, try to
get to the admiral, OK?
All right.
Things go wrong, I'll see you back at
the boat yard.
Oh, things ain't going wrong.
I'm getting a medal.
I get to the admiral, I'm getting a
medal.
Watch.
You're going to wish me luck, aren't you?
Come on, man, let's hit it.
Good luck.
Quinn's office is at the end of the
hall.
Remember, first floor, end of the hall.
Get down.
Sir, Petty Officer Michael Sigman, ID number 540333.
Wait a minute.
What's the problem?
Oh, shit.
Sorry, I didn't mean to do that.
Sir, I've been in the service 12 years,
sir.
I've never stepped foot in an officer's mess,
much less crashed it.
Please, sir, it's an emergency.
Stand outside, please.
Leave us alone.
Thank you, sir.
Hey, I'm really sorry about that, man.
I didn't mean to hit you like that.
I apologise.
I'm listening, sailor.
Sit.
Thank you, sir.
You believe this stolen money would all be
used to fight drug cartels?
Yes, sir.
I thought the orders came down the valid
chain of command.
Blind loyalty is not loyalty.
I know that, sir.
That's why I'm here.
Well, you've shown a lot of tenacity and
a lot of guts bringing this to me.
Well, thank you, sir.
That means a world coming from you.
Unfortunately, there's nothing I can do for you.
Well, of course, sir.
I mean, you can just lock down the
base.
You can arrest Commander Quince.
The United States Navy does not rob banks.
Its personnel did not rob a bank.
I'm not going to tarnish the integrity of
the Navy over one crooked sailor.
If there was money taken from the bank
that was part of an illegal CIA slush
fund, the Navy had no knowledge the fund
existed.
Your jacket has you six months AWOL?
Yes, sir.
It's going to stay that way.
Commander Quince's jacket will likewise be amended, so
he's also AWOL, making none of this the
Navy's problem.
Sir, this isn't right.
Well, I'd offer more.
But when the hand has gangrene, you chop
it off to save the body.
You don't keep the pinky around just because
it meant well.
Have petty officer Stigman dropped outside the main
gate.
He sets foot on a military base anywhere
in the world.
I want him shot.
This is bullshit.
You know, men like me fight and die
in the orders of men like you.
Without us, those dogs on your shoulder are
a fucking costume.
Open the safe.
Does your boss know you're doing this?
Open it.
What if the CIA kill her like they
did Jessup?
What's it to you?
I don't like loose ends.
Neither do I.
Harvey.
Huh?
Well, my mother named me Harold.
I like Harvey.
Harvey has a nice ring to it.
Don't you like Harvey?
I don't know what you're talking about.
Yes, you do.
Been to the Camino Real Hotel lately.
Open the safe.
There's the money.
Can you tell me where Deb is?
She's getting the nails done.
Where is the money?
I don't know.
All right, tell me what you do know.
Well, your girl found out where the CIA
was stashing the money right about when I
did.
And when I told her that she and
I could get away with the money by
setting you and Stigman up, she didn't even
blink.
Don't lie to me.
Was she that unhappy, Bobby?
Where is the money?
Don't lie to me.
You think I'd keep it here with you
and Stigman still alive?
Come on, Bobby.
You gave it to her, didn't you?
Didn't you?
Commander.
Back up.
Clear.
You okay, sir?
Yeah, I'm fine.
This is a really good barbecue.
You don't want to regret not trying it.
Why don't you stop wasting my time and
just kill me?
Even if Bobby was coming with the money,
he'd still kill us both.
But he's not coming.
He'll be here.
No.
He won't.
You think he's just gonna let you die?
You think it was a coincidence?
The Navy came looking for Bobby at my
house?
If I couldn't have Bobby, at least I'd
have half of 43 million.
You set up Bobby Beans.
I wouldn't be coming for you either.
Where's the money?
Come on.
I don't know.
I'm going out of the country.
It's certainly not our Navy days, Bobby.
Where does that leave you?
Exactly where I deserve to be.
Yeah?
Bobby.
You're late.
I got the money.
I don't believe you.
No, I got it.
Believe me, I got it.
I believe you.
Where are you?
Hi, Bobby.
Debbie?
Can you hear us?
Just hang up the phone and run.
Okay, listen to me.
Tell him I got the money.
Hang up the phone.
It's not your fault.
Just...
Debbie, tell him I have the money, okay?
And I know you know where the money
is.
Just tell him I have it.
Debbie, listen to me.
I'm sorry.
I really meant to love you.
Debbie.
Where are you, Debbie?
Hello?
Hello?
Debbie.
What'd they say?
What'd the Admiral say?
What'd the Admiral say?
Having to wash his hands, the whole thing.
Baby turned her back.
Where's the money?
There was no money, Steve.
What?
There was no money.
Of course there is.
I gave Quince the money, right?
Quince gave it to Deb, and Deb is
dead.
Bobby killed her.
Fuck it.
Let's go down to Mexico.
We'll blow them all down.
They'll take everyone of them out.
Kill them all.
And then what?
Well, at least Quince and Bobby would be
dead.
And then what?
Oh, you just want to let them escape?
You don't get it, do you, Steve?
I mean, God bless you.
You still think there's some kind of code.
There is no code.
You followed every order the Navy gave you.
They kicked you in the teeth.
There is no code, Steve.
No one fights for the Navy, okay?
It's not about the Navy.
You fight for the guy that's fighting next
to you.
That doesn't mean anything to you?
I'm going to Mexico.
All right, and just so you know, my
code, my code saved your life.
It's three inches between your heart and your
shoulder.
If my bullet goes three inches left, you'd
be dead.
And I wouldn't be here, all right?
Because Quince only decided to kill me because
I let you live.
Oh, what, you think I missed?
Huh?
Is that what you think?
You think I missed?
When have you ever seen me miss?
You stay here.
I'm going to Mexico.
Our deal still stands.
I give you the money, I walk away
clean.
Hola.
Looks like you had a better morning.
You better have my money.
Right here, every penny.
Where's Bobby?
Oh, we had a philosophical falling out.
Open your trunk.
I just want your word, okay, that you
and your boys, Barrett knows who we are,
and you'll help me kill Commander Quince.
Who's Commander Quince?
That's him.
He's behind me!
Mr. Stegman, you promised me $43 million for
killing everyone on this ranch.
Got the money right here, sir.
Thing is, I promised Papi the $43 million,
too, so I'm afraid you two are going
to have to duke it out.
Maybe he and I will just kill you
instead and split the money.
What do you say, Papi?
50% of $40 million?
Better than 100% dead, right?
It'll double-cross you the minute your back
is turned, bullet in the head.
50-50.
The guy up on the roof says 60
-40.
He ain't got a trustworthy bone in his
body.
I came back, didn't I?
Fucking CIA.
Red rope or red rope, whoever's got my
43.125 million better come the fuck on
out.
You offer him the money, too?
I didn't call him.
It's in the trunk.
Why the fuck did you tell him that,
pinche culero?
Thank you, Commander.
Mr. Stegman, come on out and open the
trunk.
Nice and slow now.
Well, what do we got here?
Sounds like a Mexican wedding.
Is that my 60-40 parlour?
That's correct.
I told you.
I know a guy.
Now, who wants to see $43 million?
For a minute there, I thought you had
me chasing my tail.
You want to count it?
Oh, if you'll shorten me, I know where
to find you.
So we're good?
Did I not give you my word?
That's right.
Then don't treat me like an arsehole.
I'll try my best.
You and Mr. Stegman are free to go.
Yes, sir.
I trust you can find your own way
home.
That's right.
What are you doing, Bobby?
Let's go.
I'm not going to let him get away
with the money.
Let's go.
I hate these daggers.
They're not just going to let us go
on our own.
Let's go.
I got a plan.
Hey, I got my M16 on the money.
I got my M4.
Let's do this shit.
Don't worry about it.
I got a plan.
I'm capable of coming up with a plan.
It's a good plan.
Make it rain.
That was
your plan?
To blow up 40 million dollars?
Yeah, that's why it's a brilliant plan.
Nobody expected it.
Go!
Go ahead,
I'm right behind you.
Don't miss.
I never miss.
Told you.
Stig!
Don't do it.
Three times over.
No more fucking around.
Now, drop your weapon.
Tell Mr. Stigman to do the same.
You tell him.
It's real simple.
We can all make a deal or we
can all die.
I'm not making any deals.
Talk to your man, Bobby.
You're the smart one.
You think Trace Cruz is the only stash
we got?
We got 20 more.
We got money everywhere.
You're not going to change a damn thing.
Stig?
Yeah?
You're my people, right?
That's correct.
Oh!
You good?
Never better.
We're not people, though.
This makes us family.
All right, brother.
Hey, senior Einstein.
You're looking kind of fucked up sitting there,
man.
You all right?
Oh, my lord.
Son of a...
Well, you know what was so cool?
What?
You rolled in on that seat full of
pollen.
You like that?
I mean, you look badass, man.
Yeah, that's right.
Oh, like, holy shit.
Oh, listen, one more thing.
One more thing.
What?
Give me your gun.
Give me your gun.
Oh, you're not serious.
Yes, I am.
Thank you.
You're really going to do this after everything
we've been through?
One more leg.
One more leg.
This is not going to make you feel
better.
Because leg is, you know, there's more flesh.
There's not as much bone, you know, in
the arm.
Well, you are.
It's going to make me feel real good.
You are a bitch.
Oh, fucking son of a bitch.
Hurts, doesn't it?
You ain't could have killed me.
Is that right?
Three more inches to the left.
Don't even say it, man.
You'd be winking at waitresses anymore.
Oh, I'd still wink.
I just wouldn't be able to do anything
about it.
No, because I'd never miss.
You know me.
I don't miss.
I'd never miss.
When's the last time you saw me miss?
You carry my ass all the way home.
When's the last time you saw me miss?
Oh, shit, man.
You know, I shot you, and I didn't
know who you were before we were family.
Hey, what?
It's different.
But we're family.
Now, I shot you because I know who
you are.
Oh, man, that ain't right.
They definitely got the move.
Arseholes in windshield sunglasses.
Practically CIA uniform.
Can I get you boys anything else?
Are your doughnuts any good?
Tell you the truth, they're pretty lousy.
Can't tell you how happy we are to
hear that.
Give me some air.
I saw that.
Saw what?
You winked.
That's a twitch.
Ain't right.
Now, for a guy who just blew up
$43 million, all of a sudden you are
a very generous tipper.
You said I blew up $42 million.
What are you saying?
I'm saying anything.
What are you hearing?
I'm hearing something.
You're saying something.
You're hearing it.
It's only because you're hearing it, not because
I'm saying it.
How much did you keep?
Two million.
That's like one inch.
Oh, so now you get half?
Well, I shot half the guys.
So?
Two million.
I'll be running this show for years.
I'm burning like the sun To light up
everyone When you hear me shout You're gonna
feel the sound I'm gonna turn it up
Gonna take you down Are you ready?
Are you ready for me?
Are you ready?
Are you ready for me?
Are you ready?
Are you ready for me?
Are you
ready for me?
Descriptive Audio and Transcript
Below is the complete audio description with transcript for “1 Night (2016)”. Audio descriptions provide narration of visual elements, actions, and scene details to make films accessible to people who are blind or have low vision.
Audio description benefits more than just visually impaired users. It can help people who are multitasking, those in environments where they can’t watch the screen closely, or anyone who wants a richer understanding of visual storytelling elements.
2 Guns (2013) - Descriptive Audio 2
In a black star-sprinkled sky, we soar
backward over Earth.
As massive block letters of gold and silver
orbit into view, we pass to the dark
side of the planet where the continents show
the speckled electrified glow of hundreds of cities.
The Earth eclipses the sun and the massive
word hovers front and centre.
Universal, a Comcast company.
As a low sun shines through distant skyscrapers,
a train speeds from the city and rushes
past.
The blur of cars become the letters EFF
fade to black.
From low on the tracks, we watch a
train speed over us.
The train passes a vintage matte black muscle
car stopped at a railroad crossing gate.
The gate rises and the muscular white driver
passes through.
In the passenger seat, a middle-aged black
man with a goatee, fedora, and sunglasses looks
around the small town.
As they park, a man in a vest
emerges with a briefcase from a white pickup
truck across the street.
The men step out and walk to the
front of the car.
The muscular man nods to his friend and
walks into a diner while the goateed man
moves toward a brick building across the street.
Looking around, the muscular man walks past a
young waitress.
He approaches a booth.
How many?
Sitting down, he stares out a window and
watches his friend enter the Trace Cruise's savings
and loan.
Keeping his sunglasses on, the goateed man glances
at an older guard.
He licks his finger and takes a slip
of paper by the door.
As the goateed man removes his sunglasses and
gets in line, an employee shows the man
in the vest into a walk-in safe.
The man follows the employee to the safe
deposit boxes.
As the gate closes behind them, the goateed
man turns his attention from them to the
bank teller.
Listen, um, I wanted to get a safe
deposit box.
Can you do that for me?
At the diner, the waitress looks over at
the muscular man.
He glances out the window, then picks up
the menu at the bank.
Okay, your box will be available anytime from
an hour after opening to 30 minutes before
close.
This is your key.
Thank you.
Oh, um, also, if you open a checking
account, we'll give you five percent off the
box along with free overdraft protection.
Oh, yeah, I was hoping for a free
toast.
Why would a bank give out free toasters?
The goateed man answers his phone.
Hello, Ma.
I'm ordering you the French toast.
No, thank you.
Our very patient waitress, Maggie, well at least
it says Maggie and the name tag has
asked me to order four times.
If I don't order at this point, it's
just rude.
I can come back.
It's okay.
You know what?
I'm making an executive decision.
Pancakes.
Okay.
Uh, no pancakes.
I don't like pancakes.
Well, you're a communist.
You know, my friend will have the pancakes
and a fried egg.
I'm thinking hash, but I just like chunky
style, okay?
Listen, if you order me eggs and pancakes,
I'm gonna kick you behind.
Well, you gotta eat breakfast.
It's the most important meal of the day.
Uh, ma'am, ignore everything he said, okay?
Don't, don't, don't, uh, bring me any eggs
and pancakes.
Just bring me some coffee and bring him
a couple of eggs.
I don't want eggs.
I want hash.
Yeah, put a couple of eggs on it
and give him some rye toast too.
No rye toast for me.
I don't like rye toast.
And a pancake.
No pancakes.
Maybe a little silver dollar one.
No silver dollars.
No pancakes, no silver dollars, no rye toast.
I like pumpernickel.
I do have pumpernickel, yeah.
Pumpernickel toast.
Maggie, wait, one more thing.
Yeah.
You take that with you till we see
each other again in case you miss me
too much, okay?
Why you gotta do that?
What?
Wink at the waitresses like that.
Waitresses like me?
Nobody likes you.
So?
So, what do you got?
So, it is a sleepy bank.
Doable?
That's correct.
He hands the muscular man a folded slip
of paper.
Their gazes shift to the door as a
Portland police officer enters with his partner.
Maggie drops silverware off at the booth.
I'll be right back with your hash.
Maggie, your hot homemade doughnuts, any good?
Best in three counties.
I tell you what you do, you bring
us three of those bad boys, put them
in that to-go box for us, all
right?
All right.
Thank you.
He smiles, revealing two gold teeth.
All right, time to make the move.
All right, it's gonna be some sirens in
this bitch.
I'm gonna go shake the weasel.
Shake the weasel.
Shake the weasel.
The muscular man passes the officers.
Hey, how are you, sir?
How are you?
Hey, man.
Maggie delivers a plate and doughnuts.
Very sorry about my friend, he was kicked
in the head as a child.
He's really not that bad.
No, he is.
The muscular man ignites a lighter and holds
it up to a smoke detector.
What's going on?
Maggie looks around.
Okay, I'm just gonna have you all exit
the building.
It might be a little too long, but
just do it safely.
Thank you.
As the guests filter out, the muscular man
passes Maggie.
Is everybody out?
I'm just gonna grab my friend.
Okay.
We gotta pay our bill.
As she leaves, he tosses the lighter on
the stove, starting a fire.
We should go.
Is that all you're gonna leave for a
tip?
It's 15%.
You leave 15%.
You gotta leave at least 30.
No, you don't.
15% is standard.
My Maggie's about to be out of a
job, man.
Don't be cheap.
Okay, there's five.
That's seven.
There you go.
As the muscular man walks away, the goateed
man takes back some of the cash.
No, you didn't.
Yes, I did.
They exit the burning diner.
How'd you say it?
Never of a bank across from Dino's.
Best doughnuts in three counties?
That's correct.
As the men walk to the car with
their box of doughnuts, flames burst from the
diner windows.
A title appears.
Two guns.
A luxury sedan speeds down an empty desert
road past horses and cattle in the nearby
grass.
Wards appear one week earlier.
Sonora, Mexico.
The car pulls into a ranch and parks.
A man in a cowboy hat brushes a
large animal as it roasts on a spit.
The goateed man emerges from the driver's seat
and takes a bag from the back.
Bobby.
Hey.
Bobby's down in the stables.
Bobby faces his muscular friend.
Why don't you get something to eat?
I'm not hungry.
Sure you are.
I want to come with you.
Hey, listen, we're here to do business.
Diplomatically.
Well, I can be diplomatic and be hungry,
too, right?
Bobby leaves his friend behind.
Wait here, okay?
He looks at a chair with a bag
on it.
Somebody sitting here?
Little Toro.
Oh, you move your feet, you lose your
seat, right?
Lose your head, too.
That's right.
So, where's Little Toro?
Ahí, where you put him.
Sitting down, Bobby glances over at the bag
then smiles at the man.
Aquí?
Ahí.
With his smile fading, Bobby lowers his gaze
to the bag and pushes it open.
Inside flies swarm around ahead.
Bobby looks up at the man and chuckles.
Let's play some dominoes.
Bobby's ready.
Yeah.
Bobby slams down a domino while his muscular
friend walks around a crowded barbecue area.
A man leads Bobby into a bar.
Papi Greco!
I know a guy, Bobby.
That's correct.
Quick, an ostrich, a tank of ether, a
63 Impala convertible.
Make it a 64.
Right side of the border.
I know a guy.
What'd I tell you?
He never says no, never says maybe, never
says, let's see what I can do.
Bobby shakes the older gentleman's hand.
Nice bull.
I hope he's a good breeder.
That's a shame about Little Toro.
Who are you calling skimming?
Ah, I don't sound like Little Toro.
Except for me.
That's correct.
Everybody skims a little cream.
It's human nature, just because it's human.
Don't mean to let it go.
Papi looks them over.
Nice lines, good colour.
That's right.
He knows a guy.
Bobby rubs his hands together, claps, then holds
them out to Papi.
What you got for me?
The young associate hands his boss a thick
envelope, which Papi passes on to Bobby.
Cash.
Cash?
Bobby pulls a rubber band off and opens
the envelope.
You're supposed to be giving me a hundred
thousand to deal with.
You give me a hundred thousand dollars worth
of cocaine.
Where's the cocaine?
My buyer wants cocaine.
So let him buy cocaine.
That's what he's trying to do.
He's trying to buy cocaine.
I told him I knew a guy, therefore
I come to you.
You're the guy I know.
That's why I told him.
So take back the passports.
After Little Toro, we're not taking on any
new customers.
With no disrespect, but I ain't no new
customer.
You've been dealing with me for a long
time.
Keep the passports.
Bobby tosses the cash to Papi's man.
Keep the money, too.
When you're ready to give me the product,
you give me the product.
Until then, you owe me.
Papi gestures to his bull, which rams a
gate.
He looks over to Bobby with a slight
smirk.
Outside, a chicken's head sticks out of the
ground.
A bullet hits the dirt nearby.
Men fire at four buried chickens as they
peck the dirt around them.
The muscular man watches.
Not very sporting, man.
At least give the chickens a chance to
shoot back.
Eating a chicken leg, he approaches.
Hey, man, I'm just a killer defenceless animal.
I'm gonna honour its sacrifice by grilling it
into some tasty barbecue.
What I'm not gonna do is torture it
just to prove I can't hit anything further
away than my own pecker.
Your guap is a real junkyard, dog.
Subtitles.
Where'd you two find each other?
I threw him a bone one night.
He followed me home.
Hey, cowboy, you're the pretty one.
You ever hear the expression, you got a
face only a mother can love?
That don't apply to you.
You are uglier than the devil's arsehole itself.
Hey.
Bobby approaches.
What are you doing?
They're torturing chickens, man.
What are you eating?
A chicken, but it's not the same thing,
okay?
See that bag over there by the table?
Buffet table next to the potato salad?
Yeah, the rolling bag.
What about it?
Little Taro's head is in that bag.
Bullshit, yeah?
Son of a...
You know what?
That's fucked up, man.
Let's go, okay?
Come on, let's go.
Say it in English, you goat fuck.
Maricón.
Suck my chicken.
That's funny coming from you, fat boy.
You ain't seen your pecker since you were
a baby.
Just because you put your finger in your
belly button, brown shit comes out, don't mean
it's your arsehole.
What did you say?
Don't worry about it, man.
Stig grabs a man's gun and shoots with
the chicken's heads off.
I'll dig him up and make some damn
barbecue.
He sticks the gun in the ugly cowboy's
pants and knocks his hat off.
He kicks dirt at the other man.
Bye, chica.
Did you just wink at him?
I did wink at him because he's my
bitch now.
Uh-oh.
They walk back to Bobby's sedan.
Good shooting.
Gracias.
Later, the car speeds down a dirt road,
kicking up a cloud of dust behind it.
You know, a little tour never did nothing
to nobody, man.
We should rip off Poppy's stash at the
Trace Cruises and save us some money.
You know, Poppy's guy delivers a briefcase full
of money to the Trace Cruises every two
weeks.
That's got to add up to, what, like
three million at least.
If Poppy knew we were even talking about
ripping off Trace Cruises, it would be our
heads in that bag next to the potato
salad.
No way.
My two heads never fit in a bag
that small.
Later, the car moves slowly as they approach
the border.
Come on, man, let's hit the bank.
Little Tour is your friend.
He was my friend.
So?
What do you mean, so?
What if it was me?
What if my head Poppy ran through the
sawmill?
You wouldn't come after him?
Nope.
You wouldn't kill him?
Nope.
Shit, maybe if he did that to you,
I'd kill him.
You know why I'd kill him?
Because you're my people and there's a code.
There is no code, first of all.
You do whatever you got to do.
Whatever it takes.
A second?
Right.
We're not people because you, you don't have
people.
That's correct.
They hand a man in Tuba City had
a heart attack, so we cut our trip
short.
Bobby shoots Stig a look.
Tuba City?
It's near Odessa.
Nice place?
Hellhole, but she's my favourite aunt.
Guards surround them.
Now Bobby sits in an interrogation room.
Tell us about your trip.
Lawyer.
What's the big deal?
Lawyer.
You were down in Sonora, weren't you?
An older, clean-cut man leans against the
wall.
You don't think Agent Jessup and the DA
know about you and Poppy Greco?
Lawyer, lawyer.
They know you were at his ranch.
I know I need a lawyer.
With Stig.
Tell Agent Reese about Poppy Greco.
Who?
Poppy Greco.
Who's that?
Some Mexican Santa Claus or something?
Come on, Mr. Stigman.
I think it's in your best interest to
cooperate.
You need to stop playing the stupid card,
all right?
Well, ma'am, it's my intent to cooperate
with whatever you need.
I mean, as an American, I know you're
just doing your job and sometimes innocent folks
like me get caught up in the system.
It's like the airlines.
They don't lose your luggage on purpose, right?
But everybody takes it so damn personally.
Come on, Mr. Stigman.
So you want to play games?
What'd you have in mind?
He winks at the beautiful agent.
Do you want to help yourself?
Yes.
Do I have to do it in front
of him?
A balding guard sighs.
All right, we're done here.
Thank you, Mr. Stigman.
You gonna leave?
Ah, yeah.
As Stig watches her leave, he mouths, wow,
oh my god.
Concentrate and work with her, man.
In the other room, Bobby glances at Jessup,
who makes a head gesture at the border
agent.
Dropping his pen, the burly agent grabs his
paperwork and exits the room.
My border agents are ripping apart your car
as we speak.
They ain't gonna find anything.
Jessup watches the agent leave, then lowers his
gaze.
Where's your other cocaine?
Can they hear us?
No.
Can they see us?
No.
Okay.
Bobby removes his sunglasses.
There was no cocaine.
Taking off his hat, Bobby smooths his short,
greying hair.
You had a deal in place.
Right.
500 passports in return for cocaine.
Right.
Hey, Bobby.
How you doing, Debbie?
Good.
Your boy Stig's a piece of work.
He winked at you, didn't he?
How'd you know?
Bobby didn't get the cocaine.
What?
What happened?
Poppy offered me cash.
I told him no.
I told him to keep the passport, so
eventually he's got to come up with the
cocaine.
What about this guy you said you could
flip, Lil' Turo?
I got him.
He's real close.
I don't know who you are anymore.
It's like, it's like you're out of this
limb, and you've been out there way too
long.
And you're saying that to say what?
I don't like going to the funerals of
my own men.
Well, then don't come, boss.
Don't come.
Okay.
I spent the last three years of my
life crawling through a Mexican sewer trying to
work my way up the line to get
next to Bobby Greco.
You can't take me off this now.
Jessup, he's close.
You can't take me off this now.
I know.
Not now.
With a worried gaze, Deb eyes the undercover
agent.
Jessup sits forward.
Two weeks.
Yeah, I'll flip Lil' Turo by then.
I'm pulling you out.
Lowering his gaze, Bobby gives a slight nod.
We're done.
Jessup stands and glances at Deb, then leaves
the room.
Keeping her eyes on Bobby, the exotic beauty
pulls a silver ring off her index finger
and slides it onto her thumb.
Bobby shifts his thoughtful gaze.
Nighttime.
In a seedy motel, a topless woman pours
a drink.
I think Jessup knows about us.
Deb faces Bobby.
What us?
You don't do us, remember?
Oh, I remember.
Besides, I'm dating.
She joins him in bed.
Right, right, right, right.
You're dating.
Mm-hmm.
Your imaginary boyfriend, Harvey.
Uh, he's not my boyfriend.
His name's not Harvey.
I like Harvey.
He has a nice ring to it.
Harvey.
You don't get to be jealous anymore, Bobby.
Harvey.
You pushed me away.
So you could be with Harvey.
Fuck you.
Deb turns away.
Lil' Turo's dead.
You told Jessup you were close to flipping
him.
I was.
But when I get down to the ranch,
Bobby's boys was throwing his head around in
the bag.
Well, that's game then.
With Lil' Turo off the board, Jessup's pulling
you out.
Not if you don't tell me.
I'm your control, Bobby.
That's correct.
I have to tell him.
That's why I need you to let me
rob Trace Chris' savings amount.
You want to rob a bank?
No, Stig wants to rob the bank.
It's his idea.
So there's no entrapment.
What I want is access to that money
that Poppy's got in that safe deposit box.
You know no judge is going to give
you a blanket warrant for the boxes.
We don't need a warrant.
Not if the money's evidence in a crime.
We just trace it back to ownership we
got Poppy on tax evasion, possible RICO.
Yeah?
Yeah.
And what about Stig?
What about him?
He's a side dish.
You bust him in front of the bank,
he does a smooth 20 years in the
penitentiary, you get a medal, the bank gets
us Poppy.
And that's all that matters, right?
Takes whatever it takes, baby.
Did you ever really love me?
Sitting close, Deb rubs her thumb over Bobby's
lips.
I really meant to love you.
Deb stares into his eyes with a wounded
gaze.
Daytime.
On an open cage elevator, Bobby arrives at
a floor and slides up the gate.
He strolls through a wide hallway with exposed
brick walls and stops outside a large metal
door.
The undercover agent leans close then knocks with
both hands.
As Stig slides the door open to his
spacious loft, Bobby peeks around with a big
smile.
You don't have to knock, you know, it's
always open.
Yeah, good.
Let's hit the bank.
Let's hit the bank.
Betray Scruces?
That's correct.
Oh, shit.
He and I am still spinning over how
we got Yank on the line at the
border.
So?
You in or you out?
I'm in, yeah, it's just...
I mean, have you ever had anything like
that happen to you before?
I mean, they were 100% convinced we
were holding.
And we would have if Poppy had any
wealth on that coat.
So are you saying that to say what?
I'm saying this only because you're hearing it.
No, you're saying something.
And if you're saying it, I'm hearing it
because you're saying it.
What are you saying?
Let it be said.
I think you're fucking playing.
Oh, you want to be playing?
I've been at your hip for 10 months,
but after this, I think maybe you're playing
me.
As Stig cocks his pistol, Bobby maintains a
rigid stare.
I got you.
No, you didn't.
Oh, I did.
The corny eye was twitching.
The corn?
Yeah.
That wasn't a twitch.
Yeah.
That was a wink.
That's my move.
Smiling, Bobby pumps his fist like a boxer.
In an affluent neighbourhood, Stig parks his vintage
muscle car eyeing a home across the street.
He and Bobby watch a boy kicking a
soccer ball in the yard.
That's Poppy's chubby little kid right there.
A woman emerges in a skimpy nightgown.
Oh my God.
She's chubby too.
Been all the right places.
How does an old fat ugly fucking girl
like that money?
Stig shakes his head.
All right, here we go.
A white pickup truck arrives at the house.
Same thing every two weeks.
Poppy flies over the border with a briefcase
full of cash, spends a week with the
mistress, ferret knows Julio, drives it out to
the church, cruises, savings, and whatnot.
Think they got three million in the bank,
huh?
Easy.
Bingo.
Poppy hands Julio a black briefcase.
Stig smiles at Bobby, then watches the young
man in the vest get back in the
white truck.
Poppy heads back into his large house as
the truck pulls away.
Stig waits briefly, then starts his car.
He slowly turns at a stop sign and
follows the truck through the lovely quiet neighbourhood.
In the small town, the freight train speeds
through the crossing as Stig and Bobby pull
up in the muscle car.
As the safety gates slowly rise, Stig cruises
over the tracks.
They arrive at the diner with their eyes
on Trace Cruz's savings and loan.
Julio steps out of the white truck and
heads inside with the briefcase.
Why don't you get to the diner and
check out the doughnuts?
What kind of moron in corned beef hash
would tell you the truth?
You never heard the saying, never rob a
bank across from a diner that has the
best doughnuts in three counties?
That's not a saying.
Yes, it is.
No, it's not.
I get what you're saying, but it's not
a saying.
It is a saying.
It's a saying.
The image freezes as Stig steps out.
In the bank, Julio puts the money in
a safety deposit box.
Bobby watches him leave.
Stig and Bobby sit in the diner booth
as the two cops enter.
Stig winks at the waitress.
Make a move.
Stig holds a lighter to the smoke detector,
then tosses it onto the stove.
Flames burst through the window as they approach
the car.
In the seedy motel, Deb takes off her
shirt and joins Bobby in bed.
Bad deviator.
Am I bad?
Yes, you are.
I'm a bad girl?
Yes, you are.
She crawls on top of Bobby and gives
him a gentle kiss.
Stig decided to hit the bank tomorrow.
Three o'clock.
Deb braces her brow.
Stig decided.
A wither without me is going in.
Well, I still haven't talked to Jessa.
Stig doesn't know that.
Three o'clock tomorrow, he's going in.
If we want poppy, I gotta go in
with him.
You're not even gonna give me a choice,
are you?
I'm giving you no other options.
There's a way to protect you.
Let's have the troops meet me outside the
bank at three o'clock when we come
out.
Three o'clock.
Okay.
Don't shoot me, even if you want to.
We'll see.
Now Bobby leaves the motel room and hurries
down the stairs.
On a dark urban street lined with tall
buildings, Bobby parks his black sedan by the
curb.
The undercover agent makes his way up a
steep, narrow staircase and enters a large apartment.
A wide fire escape spans several windows outside.
Releasing a deep breath, Bobby removes his fedora
and rubs his forehead.
At a remote desert location, Stig sits in
his car.
He places a sandwich on the dash as
a black SUV pulls up.
Leaving the driver's seat, a man in fatigues
approaches Stig's window with a flashlight.
Licence and registration, cowboy.
Stig holds up his middle finger.
Cute.
What's up, Timo?
What's up, brother?
How are you, brother?
Nice to meet you, man.
Nice to meet you, man.
That's a turkey burger.
Special sauce.
Commander wants to see you.
Yes, sir.
The commander's name tag reads, Quince.
Half a mile from home.
Got Bobby all wound up and ready to
go, sir.
Ordinance you requested.
He opens a bag of devices shaped like
hockey pucks.
You know the admiral's proud of what you've
done.
You've gone way out on a limb.
If the bank falls right tomorrow, says you
can come in from the cold, rejoin your
brothers.
Right.
Could just put the uniform back on, sir.
I mean, then join the Navy to commit
felonies and hang with drug dealers, you know?
Even if you're damn good at it?
I do what I do for the Navy,
sir.
That's all part of the admiral's plan.
We get the three million from the bank.
We run cross-border ops on Poppy and
all the other cartels.
Tomorrow, clean and precise.
Take all the boxes.
Nothing left undone.
Got it?
Yes, sir.
Let's go.
Grabbing the bag, Stig gives Timo a playful
shove and heads to his car.
Hey, nice jacket.
Hey, tell your mother she's got to move
out of my house at some point, man.
At home, Bobby sticks tiny gold pieces onto
his upper teeth and eyes them in a
mirror.
In his loft, Stig works on the hockey
puck-shaped devices with a soldering iron.
Bobby carefully places a stylish black fedora on
his head and runs his fingers along the
brim.
Holding a sealed device, Stig turns its tiny
red light on and off.
Daytime.
The clock inside Trace Cruise's bank shows 2
.54 as Stig reverses an old Ford Bronco
right up to the entrance.
Bobby sits beside him.
Inside, a few customers face teller windows as
the ageing security guard sits by the door.
All right, who do you want?
Cloud or Frankie?
Frankie.
Bobby removes his hat and steps out with
a Frankenstein mask in hand.
Holding a clown mask, Stig casually hangs a
backpack over his shoulder.
They move toward the bank door, then stroll
across the street.
In a police station, two cops work idly
at the front desk.
So what'd you do with the .22?
Traded it to my cousin for an espresso
machine.
You're going to need special beans for that,
right?
Bobby and Stig wear the masks.
You can reach via fire, I'll do it
real slow.
Any other people in the building?
They gather the cops.
What the hell is this?
It's a bank robbery.
Only instead of robbing the bank and letting
you chase after us, we decided to come
after you first.
Let's go.
Bobby locks them all in the station's holding
cell with several criminals.
The masked robbers stride across the lot as
a freight train thunders by.
With their pistols aimed, they burst through the
bank doors.
Bobby approaches the guard.
All right, give me a gun then.
Everybody sit down.
Everybody sit down on the floor.
Ladies behind the counter, keep your hands visible.
Not when you're locked, okay?
That's all right, girls.
Just give him the drawer cash.
Did we ask for the drawer cash?
Stig wrangles the tellers.
The guard draws a tiny pistol.
The guard, hey!
Bobby steps forward and takes the gun.
Look, I'm trying to be polite, all right?
Just sit tight and this will be over
soon.
Open the gate.
I don't have a key.
Aren't you sure?
Stig rips open the manager's shirt and pulls
a key from his neck.
Easy.
If you lie to me again, it's going
to be more than a fucking problem.
Get out of here now.
Get on the floor.
Stig enters the vault full of safety deposit
boxes and takes off the backpack.
In the lobby, the portly bank manager crouches
near a mother and her infant child.
Still wearing his disturbing Frankenstein mask, Bobby approaches
and lifts the baby from its stroller.
He playfully bounces the baby before his face.
It's okay.
He kisses the baby, then hands her back
to her mother.
Stig places a hockey puck-shaped device on
each deposit box and leaves the room.
Showtime.
Using a remote, Stig detonates the tiny explosives.
The hostages cower as each box shoots out
of the wall.
Cash covers the entire floor.
Stig opens a large box filled with money,
then continues down the line.
Holy shit!
Hey, Frankie, something's not right.
They're all stuffed with money.
I thought you said there would only be
one or two.
Every single one of them.
I'm at 32 boxes and counting.
But there's way more than three million.
And there's still a lot more.
The clock shows 3.03. All right, well,
take them all.
We'll figure it out later.
Bobby wheels a cart out of the vault,
neatly piled high with cash.
Using the stroller, Stig follows with a packed
duffel bag.
Go ahead.
I'll get the rest.
Bobby crunches by the guard.
Listen, there may be gunfire outside, OK?
So if it hits, you get everybody behind
the counters.
This is for the jail across the street.
You let the cops out.
He hands over a key, then wheels his
cart outside.
As Stig loads up the truck, Bobby shifts
his gaze around the quiet streets.
Now inside the vehicle, Stig speeds away from
the bank.
The empty stroller sits beside the cart on
the sidewalk.
With their masks off, Bobby adjusts the rear
view mirror and scans the empty street behind.
He shifts his brooding gaze forward.
Stig glances over as Bobby puts on sunglasses.
In the desert, Stig lowers the tailgate window.
They gaze at the mound of cash.
That's a hell of a lot more than
three million dollars.
Stig opens the tailgate.
How much you figure?
We couldn't be the luckiest chumps on the
face of the earth, could we?
You feel lucky?
No, I don't.
I mean, this can't be Poppy's money.
I mean, money like this?
Even going to chase us off the end
of the earth for money like this?
Oh, I hate to tell you this, Stig,
but I got more bad news.
Stig draws his gun.
Take that hand away nice and slow, Bobby.
Okay.
Put the gun down, Stig.
Bobby moves a hand away from his pistol.
Unseen by Stig, he holds a badge in
the other.
You know I really like you, right?
I like you too.
No, you don't.
Yes, I do.
No, you don't.
Nobody likes me, okay?
And I'm okay with that.
I do.
I like you more than most.
You're not just saying it because I got
a gun pointed to you.
Why don't you just put the gun down?
Shit.
He shoots Bobby in the arm.
I'm talking.
I'm sorry, man.
Bobby collapses.
What'd you do that for?
Shit, man, I had to.
Stig tosses him a bottle of water.
It's just a little flesh wound, okay?
You're gonna be all right.
Drink the water and then you'll be okay.
Stig notices the badge.
What is that?
In your hand.
Is that a badge in your hand?
Stig grabs the badge.
Tell me you're not a no-good two
-timing son of a bitch.
Two-timing?
Tell me.
You shot me.
Eddie, wait a minute.
Wait a minute.
I have to hang on.
No, you wait a minute.
Stig closes the tailgate and drives off, leaving
Bobby in the middle of the desert.
The wounded agent watches the bronco drive off
along a rocky ledge.
Now a moustached man with a bolo tie
and a large silver ring pokes thumbtacks through
an index card.
The United States is the greatest country in
the world because we accept a man is
at his call.
Greedy, selfish, and covetous.
I had no choice.
They took my key.
I would never willingly open the vault.
Keep your hands on the desk, please.
In America, we line everybody up.
Say you're on your own.
Grab all you can grab.
I'm innocent.
He puts the card on top of a
stack.
Nobody's innocent, friend.
There's just the guilty, the ignorant, and the
unlucky.
He slams the tax down on the bank
manager's hand.
The wounded man slowly pulls the sharp points
out.
Did you take our money?
FBI agents filled the bank lobby.
You fellas look like you're waiting for a
bust.
You guys let us know when you're done.
Oh, I'm done, and thank you for the
courtesy.
Who is that guy?
You heard of the hidden hand of God?
That's God's son of a bitch.
Wearing a straw hat, the man steps outside.
Call the DDO and get a list of
everyone who knew we had money in this
bank.
Two men in suits flank him.
You realise those sunglasses make you look like
arseholes.
Excuse me, when did that diner burn?
Yesterday.
I want interviews with the waitstaff and every
customer in the place.
It was just a grease fire.
He glares at the local cop.
Did I ask your opinion, Gomer?
You ever hear the saying, never rob a
bank crossing the diner with the best doughnuts
in three counties?
That diner fire's a coincidence.
It's only because we ain't looking hard enough.
Now Stig sits in front of two large
bags overflowing with cash.
A man in uniform leans against a piano
nearby.
As Quince enters the hotel suite sitting area,
Stig rises.
That is an impressive amount of greenbacks.
43,125,000 of them, sir.
All right, recount it, pack it up, we'll
steal it back in Corpus.
It was my impression we were supposed to
come out of that bank with three million
M.O., sir.
Whose money was it?
Bad men unworthy of it.
You know Bobby Beans was DEA?
Stig tosses in Bobby's badge.
No, I didn't.
No offence, sir, but you really need to
work on your surprise face.
Well, if he was DEA, he helped you
rob a bank, which means he's dirty and
for that I have no mercy.
Where'd you leave him?
In the desert.
He dead?
More than likely.
Quince shoots him a look, then glances at
his man.
More than likely.
You wanna tell me what that means?
You know, the whole point of you working
with Bobby Beans was to kill him off
and create a cutout so the op couldn't
get traced back to us.
My cover is solid, there's no way it'll
trace back.
My cover is solid, there's no way it'll
trace back, sir.
That's a call made above your pay grade.
Staring straight ahead, Stig nods.
Sir.
His blue-eyed commanding officer stares at him
and offers a stiff nod.
He turns to his man.
Sign two of the boys to stow the
money back to the naval base.
The rest will come with us to check
on the body of Mr. Beans.
Stigman, you'll come with me?
Stig shifts his thoughtful gaze.
A dazzling blue sky and wispy clouds fills
our view.
Bobby treads slowly across the arid landscape with
the water bottle.
Under a black button down, blood stains his
white tank top.
He gazes down at the dirt road before
him.
Turning, he sees a vehicle kicking up dust
in the distance.
Raising the hand holding the bottle, he waves
at an approaching dune buggy.
Two men sit in the front of the
small off-road vehicle.
The driver stops a few feet from Bobby
and cuts the engine.
The portly driver and his thin companion exit
the buggy.
Hey there, buddy.
Hey.
You Abla?
Yeah, yeah, I, uh, I Ablo.
Okay, that's good.
Go trust him.
Do you see his papers?
If he's got papers, I'll see his papers.
You got papers, right?
No, I got no papers.
Well, that's gonna be a problem.
See, Slim J and me, we done assigned
ourselves protection this here stretch of the border.
Officially, unofficially.
So we're really gonna have to see your
papers.
Make sure you ain't no Muslim or nothing.
Well, oh yeah, no, I, I do have...
He takes out a gun.
As-salamu alaykum.
Bobby points it at Slim J.
Let me have your gun.
Turning the gun on the driver, he tosses
Slim J his water.
He takes the driver's weapon.
Gracias.
Bobby glances at Slim J.
Now to pray.
Now the dune buggy pulls away as the
driver watches.
Slim J kneels on the ground with his
head bowed low.
A sandy cloud follows in the buggy's wake.
Elsewhere in the desert, Stig stands in front
of the side mirror of a car.
He stares at his reflection.
Timo.
How we doing, boys?
Any sign of Bobby Beans?
Checked all the washers to the southeast.
No sign of a body.
Quince looks over at Stig.
He removes his glasses.
Well, Stig, you put us in quite a
hole.
I don't see it that way, sir, but
you're the man with the oak leaves.
All that pride I had in you, that
loyalty, you just tossed it to the wind.
Yes, sir.
I'm sorry, sir.
An officer sneaks up with a black hood.
Stig punches him, then pushes him into Quince.
He grabs Quince's gun and slides down into
a gully.
The Navy men stand on the ledge overlooking
the shallow valley.
Now they make their way down the slope.
One of the men follows Quince, who aims
a weapon.
Stig runs along the side of a sheer
rock face.
He presses his back to it as a
man above peers down.
A second officer comes upon the now empty
spot.
Stig cautiously scans his surroundings with his gun
drawn.
Wearing his white naval uniform, Quince walks alone
on a dirt trail.
As one of the men emerges from behind
a boulder, Stig takes a position against the
rock wall.
Quince joins his subordinate.
Where you going, Stigman?
It doesn't matter if you run.
Your jacket's wired, so you're six months AWOL
after stabbing an MP.
You talk to anyone, they're just gonna hand
you right back over to me.
Stig sneaks up and shoots next to the
subordinate's ear.
Stig bashes his head against the boulder, then
knocks him to the ground.
As Stig hurries off, Quince comes around the
corner.
You all right?
Yeah.
Then get your ass up!
Stig comes up the rise behind an SUV.
A naval officer stands watch on the other
side.
Stig slides under the car in between the
officer's legs, aiming his gun at the man's
crotch.
Toss the gun.
The man complies.
Stig pats his pants pockets with the gun
barrel.
The man hands him the car keys.
Stig bashes his crotch.
Below, Quince and a bearded man run off.
In a second SUV, Stig grabs the keys
from the ignition, knocks a guy out with
a car door, and tosses the keys into
the desert.
Quince runs toward him.
Stig gets into the first SUV and drives
off as his commander shoots at the vehicle.
The SUV fishtails, then peels out through the
scattered brush.
Climbing up the slope, Quince takes a few
more shots at Stig.
He swiftly gets into the driver's side of
the remaining SUV.
He looks down at the steering column, then
looks ahead with a deep breath.
Now the dune buggy pulls into a driveway
behind an orange Mercedes station waggon.
A row of dog kennels sits beyond the
car.
Bobby steps out of the buggy with gun
in hand.
He shuts the small door behind him and
shoves the silver revolver into the back of
his waistband.
Bobby glances at the caged dogs as he
approaches them.
Jesus, what am I supposed to do with
this?
Inside, a veterinarian dabs Bobby's wound with a
cotton ball.
Come on.
I'm a vet, not a trauma surgeon.
I can't help you with this, man.
You gotta go.
Go where?
Just, you gotta leave.
I can't do anything.
Kenny, you remember a couple of months ago
you offered to sell me 500 hits of
ketamine?
Yeah.
You said you weren't interested?
Right.
Because I'm a DEA agent.
Smiling at Kenny, he takes the gold coverings
off his teeth.
If you don't fix me up, I'm gonna
go to the DEA.
I'm gonna tell them that you like Cruz
and Tori Amos concerts selling special K to
little weepy college girls.
There's no way you're a cop.
No?
No.
You sure?
I'm positive.
Bobby smacks his head onto the instrument tray.
You have the right to remain silent.
You have the right to have a lawyer
present during questioning.
Do I need to keep going?
No, I'm good.
You're a cop.
Bobby lightly slaps Kenny on the cheek.
Nice shirt.
Thanks.
It's JCPenney's.
Yeah?
All right.
Hold on one second.
Outside a federal building, Deb steps onto the
sidewalk and gets into a grey sedan.
Across the street, Bobby sits behind the wheel
of the orange station waggon.
A police cruiser passes with lights flashing.
Bobby sits up, then pulls toward the road.
Going through a gate, he makes a right
turn and follows Deb.
Inside the car, he tips a pill bottle
back at his mouth.
Deb turns into the valet area of a
fancy hotel.
Bobby drives past the building.
Deb exits her vehicle.
An old man in a tuxedo stands by
the doors.
Welcome to the Camino Real.
Thank you.
She heads into the hotel.
As she passes a staircase, Bobby ascends.
He crosses the well-appointed high-ceilinged lobby
and stops Deb's elevator doors from closing.
Hey.
You were late.
Jesus Christ.
What the hell happened?
As a man gets on the elevator, Bobby
and Deb step away.
You robbed a bank.
What happened to you?
I was there with six agents at 305.
You were late.
You went early.
I had to go.
It's not as if you couldn't have pulled
your badge at any time and stopped it.
I did.
Stig shot me.
What?
He shot me in the shoulder.
Well, we've got to take you to the
hospital.
I didn't interrupt your rendezvous with Harvey.
I don't think so.
This is what we need to do.
We need to find Stig.
We need to find the money.
Beside them, the elevator opens and a blonde
woman in a black dress steps off.
All right, listen.
Let me go upstairs, make my excuses, and
then we'll find Stig together, okay?
Let's do this.
Let's do this.
Why don't you recheck Stig's background?
Maybe there was something that we missed.
I'm going to Stig's apartment.
See what I can find out, all right?
Deb gets onto the elevator.
Well, Harvey, I said hi.
She shoots him a look, then reaches for
the button panel.
The elevator door slowly slides shut as she
leans against the back wall.
At the bed sawdust, the moustached man with
the polo tie faces Kenny.
What are you talking about?
What am I talking about?
He notices the bloody cotton ball.
Well, there's a dune buggy parked out back
that was stolen by a man with a
bullet hole in him.
Now, before he had a bullet hole in
him, he burned down a diner and robbed
a bank.
I don't know anything about that, so...
Okay.
Okay.
Then, say, let me ask you something.
He takes out a six-shooter.
Have you ever played Russian Roulette?
One of the suited men pushes him back
down.
Of course not.
What am I thinking?
He takes out the bullets.
Most people, they put the gun to the
table.
He sets them on the table.
That's just stupid.
He spins the chamber of the gun, then
snaps it shut.
The bullet's in the first chamber.
The moustached man presses the barrel to Kenny's
head.
You blow a man's head off before he's
had a chance to tell you what you
want to know.
He points the gun down at the veterinarian's
knee.
Oh, no.
No, no.
Come on, man.
A female assistant watches through a door window.
The moustached man tilts his head.
Case in point.
Outside Stig's loft, Bobby inserts a key in
the lock.
Stig!
With his ear to the door, he pulls
out his gun, then removes the keys.
Bobby slides the door open and peeks into
the dark interior.
Reaching a leg in, he pushes the door
wider with his knee.
Stig.
Bobby pushes the door shut and looks around.
With the gun at his side, he steps
straight ahead, past tall, paned windows.
Pick up, Bobby.
He freezes.
What the fuck are you doing here?
Eyeing the phone, he ducks down.
What are you ducking for, man?
You know I set you up, right?
They told me all about you.
Tough cat, knows everybody, doesn't have people.
That guy?
Oh, shit, that guy's a perfect cutout.
I mean, he takes a bullet, who's gonna
care, right?
On a roof, Stig aims a sniper rifle.
Pick up the phone.
Pick up the damn phone, Bobby.
Bobby Bristley walks across the room and hits
the speaker button.
You got anything to say?
First question.
If you're DEA and you're clean, why are
you here alone?
Where's your backup, Bobby?
Through the scope, Stig watches Bobby run through
the loft.
Come on, Bobby, it's this kind of attitude
makes me think you're not one of the
good guys.
Bobby hides behind a wall.
If I wanted you, I could have had
you before you walked into that building, Bobby.
Bobby peeks his head out with his back
to the window.
Stig locks his aim on the agent's face.
Stepping toward the window, Bobby keeps his head
at an angle.
That's a beautiful rifle, Stig.
With his face caught in the centre of
Stig's crosshairs, Bobby stares out the window.
That army issue?
You don't like that?
That's a Kmart Blue Line Special.
Now answer my question.
Where's your backup?
No, no, that's the military, right?
What's the military doing robbing banks, Stig?
Can we just have a straight-up conversation,
Bobby?
I got you dead to right.
Yeah?
Now shoot me.
Again.
A red light shines on Bobby's forehead.
No.
He raises his pistol.
I'll shoot myself.
As Bobby fires the shot, Stig ducks.
A shattered mirror shows the agent's reflection.
Stig looks back through his scope.
Huh, not bad.
I'm glad you're impressed.
Were you testing me to see if I
would shoot first?
Where's the money, Stig?
You know, if I thought you were clean,
I might tell you, but I don't, so
I can't.
You're lying.
You don't have it, do you?
Where's the money?
An SUV pulls up below.
What?
You're not the only one I was expecting,
Bobby.
Three very nasty men just showed up.
If they find you at my place, they
will get ugly.
Who are they?
Yesterday I said they were my family.
Today they kind of want to kill me.
I understand the feeling.
You know, fuck you.
What do you know about family?
You don't even have people.
No, Bobby, that's a stupid idea.
They're already coming up the stairs.
Bobby!
Bobby hurries out the door and down the
hallway.
He looks down the elevator shaft at two
armed men and sprints over to a stairwell.
A shadow moves up the wall.
The agent runs back into Stig's loft and
closes the door behind him.
I told you.
Now, Bobby, hang up the speaker and answer
your cell phone, okay?
If you want me to help you out,
listen.
Bobby opens the fuse box and shuts off
the electricity to the apartment.
Hiding behind a curtain, he answers his cell
phone.
Just stay in the shadows, okay?
I'm gonna guide you out from there.
Wait.
Timo tosses a flash grenade inside.
It explodes, releasing a blinding light and smoke.
As Bobby covers his ears, the men enter
the loft aiming high-powered assault rifles.
Coming up your ear, you better dart across
the hall.
Go over to the bedroom and hide behind
the lockers.
Go.
Bobby sneaks into the bedroom and hides behind
a set of three lockers as an armed
man enters.
All right, Bobby, you're gonna want to scoot
across the hall.
Go.
Bobby hurries behind the armed man, then ducks
behind a dresser as another armed man moves
into the room.
The agent sneaks past the bald bearded man
and hides behind a curtain.
The bearded man turns.
Hanging up the phone, Bobby aims his gun
through the curtain.
Backing away, the bearded man shines his light
over the fabric.
The agent locks his sight on the intruder.
On the rooftop, Stig removes his earpiece.
Shit.
Aiming through his scope, Stig locks on the
bearded man, who gestures Bobby's position to his
accomplices.
As the men aim their weapons and move
forward, Stig fires shots inside.
The men shoot out the window, exchanging gunfire
with Stig.
Bobby sprints to the door, firing his pistol
for cover.
The bearded man fires at Bobby as he
escapes the loft.
Stig exchanges shots with him, then shoots Timo
to the floor.
Sorry, Timo.
Bobby climbs into the station waggon and speeds
off.
Stig ducks back as bullets ricochet off the
roof.
He hurries away down the slanted backside.
Now a ceiling fan spins over a dimly
lit home office.
Agent Jessup places his weapon down on a
dark wood desk and takes a swig from
a bottle of pink antacid.
He puts the medicine down on a small
bar table and pours himself a drink.
Jessup slams his empty glass down and looks
to the door.
As he walks over, he wipes his hand
over his mouth.
Jessup opens up and stares slack-jawed.
A silver revolver aims at his face.
The agent backs away and the moustached man
enters.
That's our money.
I have no idea what you're talking about.
You think D.A. can just waltz into
our bank, steal our money, and we're not
gonna kick?
His two men aim at Jessup's head.
Your man Bobby Trench stole 43 million of
our dollars.
We'd like it back.
Because it's our money.
Because it's a blatant act of disrespect.
And because it's our money.
Outside, Bobby parks his car on the street.
Sitting in a dark room in front of
a computer, Deb answers her phone.
Please tell me it's you, Bobby.
Anything new on Stig?
He's coming up clean on every database I'm
cleared for.
No military connection, no record of service.
To go deeper, I need to get clearance
from Jessup.
Well, try your old contacts in the military.
I'm gonna tell Jessup everything I know.
Wait, are you sure?
Someone has to know whose money was in
the bank.
Yeah, Stig.
Stig didn't even know I was D.A.
Besides, somebody tried to kill him, too.
Bobby, let me help you.
What do you need?
Take it easy.
Bye.
Bobby.
Fuck.
As Bobby reaches for Jessup's door, an armed
man opens it from inside.
Bobby hits the gun away and tussles with
him.
While the fight distracts the moustached man, Jessup
hurries to his desk and grabs his pistol.
The moustached man fires a shot at the
agent's chest.
Bobby looks over to his injured boss.
The moustached man takes Bobby's gun and hits
his own man in the throat with it.
That's how you take down a man.
Shut the door.
The moustached man kicks his subordinate to the
floor, then walks over to Jessup.
He crouches over the wounded agent's body as
he struggles to breathe.
Just let it come.
Bobby watches as the two men hold guns
on him.
The moustached man stands.
Agent Robert Lynn Trench, a.k.a. Bobby
T, a.k.a. Bobby B, a.k
.a. Bobby Beans.
He walks past Bobby and pulls out a
chair, then looks back with a smile.
Let's have a chat.
The moustached man's gaze hardens.
Bobby glances at the armed man, then over
at Jessup.
He walks into the dining room as the
moustached man turns two seats facing each other.
He gestures for Bobby to sit first.
As the men sit down face-to-face,
the armed men lower their weapons.
You stole 43.125 million dollars that did
not belong to you.
Now, man-to-man, who at DEA authorised
you to rob our bank?
You're a banker.
The moustached man pulls out his revolver.
You ever play Russian roulette?
He unloads the ammo from the cylinder.
Thing is, most people put the gun to
the temple.
Well, that's just stupid.
Loading two bullets, he spins the cylinder, then
locks it into place with a flick of
his wrist.
He'd blow a man's head off before he's
had a chance to tell you that.
You want to know?
Mess up your suit, too.
He presses the revolver to Bobby's kneecap and
tightens his finger on the trigger.
The hammer pulls back.
The moustached man looks up to Bobby, cocking
his head with a smile.
Bobby flashes a light smirk and stares the
man down.
Who told you it was all right to
take our money?
Our money, our bank.
Who are you?
If you don't know who I am, how
did you know to steal our 43 million?
I don't know what you're talking about.
You don't?
No.
Well!
He puts the gun to Bobby's crotch.
Where's the money?
Oh, boy.
Well, uh, it ain't down there, I guarantee
you that.
The moustached man wets his lips.
He tightens his finger on the trigger and
cocks his head.
Watching Bobby's steady gaze, he pulls the trigger.
A.K.A. Bobby Ball, clean in shape.
With his gaze intensifying, the moustached man looks
over at Jessup, who struggles to raise his
head.
He holsters his revolver and pulls out a
handkerchief.
You know what you are.
He unfolds it and picks up Bobby's pistol.
You.
Are a dirty DEA agent.
That's right.
You're a dirty DEA agent who robbed a
bank and shot your boss.
The moustached man fires multiple shots into Jessup's
chest.
A pool of blood grows beneath the body.
Bobby stares.
A thug pulls out a plastic bag.
The moustached man secures Bobby's pistol in it.
Walk in there.
Any federal office, and that's the story they're
gonna have.
Wiping his face with the handkerchief, he sits
down across from Bobby.
Unless you bring me 43.125 million, and
you walk away clean.
Bobby glares.
Have I properly incentivised you?
Boy, then you know.
Unless you want to ride in jail, you
best get after it.
He slides a business card into Bobby's shirt
pocket and pats the agent's arm.
Come on, now.
Go on.
Fixing his hardened gaze on the moustached man,
Bobby wipes off his arm.
He quickly nods his head.
All right.
The agent rises from his seat and walks
to the door.
The men aim their guns as he looks
at Jessup's body.
You're thinking he deserved better?
You're right.
Bobby spits on the floor.
The moustached man glares as the agent walks
out.
Now Bobby sits in his car.
Outside his window, night quickly turns to day.
The window reflects Poppy's suburban home.
A man dressed in all white steps outside
and places two bags on the ground.
Poppy stands with his mistress as his son
hurries over to the white truck where a
husky thug waits.
The boy hands his book bag to Rudy,
who then loads it into the white pickup.
Bobby emerges from his car carrying a revolver.
Morning, Poppy.
Don't move.
Go inside.
Quick.
Mommy!
Whose money did we steal?
You really want to know.
I really want to know.
As a garbage truck passes, Stig's Bronco swarms
into Rudy, knocking him into a windshield.
Stig emerges and aims a gun at Poppy.
Easy, old man.
Get in there.
He closes Poppy into the bed of the
white truck.
Stig reaches for the keys on the ground.
Whoa, whoa, whoa, Bobby.
Drop the gun.
Give me the keys.
Give me the keys.
Nice and easy.
Can't do that.
Why not?
Well, I got them first.
I got dibs.
I got a .44. I'm taking Poppy.
Give me the keys.
He puts them down his pants.
Go get them.
I see the wheels turning.
You're thinking, hmm, a little blindfold.
Maybe use your teeth.
That's not what I'm thinking.
You know what I'm thinking?
What?
Bobby clocks him.
How's that?
That was uncalled for.
Shit.
You know, I liked you better when you
were, I know a guy, Bobby.
I mean, that Bobby was a good guy.
I liked you better when you were winking
at waitresses and shooting the heads off of
chickens.
Give me the keys.
Give me the keys.
Stig kicks the keys in the air and
reaches for a gun.
Bobby shoots at it.
Saw that move coming?
That's correct.
Give me the keys.
Damn, you're good.
One of us is going to have to
pick up those keys.
Guess.
All right, I'll get them, all right?
Get them.
But that must get away, man.
Get them.
Rudy fires at the men and they scramble.
Stig grabs his gun from the ground and
climbs into the pickup truck.
As Bobby hides, Rudy drops to the ground.
The agent notices Stig escaping and climbs into
the Bronco.
He speeds down the street after him.
Stig swarms away from an SUV and Bobby
rams his side.
The vehicles crash through a fence.
Leaving the gated community behind, they race side
by side in the desert.
Hey, pull over.
Pull over.
Hey, poppy, you like my drivers?
Poppy bounces around in the enclosed truck bed,
pressed up against each other.
The truck speed into a narrow path with
sloped sides.
Bobby crashes into a muddy puddle and yanks
the wheel in Stig's direction.
The vehicles barrel down a hill and speed
along a bumpy dirt road.
The Bronco bumps the driver's side of the
truck bed.
In the truck bed, Poppy bounces violently.
The truck swerve, picking up a massive cloud
of dirt.
In the pickup, Stig chases the Bronco down
a hill.
Bobby bumps the side of the truck, knocking
off Stig's door.
On a flat stretch, Stig stops the pickup.
Poppy pushes against the roof of the truck
bed.
Bobby continues forward in the Bronco.
He swerves and does a 180.
Stopped a hundred yards apart, the drivers stare
each other down.
Stig smiles and cocks his head.
What do you want to do?
Tightening his lips, Bobby speeds ahead.
Stig races toward it.
Gaining traction on the dirt, the trucks speed
toward each other.
Both drivers swerve away at the last moment.
Their cars skid toward each other and crash
driver's side to driver's side.
Through their windows, the men exchange punches to
the face.
Stig rips off a side mirror, blocking Bobby's
punch, then leaps into his foe's car.
The passenger door opens and the men tumble
out.
They wrestle on the ground, rolling around in
the dirt.
Tumbling back and forth, they take each other
in headlocks.
All right, all right, all right, let me
go.
You let me go first.
No, you let me go.
On three.
On three.
One, two, three.
Okay, now you're making me not be able
to trust you.
All right, on the count of three, we'll
let each other go.
All right.
All right?
That's fair.
One, two, three.
I knew it.
Let me go.
All right, I'm gonna let you go.
I'm gonna let you go.
One.
Bobby releases his grip and they roll away
from each other.
Come on, man, you gotta admit, that was
kind of fun, no?
You didn't like that?
Who are you?
Shit, huh?
US Navy intel?
Yeah.
Well, I was.
My commander flew by my jacket.
And now I'm AWOL for stabbing an MP.
You're lucky.
They got me framed for killing my boss.
Think your boss ordered your four closest friends
to kill you?
Well, you got me there.
Howdy, Officer Michael Stigman.
The men shake hands.
DEA Officer Bobby Trenchman.
I guess you know that already.
Pleasure.
So what?
You just happened to pick me, or you
got orders to set me up on purpose?
I had orders, man.
I didn't know you were DEA.
My people did.
In their intel, there's not much they don't
know.
Your people.
Now I'm just trying to piece together the
truth so I can take it over my
commander's head to the Admiral.
That's why they want to kill me and
why I want to talk to Poppy.
Right.
Well, I guess we can both talk to
him at the same time.
What, like we're working together?
No, not like we're working.
Yeah!
No, like we're working in the same vicinity.
Together.
In the same area code.
Together.
The same county.
And don't get all we are the world
on me either.
When this is over, I'm going to shoot
you.
Well, we're partners.
Yeah, but I'm still going to shoot you.
Come on, man.
Ebony and Ivory.
Shit, I think he puked.
He's puked or he's dead.
They open the truck back.
Oh, yeah, he puked.
Hey.
Ah, I'm going to fucking kill you both.
This might take a while.
I got all day, partner.
Hold on.
Let me put that in there with you.
Put that on here.
In a garage.
So, partner, how do you want to do
this?
I like that.
It's got a nice roll off your tongue
there.
Partner, we're not that good.
Don't kumbaya with me.
Don't kumbaya.
I'm going to get my bucket and towel
and waterboard his ass.
Nah, I'm going to give him a chance
to talk.
You got anything to say?
I hope you guys like the taste of
balls, because I'm going to chop yours off,
stuff them in your mouths.
See?
Or maybe I'll put yours in his and
his in yours.
I'm going to get the bucket.
Kumbaya.
Poppy faces the bound Poppy.
So, why were you putting so much money
in Tres Cruces?
Tres Cruces.
We thought you just stashed a little cash
there until we robbed the place, found 40
million.
Why is that?
You robbed Tres Cruces.
That's correct.
Why is that?
A fluorescent light overhead goes out.
That's funny.
You're dead.
Yeah, that is funny, isn't it?
You're both dead.
Poppy smacks him.
The light comes back on.
I told you not to kill you.
I thought you were sharp.
I know a guy, Bobby.
But you, you just ripped off the CIA.
Grinning, Bobby shifts his weight.
The CIA.
The CIA.
It's full of crap.
Why would he have money in the same
bank as the CIA?
Why would you have money in the same
bank as the CIA?
I don't have shit in that bank.
The only money I deliver to Tres Cruces
is a payment.
To the CIA.
The CIA.
They take 7% of my revenue.
In return, they let me use their planes
so I can get my shit across the
border.
The light goes out.
I could do a lot cheaper, but there
was really no negotiations.
You know, they take it from all the
cartels.
Bullshit.
Okay, they're still gonna kill you.
Bobby wipes his face.
The garage door opens.
Stig aims at Deb, who gets out of
her car with a gun.
Bobby?
You said stop by anytime.
Inside.
You kidnap a drug kingpin.
That's correct.
Puppy Greco.
And you tied him up in my garage.
Sorry.
May I, Stig, as he rummages through the
fridge?
Would you mind if I swipe a yoghurt?
Yeah, sure.
Please, help yourself to anything.
Take whatever you want.
That's just a yoghurt.
Yeah, but it's her yoghurt.
Just put it back.
Please.
You two like ex-boyfriend and girlfriend?
Actually, you know what?
We never put a name on it.
Oh, so what?
You broke his heart or he broke yours?
Wow, this guy will really ask anyone anything.
Anything at any time.
What do you see in this guy?
I could go on for hours.
But I don't know you.
I don't think this is the right time
for us to have this conversation, OK?
So, daddy issues, huh?
Daddy!
Garage, Poppy, go.
I get it now.
Go to the garage.
Oh, can I have the yoghurt?
You can have the yoghurt.
Here.
I don't like her, man.
Well, you don't get a vote.
I don't want you.
Bobby, what are you doing?
Are you 100% sure you can trust
this guy?
No, but he's all the help I got.
Jessup's dead.
The money we stole was CIA money.
They came looking for it.
I'm sorry, Deb.
I didn't mean to get you involved in
all this.
Bobby steps close to Deb and peers into
her eyes.
You OK?
As Stig enters the garage, Poppy looks away
with a smirk.
The light flickers on.
What are you smirking at?
I've been racking my brain, trying to figure
out who you look like, and it finally
dawned on me.
You look like a Mexican Albert Einstein.
Minus the genius factor, obviously.
You want some yoghurt?
Payback's a bitch.
Stig punches him in the face.
That's for little Toro.
He spits out his gun, then notices a
shadowy figure pass the side door.
Stepping toward it, Stig peeks through a glass
pane.
As he hides beside the door, the garage
light shuts off.
Quince creeps through the dark garage.
Another shadow passes, and Stig glances at Poppy.
As Quince nears Stig, the light comes on
and startles him.
Stig throws the yoghurt in Quince's face and
shoves him into a wall of shelves.
They fall back into Poppy, shattering his chair.
In the kitchen, Bobby looks away from Deb's
embrace.
In the garage, Quince tackles Stig through the
side door.
Poppy frees himself.
Deb grabs her gun.
With a revolver in hand, Bobby walks through
the dishevelled garage and stops by the broken
door.
Bobby rejoins Deb inside.
As they enter the kitchen, Stig crashes through
a large living room window.
Bobby and Deb take cover behind the counter
as Stig scurries over a couch.
Outside, Quince and his man fire silenced weapons
into the cushions.
Go!
Stig joins them in the kitchen.
He returns fire through a sliding glass door,
then follows them into the garage as bullets
strike the kitchen.
They hurry to Deb's car, and Bobby gets
behind the wheel.
Leaning out the passenger window, Stig puts two
bullets into Quince's SUV.
Steam bursts from the SUV's grill as Bobby
reverses through a fence and takes off down
the street.
Quince and his man fire ineffectively, then lower
their guns.
What was that about?
That was messed up.
What the hell's going on?
I don't know.
Stig chews a fresh stick of gum.
I don't know.
Poppy approaches a woman's car window.
Give me your phone.
Bobby speeds by the neighbour's driveway.
I'll take the car too.
Get out.
He climbs into the driver's seat and quickly
reverses out of her driveway.
Poppy takes off after them.
Keeping a safe distance, Poppy makes a call
as he follows Deb's car.
It's them, Grey Charger.
How do Stig's people know to come to
your house?
I don't know.
They must have followed you.
I don't think so.
We would have seen them.
We should have seen them.
How'd they know to come at your house?
Bobby eyes Deb in the rear view, and
she cocks her head at him.
She shifts her eyes away.
Why would they at your house, Debbie?
Oh no, you serious?
Stig glances back.
Deb leans forward.
Bobby.
A large truck T-bones their car, spinning
them into an SUV.
Stig's door hangs open as the car skids
to a stop.
Bobby slumps against the wheel.
With his face clenched, Stig rubs his neck.
Headlights gleam on an approaching car.
Bobby and Stig look around as the truck
driver gets out of his truck.
Several more vehicles slowly stop surrounding them.
Armed men pour out of each one and
close in on Deb's car.
Poppy arrives in the stolen SUV and joins
his man.
Two thugs pull Bobby and Stig from their
seats.
Kneeling with his hands raised, Bobby glances back
at the empty backseat.
He faces ahead as Poppy approaches with a
tense scowl.
I know some guys too, Bobby.
Dag them up.
Let's take them home.
Daytime.
In Mexico, Poppy's men guard a chicken coop.
Stig and Bobby sit inside with their wrists
bound.
You want to talk about it in there?
You sure?
Yeah, I'm sure.
Stig shakes his head.
I told you I didn't like her, man.
Shut up.
What are you getting mad at me for?
Because you talk too much.
What'd I ever do to you?
Besides shoot me?
You know what you are?
No, you're a misanthrope.
It's misanthrope.
I'm a misanthrope.
Did you know what I meant to say?
No, what did you mean to say?
That you don't like people.
Shut up.
A bearded thug enters.
He unties Stig's wrists and stands him up.
Time for my massage.
Yeah, I'll have housekeeping clean up your bed.
In a bull's pen, Bobby and Stig hang
upside down with their backs against a gate.
Poppy urinates on his own hands.
My grandfather cut cane for 30 years every
day and never got a blister.
Says it smells like hell.
Tough as hands.
He picks up an axe handle.
I know what I like about this.
Not only do I get to take my
time with you guys, but this time I
don't have to worry about leaving any marks.
Don't put your hands on me, man.
He whacks Stig in the stomach.
What did you say?
Just don't put those pissy hands on me,
man.
Poppy hits Stig again, then whacks Bobby twice
in the gut.
You ain't got a home, Bobby.
DEA doesn't want you around.
Not with your sins.
The old man leans into Stig.
Payback's a bitch.
Smell like warm corona, man.
Tightening his grip, Bobby swings two more times
at the hanging navy man, then hits Bobby's
chest.
You remember my prize-breathing bull with cojones
the size of coconuts?
You want to see him?
It's okay, we can see good from here.
Adios, Bobby.
No, no.
Poppy opens the door, releasing the massive bull.
Stig and Bobby share a nervous look.
The bull drags its hoof over the dirt,
then charges.
They bend at the waist.
The beast lunges at them, swinging its horns
beneath their heads.
Forty-three million dollars.
It's everything we stole from the CIA.
You let us go, we'll bring it to
you.
I got the money.
What are you talking about?
I got it.
You don't have it?
I know I don't have it.
He doesn't know that.
You don't have the money.
I know you don't have it, because I
have it.
You have it.
Where is it?
Commander Quint's a safe.
Corpus Christi Naval Air Station.
The bull charges, and they lift up again.
Where is it?
Yo.
Commander Quint's a safe.
Corpus Christi Naval Air Station.
The bull moves back to its pad.
I'm pissing on us, and you're asking if
we should fucking tell him.
If that's the truth, I might as well
just kill you now.
As Poppy prepares to swing, Julio whispers in
his ear.
In a sunny living room, the moustached man
picks his teeth.
He looks over to a sliding glass door
as Poppy enters.
Take my daughters to the other room.
I had a run-in with a couple
of boys out of your organisation.
Hello, Earl.
Mr. Bobby Beans and Mr. Michael Stigman.
Well, they're not from my organisation.
They're freelancers.
And Bobby Beans is undercover DEA.
And Mr. Stigman's AWOL U.S. Navy.
They stole $43.125 million from the trace
cruisers.
We want it back.
Is there a finder's fee?
Fee is we let you continue to do
business.
Fee is we don't raise our cut from
7% to 20%.
The fee is we don't come down here
with a squad of Apache A6 helicopters and
wipe you off the face of the earth.
You like my country weak and corrupt, don't
you?
So you can buy your cheap crap at
the mall.
Well, Earl, I'm not cheap.
Is this about pride, Manny?
About machismo?
Prove you got a big Mexican cock?
Well, your cock is huge.
It's massive.
And I, I'm in awe of your cock.
So what?
You're still a drug dealer.
And I'm still the government of the United
States.
Earl rises from his chair.
It's a free market, Manny.
Not a free world.
The CIA agent walks to the door.
I'll take a look.
Hard.
You look hard.
And every rock in Mexico.
As Earl leaves, Papi watches him from the
window.
Get those arseholes in the chicken coop cleaned
up.
If the guero's really U.S. Navy, you
and I might just get $43 million richer.
What about our friend from the CIA?
He can go fuck his mother.
I like it, boss.
Later, Julio pushes a gate open for Stig
and Papi, while a trio of armed men
follow behind.
I've decided to let you bring me the
$43 million.
The truck will take you north of the
border.
From there, you'll cross on foot with the
coyotes.
It's all the same, we'd rather drive.
With everybody looking for you, they'll pull you
out of line in two seconds.
No, you go the way you forced my
people.
Well, if we can't risk crossing, how are
we supposed to bring you back the money?
I'll meet you north of the border in
24 hours.
They climb into a truck.
Now, I'm trusting you to fulfil your part
of the bargain.
A barn door opens.
Inside, Deb sits bound and gagged.
She lowers her gaze to the ground.
As Bobby turns to get off the truck,
two men aim weapons.
Hey, Bobby, you got 24 hours to bring
me the money, or I'm gonna shoot her
right in the head.
The truck pulls away.
Then I'm gonna find you, and I'm gonna
gut you like a pig.
Men push the barn doors closed, leaving Deb
in darkness.
As the truck drives off, Bobby and Stig
sit down against the bed's wooden side railing.
A dozen other men sit in the bed
as well.
A young bearded man eyes the Americans.
The truck drives along an empty desert road
beneath a cloudy sky.
On foot, Stig and Bobby travel with a
large group, walking along the open desert.
Two armed men follow behind them.
Stig looks around, then lowers his gaze to
the ground.
An aerial view shows the travellers spaced apart
and walking in a line.
Hundreds of footprints trail behind them.
At night, they walk out over a rocky
peak and look down at a river.
Underwater, feet step on overturned barrels.
The travellers hold a rope as they walk
through the rough waters, carrying their belongings in
plastic bags.
A man slips off a barrel and the
water carries him away.
Bobby notices.
The agent tosses his bag to Stig and
dives into the water after the man.
Bobby puts his arms around the floating man
and pulls him across the river.
On land, Stig watches Bobby drag the man
out of the water and help him to
his feet.
As the other travellers continue on, Stig sits
at a rock and tosses Bobby his bag.
Shaking his boot upside down, Stig smiles at
the agent who flashes a grin.
Stig puts the boot back on his foot
and smiles at his partner.
At night, the men walk up a hill
toward a parking lot.
Locks are tricky, too many of them.
Okay, it's suburban.
That was 2010.
It's gonna get like two miles a gallon.
I ain't paying for all that gas.
You know, for a car thief, you're a
mighty particular.
I'll break into the Honda.
I look like I'm gonna ride in that
Honda, D?
Well, you could.
And you could pick something with a little
more class.
Well, I hate to remind you, but we're
breaking onto a high security Navy base, okay?
We ain't going to the hip hop opera.
Ain't no Les Miserables for you tonight, man.
Les Miserables.
Oh, man, whatever the fuck, man.
Don't remind me.
Look, it's not my fault Quince took the
money back to the base.
Oh, you said you took the money back
to the base.
No, I never said that.
So the money could be anywhere.
It could be in East Jabip, the Cayman
Islands.
No, the money is on the base, okay?
You gave it to Commander Quince at the
Camino Real.
He told the guys to take it back
to the base.
Right before he took you out and tried
to kill you.
That doesn't mean he's lying about the base.
Not everybody's as paranoid as you, Bobby.
Jeez.
What about the Prius?
You like the Prius?
Camino Real.
Yeah, it's a hotel.
I met Debbie at the Camino Real.
No shit?
Yeah.
What was she doing there?
She said you were there to meet her
boyfriend, Harvey.
Wait, your girlfriend has a boyfriend?
She's not my girlfriend.
Holy shit.
Here, just pick a car.
Right here.
You pick that one?
Stig uses a Slim Jim.
Fuck, you want a fucking Bentley?
Bobby smashes the window with his elbow.
Daytime.
In an old wood-panelled minivan, Stig and
Bobby pull into a waterfront parking lot.
A few empty picnic tables sit beneath the
overhang of a small boat repair shop.
Exiting the van, Stig leads Bobby inside.
Hi.
Hey.
They approach the pretty clerk.
Crazy question.
Wouldn't anybody know how to fix a snowmobile?
I don't think so.
Did you check for me?
I really need to fix mine tonight.
Why, big storm coming?
You're never gonna be too sure.
She smiles at Stig.
I'll be right back.
Bobby eyes his partner.
What?
She smiled at you.
You didn't wink at her.
Well, I'll wink at every woman I see.
Snowmobile in Texas, huh?
You must have been some serious shit-seller.
You got yourself a new claw, huh?
Hey, McPaul.
Yeah, pal.
So do you.
You still got my rainy day sash?
Yeah.
Stig and Bobby follow the man with the
prosthetic hook out of the shop.
See you later, Stig.
All right.
Outside, Stig opens a huge duffel bag full
of weapons.
You know what they say.
Talks often carrying M4 with a grenade launcher.
Wow.
Stig lifts a shotgun and pistol.
Which one you want?
Bobby takes the pistol.
What's your point of getting on the base?
I'm working on it.
In the minivan, Stig and Bobby arrive at
the Corpus Christi Naval Air Station.
Stig casually eyes his surroundings as he pulls
through the main entrance.
A short line of cars wait at a
security checkpoint guarded by military policemen.
All right, remember, once we get to the
command building, Quince's office is the first floor
end of the hall.
He's not in the field.
That's where he lives 18 hours a day.
Right, right.
But you still haven't told me what the
plan is to get through the gate.
Well, I got a plan.
I mean, I'm capable of coming up with
a plan.
I'm not saying you're not capable.
I'm just saying you haven't told me.
What is it?
I'm working on it.
Better work faster.
Stig watches the gate lower for the car
in front of them and glances at Bobby.
Much faster.
An MP waves them forward.
Fuck it.
Stig crashes through the gate.
Is that passing up for you?
Stig cuts off an SUV.
An MP fires his rifle hitting the back
of Bobby's seat.
As they speed further into the base, several
MPs rush into squad cars and pursue the
intruders.
Grinning, Stig checks his side mirror.
That was your plan?
Well, we're on the base, aren't we?
That's not a plan.
Nobody in their right mind breaks into a
naval base.
That's why it's a brilliant plan.
Nobody expected it.
You should have seen your face.
Damn, they were surprised.
All right, you'll stop coming up.
I'll play decoy, lead them away, trying to
get to the Admiral, okay?
All right.
Things go wrong, I'll see you back at
the boat yard.
Oh, things ain't going wrong.
I'm getting a medal.
I get to the Admiral, I'm getting a
medal.
Watch.
He stops at the command building.
You're going to wish me luck, aren't you?
Come on, man, let's hit it.
Good luck.
Quince's office is at the end of the
hall.
Remember, first call.
Stig takes off.
Bobby hides behind a pillar as the military
policemen speed by.
Grounding a corner, Stig parks the van and
hops out.
He rushes into another building as the MPs
pull up.
With their weapons drawn, they pursue Stig inside.
Inside, Stig rushes up the stairs and barges
into an officer's dining room.
He immediately salutes.
Sir, Petty Officer Michael Stigman, ID number 540333.
Wait a minute, what's the problem?
Stig punches the guard.
The MPs rush in and restrain him.
Sir, I've been in the service 12 years,
sir.
I've never stepped foot in an officer's mess,
much less crashed it.
Please, sir, it's an emergency.
Stand outside, please.
The MP releases Stig.
Leave us alone.
Thank you, sir.
Hey, I'm really sorry about that, man.
I didn't mean to hit you like that.
I apologise.
I'm listening, sailor.
Sit.
Thank you, sir.
In the command building, Bobby slips into a
room as Quince exits his office.
The commander strides down the hallway.
Bobby peeks out, then sneaks into Quince's office
and quietly closes the door behind him.
In the dining room, Stig sits with the
admiral.
You believe this stolen money will all be
used to fight drug cartels?
Yes, sir.
I thought the orders came down the valid
chain of command.
Blind loyalty is not loyalty.
I know that, sir.
That's why I'm here.
Well, you've shown a lot of tenacity and
a lot of guts bringing this to me.
Well, thank you, sir.
That means a world coming from you.
Unfortunately, there's a lot of people out there
who don't know what they're doing.
Nothing I can do for you.
Well, of course, sir.
I mean, you can just lock down the
base.
You can arrest Commander Quince.
The United States Navy does not rob banks.
Its personnel did not rob a bank.
I'm not going to tarnish the integrity of
the Navy over one crooked sailor.
If there was money taken from the bank
that was part of an illegal CIA slush
fund, the Navy had no knowledge the fund
existed.
The admiral wipes his mouth.
Your jacket has your six months AWOL?
Yes, sir.
It's going to stay that way.
Standing, the admiral strolls across the room.
Commander Quince's jacket will likewise be amended, so
he's also AWOL, making none of this the
Navy's problem.
Sir, this isn't right.
Well, I'd offer more.
But when the hand has gangrene, you chop
it off to save the body.
You don't keep the pinky around just because
it meant well.
Tensing his browstick, releases a short breath and
lowers his disgruntled gaze.
The stringent admiral opens the door for the
military policeman.
F.
Petty Officer Stigman dropped outside the main gate.
The MPs grab Stig.
He sets foot on a military base anywhere
in the world.
I want him shot.
This is bullshit.
You know, men like me fight and die
in the orders of men like you.
Without us, those dogs on your shoulder are
fucking costume.
In the command building, Quince returns to his
corner office and sits at the desk.
As Bobby emerges from another door, the commander
quickly retrieves a pistol.
Bobby grabs the gun, ejecting the magazine, and
whacks Quince in the face with the detached
slide.
He looms a gun at the commander's head.
Open the safe.
Does your boss know you're doing this?
Open it.
What if the CIA killed her like they
did Jessup?
What's it to you?
I don't like loose ends.
Neither do I.
Bobby.
Quince winks with a sly grin.
Well, my mother named me Harold.
I like Harvey.
Harvey has a nice ring to it.
Don't you like Harvey?
I don't know what you're talking about.
Yes, you do.
Been to the Camino Real Hotel lately.
Open the safe.
Quince reluctantly stands and inputs the combination.
Bobby glances outside as MPs arrive with armoured
trucks.
What did you do?
Let go!
Let go!
They surround the building entrance.
Quince glances at Bobby, then opens the safe.
It's empty, save for a few items.
Bobby shifts his perplexed glare.
Where's the money?
Tell me where Deb is.
She's getting the nails done.
Where is the money?
I don't know.
He grabs Quince and presses the gun to
his neck.
All right, tell me what you do now.
Well, your girl found out where the CIA
was stashing the money right about when I
did.
And when I told her that she and
I could get away with the money by
setting you and Stigman up, she didn't even
blink.
Don't lie to me.
Was she that unhappy, Bobby?
Using his pistol, Bobby hits Quince in the
neck and pings him onto the desk.
Where is the money?
Don't lie to me.
You think I'd keep it here with you
and Stigman still alive?
Come on, Bobby.
You gave it to her, didn't you?
With his head pressed to the desk, Quince
raises his brow.
Didn't you?
Commander, back up.
Bobby fires at the sailor, then shoves Quince
down and bolts from the office.
Outside, military policemen file out of the armoured
trucks in combat gear.
Wielding assault rifles, they approach the building.
Two MPs escort Stig outside.
Bobby peeks down the hall, then slips away.
He starts outside, but sees the gathered MPs
and instantly retreats down another hallway.
Bobby ducks into a room.
He hides in a large closet.
A formation of MPs march through the main
entrance.
Bobby thoughtfully looks across the closet and tucks
his pistol into his pants.
He steps beside a rack of hanging officer
uniforms and quickly selects one.
Draping it over his shoulder, the renegade agent
casually walks into a vacant office.
The formation of MPs shuffle down a hallway,
swiftly clearing every room they pass through.
Bobby moves through a kitchen supply closet as
chefs evacuate past him.
He stops inside the kitchen and scans the
room.
Setting the uniform down, Bobby glances into a
walk-in freezer, then approaches the stove.
Food sizzles on the hot surface as he
breaks a gas line.
The MPs continue into a large office.
As gas spews from the broken line, Bobby
pulls the fire alarm.
He collects the uniform and steps inside the
walk-in freezer.
With the door slightly open, Bobby shoots an
electrical panel.
He shuts himself in as fire erupts through
the kitchen.
The blast fills a nearby hall, knocking two
MPs to the ground, then first through the
first floor windows.
Stig and the MPs cower behind the vehicles
as debris rains down.
Flames cover the grass and pavement.
Inside, an MP helps his partner up.
Outside, Stig gets to his feet and stares
wide-eyed at the burning command building.
In the demolished kitchen, pots and pans cover
the floor as flames swell from the broken
gas line.
Wearing the officer's uniform, Bobby emerges from the
freezer.
He puts on a hat and walks away.
Holding a handkerchief over his mouth, Bobby exits
the building past firemen.
You okay, sir?
Yeah, I'm fine.
Bobby strolls away from the smouldering site.
Stig spots him from the back of the
squad car and Bobby gives a salute as
they pass.
With a big smile, Stig shakes his head.
Elsewhere, Poppy eats as Deb sits on a
couch.
This is really good barbecue.
You don't want to regret not trying it.
Why don't you stop wasting my time and
just kill me?
Even if Bobby was coming with the money,
he'd still kill us both.
Poppy wipes his mouth and continues eating.
But he's not coming.
He'll be here.
No, he won't.
You think he's just gonna let you die?
You think it was a coincidence?
The Navy came looking for Bobby at my
house?
If I couldn't have Bobby, at least I'd
have half of 43 million.
Poppy eyes the devious woman.
You set up Bobby Beans.
I wouldn't be coming for you either.
Where's the money?
Come on, I don't know.
Going out of the country.
It's certainly not on a Navy base, Poppy.
Where does that leave you?
As Poppy grabs a phone, Deb stares off.
Exactly where I deserve to be.
Behind the wheel of an empty squad car,
Bobby cruises down a remote desert road.
He answers a call on his cell.
Yeah?
Bobby?
You're late.
I got the money.
I don't believe you.
No, I got it.
Poppy hands the phone to Deb.
Where are you?
Hi, Bobby.
Debbie?
Can you hear us?
Just hang up the phone, I'm on it.
Okay, listen to me.
Tell him I got the money.
Hang up the phone.
Poppy watches her closely.
It's not your fault, just...
Debbie, tell him I have the money, okay?
And I know you know where the money
is.
Just tell him I have it.
Debbie, listen to me.
I'm sorry.
I really meant to love you.
Debbie?
As Poppy cocks his gun, Deb slides the
silver ring onto her thumb.
Where are you?
Debbie?
Poppy raises the pistol.
Hello?
Bobby slams on the brakes and slides to
a stop, keeping the phone to his ear.
Hello?
His bottom lip quivers.
Hello?
Debbie?
Lowering the phone, Bobby stares downward.
He slams the phone on the dashboard and
shifts his tense, agitated gaze.
At night, the squad car sits outside the
boat repair shop.
Stig enters and finds Bobby sipping a beer
alone.
What'd they say?
What'd the Admiral say?
What'd the Admiral say?
Admiral Washington is the whole thing.
Maybe he turned it back.
Where's the money?
There was no money, Stig.
What?
There was no money.
Of course there was.
I gave Quince the money.
Right, Quince gave it to Deb, and Deb
is dead.
Bobby lightly shakes his head.
Bobby killed her.
With his brow tensed, Stig looks away.
Fuck it.
Let's go down to Mexico.
We'll blow them all down.
I'll take every one of them out.
Kill them all.
And then what?
Well, at least Quince and Bobby would be
dead.
And then what?
Oh, you just want to let them escape?
You don't get it, do you, Stig?
I mean, God bless you.
You still think there's some kind of code.
There is no code.
You followed every order the Navy gave you.
They kicked you in the teeth.
There is no code, Stig.
No one fights for the Navy, okay?
It's not about the Navy.
You fight for the guy that's fighting next
to you.
That doesn't mean anything to you?
I'm going to Mexico.
All right, just so you know my code?
My code saved your life.
There's three inches between your heart and your
shoulder.
My bullet goes three inches left, you'd be
dead.
And I wouldn't be here, all right?
Because Quince only decided to kill me because
I let you live.
What, you think I missed?
Huh?
Is that what you think?
You think I missed?
When have you ever seen me miss?
Stig stares into his eyes.
You stay here.
I'm going to Mexico.
As Stig walks away, Bobby keeps his eyes
forward.
He turns his brooding stare after the ex
-sailor.
Later, Bobby slowly ascends the narrow staircase to
his apartment.
He opens the door and steps inside, finding
Deb's body on his couch.
Bobby tucks in the uniform shirt.
Letting the door shut behind him, he stumbles
forward with his eyes on the deceased beauty.
His mouth moves wordlessly.
Outside, Bobby slowly takes a seat on the
steps of his fire escape.
Inside, a clean bullet hole mars Deb's forehead.
Her lifeless eyes remain open.
Gazing at her through the window, Bobby notices
the silver ring on her thumb.
The agent stands.
Later, Bobby arrives at the Seedy Motel in
his luxury sedan.
He parks in the quiet lot, then opens
the door of their former rendezvous.
Stepping into the dark, vacant room, Bobby turns
on a light and closes the door behind
him.
His probing eyes land on the neatly made
bed.
Kneeling beside it, Bobby lifts the bedspread.
The agent taps a couple spots on the
frame as his eyes scan the room.
Beneath the mattress, Bobby finds a white board
lying atop the frame.
He climbs to his feet, then moves along
the foot of the bed.
Bobby grabs the queen-size mattress and pushes
it aside.
Bending over, he grips the edge of the
white board and lifts it off the frame,
finding the millions of dollars inside.
Dropping the board, Bobby releases a deep breath
and reaches into his pocket.
The agent flicks a business card in his
hand as he moves around the bed and
sits on the frame.
Eyeing the card, he lifts the hotel phone
and dials.
Bobby leans forward with the phone to his
ear.
How would the deal still stand?
I give you the money, I walk away
clean.
At Poppy's ranch, Stig stands beside his muscle
car wearing a jean jacket with a colourful
shark on the back.
Poppy and his armed men arrive in three
old pickup trucks with dead deer strapped to
the hoods.
Hola!
Looks like you had a better morning.
You better have my money.
Right here, every penny.
Where's Bobby?
Well, we had a philosophical fall now.
Open your trunk.
I just want your word, okay, that you
and your boys, Ferret knows Julio, all of
them, you help me kill Commander Quince.
Who's Commander Quince?
Two of Poppy's men drop.
That's him.
Poppy carves as an RPG strikes one of
the trucks.
Perched nearby, Quince holds the rocket launcher.
Mr. Stigman, you promised me 43 million dollars
for killing everyone on this ranch.
Got the money right here, sir.
Thing is, I promised Poppy the 43 million
too, so I'm afraid you two are gonna
have to duke it out.
Maybe he and I will just kill you
instead and split the money.
What do you say, Poppy?
50% of 40 million?
Better than 100% dead, right?
It'll double-cross you the minute your back
is turned, bullet in the head.
Poppy slowly faces Quince.
50-50.
The guy up on the roof says 60
-40.
He ain't got a trustworthy bone in his
body.
I came back, didn't I?
A helicopter swoops overhead, firing down at Poppy
and his scattering men.
Stig takes cover behind his car as bullets
strike the hood and top his front tyre.
Poppy glares up at the helicopter from behind
a truck as it circles back.
Quince and his men keep their weapons aimed.
The chopper slowly sets down in a grassy
clearing.
Earl steps off with a hand on his
hat.
His two armed men stand at his side.
Poppy lowers his gun.
You fucking CIA.
Red Rover, Red Rover.
Whoever's got my 43.125 million better come
the fuck on out.
You offer him the money, too?
I didn't call him.
It's in the trunk.
Why the fuck did you tell him that,
bean-chicolero?
Thank you, Commander.
Mr. Stigman, come on out and open the
trunk.
Nice and slow now.
Keeping his eyes on Earl, Poppy pops the
trunk and fully opens it.
Earl tries peering inside from across the yard.
Well, what do we got here?
Sounds like a Mexican wedding.
Stig smiles as Bobby pulls up in a
vintage red convertible.
A large black duffel bag protrudes from the
back seat.
Stig casually grabs a pistol from his trunk
and tucks it into his waistline and moves
around his car.
Wearing a brown fedora and a big smile,
Bobby parks at the centre of the standoff.
Earl's money fills the back seat.
Is that my 64 Impala?
That's correct.
Bobby eyes the beautiful car.
I told you.
I know a guy.
Now, who wants to see 43 million dollars?
Bobby pops the trunk, revealing the rest of
the cash.
For a minute there, I thought you had
me chasing my tail.
Earl cocks his holstered pistol.
You want to count it?
Oh, if you'll shorten me, I know where
to find you.
So we're good?
Did I not give you my word?
That's right.
Then don't treat me like an arsehole.
I'll try my best.
Bobby tosses Earl the keys.
You and Mr. Stigman are free to go.
Yes, sir.
I trust you can find your own way
home.
That's right.
What are you doing, Bobby?
Let's go.
I'm not gonna let him get away with
the money.
Let's go.
I hate these daggers.
They're not just gonna let us go and
I don't need to go.
I got a plan.
Hey, I got my M16 on the money.
I got a plan.
Don't worry about it.
I got a plan.
I'm capable of coming up with a plan.
Well, it better be a goddamn good one.
It's a good plan.
Make it rain.
Using a key fob, Bobby blows up the
Impala.
Money swirls in the smoke-filled air.
They draw pistols as everyone cowers from the
blast.
Bobby shoots Poppy in the chest and Stig
hits the guy on the roof.
In slow motion, the partners spin back to
back, taking out men with every shot as
cash rains over them.
Earl and his men step forward and fire
at Poppy's thugs.
Bobby empties his clip, then taps Stig and
bolts across the yard.
Earl's chopper lifts off without him.
The gunner fires as Bobby and Stig leap
over a concrete wall.
That was your plan to blow up 43
million dollars?
Yeah, that's why he's a brilliant plan.
That's what he expected.
Quince's man provides him cover fire.
Quince takes out a thug, allowing his man
to pursue Stig and Bobby in the stockyard.
The commander exchanges gunfire with Earl and kills
his agent, then heads to the stockyard.
Earl's chopper soars overhead.
A herd of bulls stampede through a narrow,
fenced-off path, funnelling into a large pen
as Bobby and Stig approach.
Quince's bearded navy man aims at Stig, but
Earl's second man shoots him from behind.
Stig quickly ducks within the herd and shoots
the CIA agent from the ground.
Quince and his man push their way through
the narrow path, congested with frantic bulls.
The helicopter gunner eyes Quince and his man
as they enter the large, round pen.
Soaring overhead, he opens fire but misses them
both.
Stig bolts toward the barn as the pilot
circles back.
Bobby waits inside.
A trail of bullets follows Stig as he
slips into the barn, taking cover beside Bobby.
Stig steps out and aims as the chopper
circles back.
His bullet hits the pilot in the head.
He smiles and winks.
Stig slips inside.
The helicopter nosedives into the stockyard, scattering the
herd.
Bobby ducks behind the pen as a piece
of the rotor blade crashes through the barn
roof.
The bulls stampede through a narrow path in
the barn.
One of Quince's men creeps through the dusty
barn with his rifle aimed.
Stig spots him as a group of bulls
trots by.
Ducking down, he waits for them to clear,
then shoots Quince's man in the head.
Bobby runs along a platform raised above the
pens.
Bobby dives forward and kills a man behind
Stig.
Quince arrives with his gun on his former
subordinate.
Earl stands over Bobby.
Stig keeps his gun on Earl.
Bobby holds his aim on Quince.
They simultaneously shoot Earl and Quince.
Earl's body drops off the platform and Stig
puts two more bullets into his chest.
As the CIA agent releases his final breath,
Bobby glances at his partner.
Outside, Poppy
sits against an overturned truck with a bullet
in his chest.
As Poppy weakly lifts his gun, they each
shoot him in the chest.
Bobby strides away.
Stig eyes the dead man and kicks dirt
onto his leg.
They stroll out of the ranch as a
few women gather the scattered cash.
Bobby aims at Stig.
He shoots him in the
leg.
Stig hobbles forward with his arm around Bobby.
The partners walk off into the vast desert.
In a bank vault, hands open a safety
deposit box.
Seen from the chest down, two men transfer
stacks of cash from a briefcase into the
box, then lock it away.
The suited men exit a small town bank.
Across the street, Bobby and Stig watch from
a diner booth.
Stig winks at the pretty waitress.
Bobby pulls out a wad of $100 bills.
Bobby smirks.
Stig raises his brow.
Stig leans forward.
Bobby winks.
Bobby's image fades into an image resembling a
pencil sketch on yellowed paper.
Directed by Baltasar Kormakur.
Screenplay by Blake Masters.
Based on The Boom Studios graphic novels by
Stephen Grant.
Produced by Mark Platt, Adam Siegel.
Produced by Randall Emmett, Norton Herrick, George Furlaugh.
Produced by Ross Ritchie, Andrew Cosby.
Executive Producers Mark Damon, Brant Anderson.
Executive Producers Motaz M.
Nabulzi, Joshua Skirla.
Executive Producers Jeff Rice, Jeffrey Stott, Scott Lambert.
Executive Producers Stefan Maturossian, Remington Chase.
Executive Producers Tamara Berkemau and Vitaly Gregorians.
Director of Photography Oliver Wood.
Production Designer Beth Mickel.
Edited by Michael Tronick, A.C.E. Co
-Producers Brandon Grimes, Robert Dorman.
Music by Clinton Shorter.
Music Supervisor Scott Venner.
Visual Effects Supervisor Janelle Croshaw.
Supervising Sound Editors Victor Ray Ennis, Lon Bender.
Costume Designer Laura Jean Shannon.
Casting by Sheila Jaffe, Denzel Washington, Mark Wahlberg,
Two Guns, Paula Patton, Bill Paxton, James Marsden,
Fred Ward and Edward James Olmos.
Emmett Furlaugh Films and Foresight Unlimited present in
association with Universal Pictures, a Mark Platt production.
In association with Oasis Ventures Entertainment Limited, Herrick
Entertainment, Boom Studios.
In association with Empire Media Capital and Vision
Entertainment.
A film by Baltasar Kormakur, Fade to Black.
Credits Roll.
Unit Production Manager Robert J.
Dorman.
First Assistant Director John Wildermuth.
Second Assistant Director Scott August.
Co-Producer Robert J.
Dorman.
Cast.
Denzel Washington as Bobby.
Mark Wahlberg as Stig.
Paula Patton as Dab.
Edward James Olmos as Poppy Greco.
Bill Paxton as Earl.
Robert John Brooke as Jessup.
James Marsden as Quince.
Craig Sprouls as Chief Lucas.
Fred Ward as Admiral Toohey.
Patrick Fischler as Dr. Kang.
Derek Solorzano as Ferret Nose Julio.
Edgar Arriola as Rudy, Poppy's man.
Kyle Russell Clements as Teemo.
Matthew Cook as Thick.
Timothy Bell as Lean.
K.J. Fletcher as Minnie.
Azura Parsons as Waitress Maggie.
John McConnell as Officer Day.
Jack A.
Landry as Officer Bill.
Richie Montgomery as Chief of Police.
Amber Childers as Ms. Young.
Robert Lariviere as Bank Manager.
Lucy Faust as Scared Woman.
George Wilson as Bank Guard.
Johansse Myles as Lead Agent FBI Man.
Evie Lewis-Thompson as Patsy, Dr. Ken's assistant.
Jesus Payan Jr. as Roughneck, Poppy's man.
Doris Morgato as Daisy.
Samuel Baca-Garcia as Javier, Poppy's son.
Michael Beasley as Hardcase Border Patrol.
Christopher Dempsey as Border Guard.
Bill Stinchcomb as Uniformed Border Agent.
Mark Adam as Navy Firefighter.
David Kensey as Lead MP, Shore Patrol.
Hilbert Rosales as Skinny Immigrant.
Peter Gabb as Dormant.
Jason Kirkpatrick as Tommy Boy.
Tony Sanford as Slim Jay.
Tim Lucky Johnson as Tim Corrales.
Lindsey Smith as Gina Corrales.
Lindsey Gord as Waitress Marjorie.
Hillel M.
Sharman as Roughneck No.
2.
Aaron Zell as Roughneck No.
3.
Henry Ponzi as Roughneck No.
4.
Stunt Coordinator, Darren Prescott.
Second Unit Stunt Coordinator, Wade Allen.
Bobby Stunt Double, Robert Powell.
Bobby Stunt Double, J.
Jaleel Lynch.
Bobby Stunt Double, Clay Donahue-Fontenot.
Stig Stunt Double, Sean Graham.
Deb Stunt Double, Kara Kimmer.
Deb Stunt Double, Keisha K.
Smith.
Poppy Stunt Double, Eric Salas.
Poppy Stunt Double, Edward J.
Fernandez.
Earl Stunt Double, Greg Rementer.
Quinn Stunt Double, Todd Schneider.
Stunt Drivers, Matthew Thomas Moss.
Randall Reitenbach, Stanton Barrett.
Stunt Riggers, Lex Gettings.
Chris Fletcher, Ben Jensen, John Zimmerman.
Stunts, Monty Simons, Regis Harrington, Chris Anthony Palermo.
Additional voices provided by The Loop Squad.
Patty Connolly, Mark Sussman.
Marco Aguilera, Richard Mero.
David Barron, Jonathan Nichols.
Vicky Davis, Frank Sharp.
Greg Finley, Dennis Singletary.
Mike Gomez, Linda Sipien.
David Michie, Ruth Zaluando.
Art Director, Kevin Hargison.
Assistant Art Director, Bill King.
Set Decorator, Leonard Spears.
A-Camera Operator, Steadicam, Joe Chess.
First Assistant A-Camera, Maricela Ramirez.
Second Assistant A-Camera, Blake Alcantara.
B-Camera Operator, Adam Ward.
First Assistant B-Camera, Robert Baird.
Second Assistant B-Camera, Penelope Helmer.
Camera Loader, Billy Salazar.
Still Photographer, Patty Perrette.
Post-Production Producer, Janice Tashtian.
Additional Editor, Erin Brock.
Visual Effects Editor, Jill Piguar.
Apprentice Editors, Brian Torres, Joe Zapia.
Visual Effects Coordinator, Eric Kimmelton.
Sound Mixer, Willie Burton.
Room Operator, Gary Theard.
Sound Utility, Rene DeFrancais.
All The Blues I Need, written by Jai
Josephs.
Performed by Erica Alexander.
Divorciata, written by Andy Gonzalez.
Entregate, written by Matt Hurt, Mark Ferrari, Francisco
Rodriguez.
Performed by Matt Hurt and Francisco Rodriguez.
Mi Corazon Mi Amor, written by Lionel Wendling.
Sacrifice, written and performed by Nicholas Acquamaccaro.
Two Against One, featuring Jack White.
Written by Danielle Lupe, Brian Burton, and Jack
White.
Performed by Danger Mouse and Danielle Lupe.
Crazy Things, written by Nicholas Acquamaccaro and Nicole
Leidinger.
Performed by Nicholas Acquamaccaro, featuring Nikki Darling.
Are You Ready For Me?
Performed by The Unknown.
Written by Dave Bassett and Tim Myers.
The producers wish to thank State of Louisiana,
Double Eagle II Airport, Amite City Chamber of
Commerce, New Orleans Office of Film and Video,
Wesley and Kathy Lehman, U.S. Fish and
Wildlife, St. Tammany Parish, Estancia, New Mexico, Louisiana
Wildlife and Fisheries, U.S. Marine Corps, Stepan
Matarossian, County of Santa Fe, International High School
of New Orleans, City of New Orleans, Sandia
Casino, Marlon DeFeo, Jefferson Parish, Billy and Joy
Rye, Amite City Police Department, Tangipahoa Parish, Abeta
Trujillo-Asakia Association, State of New Mexico, U
.S. Coast Guard, Remington Chase, City of Albuquerque,
Federal City, Agnes Johansson, Dedicated to Ethan and
Leslie Emmett.
In loving memory of Thea Emmett, Justin Holacek,
Chris Lighty.
American Humane Association monitored the animal action.
No animals were harmed.
Copyright 2013 Georgia Film Fund 15, LLC and
Universal Studios.
All rights reserved.
All material is protected by copyright laws of
the United States and all countries throughout the
world.
All rights reserved.
Georgia Film Fund 15, LLC and Universal Studios
are the authors of this motion picture for
purposes of copyright and other laws.
This picture is protected under the laws of
the United States and other countries.
Unauthorised duplication, distribution, or exhibition may result in
civil liability and criminal prosecution.
The story, all names, characters, and incidents portrayed
in this production are fictitious.
No identification with actual persons, places, buildings, and
products is intended or should be inferred.
This film has been described by the Media
Access Group at WGBH with funding from Universal
Pictures.
Read by Miles Neff.
For more information about Motion Picture Access, visit
our website at access.wgbh.org.
backward over Earth.
As massive block letters of gold and silver
orbit into view, we pass to the dark
side of the planet where the continents show
the speckled electrified glow of hundreds of cities.
The Earth eclipses the sun and the massive
word hovers front and centre.
Universal, a Comcast company.
As a low sun shines through distant skyscrapers,
a train speeds from the city and rushes
past.
The blur of cars become the letters EFF
fade to black.
From low on the tracks, we watch a
train speed over us.
The train passes a vintage matte black muscle
car stopped at a railroad crossing gate.
The gate rises and the muscular white driver
passes through.
In the passenger seat, a middle-aged black
man with a goatee, fedora, and sunglasses looks
around the small town.
As they park, a man in a vest
emerges with a briefcase from a white pickup
truck across the street.
The men step out and walk to the
front of the car.
The muscular man nods to his friend and
walks into a diner while the goateed man
moves toward a brick building across the street.
Looking around, the muscular man walks past a
young waitress.
He approaches a booth.
How many?
Sitting down, he stares out a window and
watches his friend enter the Trace Cruise's savings
and loan.
Keeping his sunglasses on, the goateed man glances
at an older guard.
He licks his finger and takes a slip
of paper by the door.
As the goateed man removes his sunglasses and
gets in line, an employee shows the man
in the vest into a walk-in safe.
The man follows the employee to the safe
deposit boxes.
As the gate closes behind them, the goateed
man turns his attention from them to the
bank teller.
Listen, um, I wanted to get a safe
deposit box.
Can you do that for me?
At the diner, the waitress looks over at
the muscular man.
He glances out the window, then picks up
the menu at the bank.
Okay, your box will be available anytime from
an hour after opening to 30 minutes before
close.
This is your key.
Thank you.
Oh, um, also, if you open a checking
account, we'll give you five percent off the
box along with free overdraft protection.
Oh, yeah, I was hoping for a free
toast.
Why would a bank give out free toasters?
The goateed man answers his phone.
Hello, Ma.
I'm ordering you the French toast.
No, thank you.
Our very patient waitress, Maggie, well at least
it says Maggie and the name tag has
asked me to order four times.
If I don't order at this point, it's
just rude.
I can come back.
It's okay.
You know what?
I'm making an executive decision.
Pancakes.
Okay.
Uh, no pancakes.
I don't like pancakes.
Well, you're a communist.
You know, my friend will have the pancakes
and a fried egg.
I'm thinking hash, but I just like chunky
style, okay?
Listen, if you order me eggs and pancakes,
I'm gonna kick you behind.
Well, you gotta eat breakfast.
It's the most important meal of the day.
Uh, ma'am, ignore everything he said, okay?
Don't, don't, don't, uh, bring me any eggs
and pancakes.
Just bring me some coffee and bring him
a couple of eggs.
I don't want eggs.
I want hash.
Yeah, put a couple of eggs on it
and give him some rye toast too.
No rye toast for me.
I don't like rye toast.
And a pancake.
No pancakes.
Maybe a little silver dollar one.
No silver dollars.
No pancakes, no silver dollars, no rye toast.
I like pumpernickel.
I do have pumpernickel, yeah.
Pumpernickel toast.
Maggie, wait, one more thing.
Yeah.
You take that with you till we see
each other again in case you miss me
too much, okay?
Why you gotta do that?
What?
Wink at the waitresses like that.
Waitresses like me?
Nobody likes you.
So?
So, what do you got?
So, it is a sleepy bank.
Doable?
That's correct.
He hands the muscular man a folded slip
of paper.
Their gazes shift to the door as a
Portland police officer enters with his partner.
Maggie drops silverware off at the booth.
I'll be right back with your hash.
Maggie, your hot homemade doughnuts, any good?
Best in three counties.
I tell you what you do, you bring
us three of those bad boys, put them
in that to-go box for us, all
right?
All right.
Thank you.
He smiles, revealing two gold teeth.
All right, time to make the move.
All right, it's gonna be some sirens in
this bitch.
I'm gonna go shake the weasel.
Shake the weasel.
Shake the weasel.
The muscular man passes the officers.
Hey, how are you, sir?
How are you?
Hey, man.
Maggie delivers a plate and doughnuts.
Very sorry about my friend, he was kicked
in the head as a child.
He's really not that bad.
No, he is.
The muscular man ignites a lighter and holds
it up to a smoke detector.
What's going on?
Maggie looks around.
Okay, I'm just gonna have you all exit
the building.
It might be a little too long, but
just do it safely.
Thank you.
As the guests filter out, the muscular man
passes Maggie.
Is everybody out?
I'm just gonna grab my friend.
Okay.
We gotta pay our bill.
As she leaves, he tosses the lighter on
the stove, starting a fire.
We should go.
Is that all you're gonna leave for a
tip?
It's 15%.
You leave 15%.
You gotta leave at least 30.
No, you don't.
15% is standard.
My Maggie's about to be out of a
job, man.
Don't be cheap.
Okay, there's five.
That's seven.
There you go.
As the muscular man walks away, the goateed
man takes back some of the cash.
No, you didn't.
Yes, I did.
They exit the burning diner.
How'd you say it?
Never of a bank across from Dino's.
Best doughnuts in three counties?
That's correct.
As the men walk to the car with
their box of doughnuts, flames burst from the
diner windows.
A title appears.
Two guns.
A luxury sedan speeds down an empty desert
road past horses and cattle in the nearby
grass.
Wards appear one week earlier.
Sonora, Mexico.
The car pulls into a ranch and parks.
A man in a cowboy hat brushes a
large animal as it roasts on a spit.
The goateed man emerges from the driver's seat
and takes a bag from the back.
Bobby.
Hey.
Bobby's down in the stables.
Bobby faces his muscular friend.
Why don't you get something to eat?
I'm not hungry.
Sure you are.
I want to come with you.
Hey, listen, we're here to do business.
Diplomatically.
Well, I can be diplomatic and be hungry,
too, right?
Bobby leaves his friend behind.
Wait here, okay?
He looks at a chair with a bag
on it.
Somebody sitting here?
Little Toro.
Oh, you move your feet, you lose your
seat, right?
Lose your head, too.
That's right.
So, where's Little Toro?
Ahí, where you put him.
Sitting down, Bobby glances over at the bag
then smiles at the man.
Aquí?
Ahí.
With his smile fading, Bobby lowers his gaze
to the bag and pushes it open.
Inside flies swarm around ahead.
Bobby looks up at the man and chuckles.
Let's play some dominoes.
Bobby's ready.
Yeah.
Bobby slams down a domino while his muscular
friend walks around a crowded barbecue area.
A man leads Bobby into a bar.
Papi Greco!
I know a guy, Bobby.
That's correct.
Quick, an ostrich, a tank of ether, a
63 Impala convertible.
Make it a 64.
Right side of the border.
I know a guy.
What'd I tell you?
He never says no, never says maybe, never
says, let's see what I can do.
Bobby shakes the older gentleman's hand.
Nice bull.
I hope he's a good breeder.
That's a shame about Little Toro.
Who are you calling skimming?
Ah, I don't sound like Little Toro.
Except for me.
That's correct.
Everybody skims a little cream.
It's human nature, just because it's human.
Don't mean to let it go.
Papi looks them over.
Nice lines, good colour.
That's right.
He knows a guy.
Bobby rubs his hands together, claps, then holds
them out to Papi.
What you got for me?
The young associate hands his boss a thick
envelope, which Papi passes on to Bobby.
Cash.
Cash?
Bobby pulls a rubber band off and opens
the envelope.
You're supposed to be giving me a hundred
thousand to deal with.
You give me a hundred thousand dollars worth
of cocaine.
Where's the cocaine?
My buyer wants cocaine.
So let him buy cocaine.
That's what he's trying to do.
He's trying to buy cocaine.
I told him I knew a guy, therefore
I come to you.
You're the guy I know.
That's why I told him.
So take back the passports.
After Little Toro, we're not taking on any
new customers.
With no disrespect, but I ain't no new
customer.
You've been dealing with me for a long
time.
Keep the passports.
Bobby tosses the cash to Papi's man.
Keep the money, too.
When you're ready to give me the product,
you give me the product.
Until then, you owe me.
Papi gestures to his bull, which rams a
gate.
He looks over to Bobby with a slight
smirk.
Outside, a chicken's head sticks out of the
ground.
A bullet hits the dirt nearby.
Men fire at four buried chickens as they
peck the dirt around them.
The muscular man watches.
Not very sporting, man.
At least give the chickens a chance to
shoot back.
Eating a chicken leg, he approaches.
Hey, man, I'm just a killer defenceless animal.
I'm gonna honour its sacrifice by grilling it
into some tasty barbecue.
What I'm not gonna do is torture it
just to prove I can't hit anything further
away than my own pecker.
Your guap is a real junkyard, dog.
Subtitles.
Where'd you two find each other?
I threw him a bone one night.
He followed me home.
Hey, cowboy, you're the pretty one.
You ever hear the expression, you got a
face only a mother can love?
That don't apply to you.
You are uglier than the devil's arsehole itself.
Hey.
Bobby approaches.
What are you doing?
They're torturing chickens, man.
What are you eating?
A chicken, but it's not the same thing,
okay?
See that bag over there by the table?
Buffet table next to the potato salad?
Yeah, the rolling bag.
What about it?
Little Taro's head is in that bag.
Bullshit, yeah?
Son of a...
You know what?
That's fucked up, man.
Let's go, okay?
Come on, let's go.
Say it in English, you goat fuck.
Maricón.
Suck my chicken.
That's funny coming from you, fat boy.
You ain't seen your pecker since you were
a baby.
Just because you put your finger in your
belly button, brown shit comes out, don't mean
it's your arsehole.
What did you say?
Don't worry about it, man.
Stig grabs a man's gun and shoots with
the chicken's heads off.
I'll dig him up and make some damn
barbecue.
He sticks the gun in the ugly cowboy's
pants and knocks his hat off.
He kicks dirt at the other man.
Bye, chica.
Did you just wink at him?
I did wink at him because he's my
bitch now.
Uh-oh.
They walk back to Bobby's sedan.
Good shooting.
Gracias.
Later, the car speeds down a dirt road,
kicking up a cloud of dust behind it.
You know, a little tour never did nothing
to nobody, man.
We should rip off Poppy's stash at the
Trace Cruises and save us some money.
You know, Poppy's guy delivers a briefcase full
of money to the Trace Cruises every two
weeks.
That's got to add up to, what, like
three million at least.
If Poppy knew we were even talking about
ripping off Trace Cruises, it would be our
heads in that bag next to the potato
salad.
No way.
My two heads never fit in a bag
that small.
Later, the car moves slowly as they approach
the border.
Come on, man, let's hit the bank.
Little Tour is your friend.
He was my friend.
So?
What do you mean, so?
What if it was me?
What if my head Poppy ran through the
sawmill?
You wouldn't come after him?
Nope.
You wouldn't kill him?
Nope.
Shit, maybe if he did that to you,
I'd kill him.
You know why I'd kill him?
Because you're my people and there's a code.
There is no code, first of all.
You do whatever you got to do.
Whatever it takes.
A second?
Right.
We're not people because you, you don't have
people.
That's correct.
They hand a man in Tuba City had
a heart attack, so we cut our trip
short.
Bobby shoots Stig a look.
Tuba City?
It's near Odessa.
Nice place?
Hellhole, but she's my favourite aunt.
Guards surround them.
Now Bobby sits in an interrogation room.
Tell us about your trip.
Lawyer.
What's the big deal?
Lawyer.
You were down in Sonora, weren't you?
An older, clean-cut man leans against the
wall.
You don't think Agent Jessup and the DA
know about you and Poppy Greco?
Lawyer, lawyer.
They know you were at his ranch.
I know I need a lawyer.
With Stig.
Tell Agent Reese about Poppy Greco.
Who?
Poppy Greco.
Who's that?
Some Mexican Santa Claus or something?
Come on, Mr. Stigman.
I think it's in your best interest to
cooperate.
You need to stop playing the stupid card,
all right?
Well, ma'am, it's my intent to cooperate
with whatever you need.
I mean, as an American, I know you're
just doing your job and sometimes innocent folks
like me get caught up in the system.
It's like the airlines.
They don't lose your luggage on purpose, right?
But everybody takes it so damn personally.
Come on, Mr. Stigman.
So you want to play games?
What'd you have in mind?
He winks at the beautiful agent.
Do you want to help yourself?
Yes.
Do I have to do it in front
of him?
A balding guard sighs.
All right, we're done here.
Thank you, Mr. Stigman.
You gonna leave?
Ah, yeah.
As Stig watches her leave, he mouths, wow,
oh my god.
Concentrate and work with her, man.
In the other room, Bobby glances at Jessup,
who makes a head gesture at the border
agent.
Dropping his pen, the burly agent grabs his
paperwork and exits the room.
My border agents are ripping apart your car
as we speak.
They ain't gonna find anything.
Jessup watches the agent leave, then lowers his
gaze.
Where's your other cocaine?
Can they hear us?
No.
Can they see us?
No.
Okay.
Bobby removes his sunglasses.
There was no cocaine.
Taking off his hat, Bobby smooths his short,
greying hair.
You had a deal in place.
Right.
500 passports in return for cocaine.
Right.
Hey, Bobby.
How you doing, Debbie?
Good.
Your boy Stig's a piece of work.
He winked at you, didn't he?
How'd you know?
Bobby didn't get the cocaine.
What?
What happened?
Poppy offered me cash.
I told him no.
I told him to keep the passport, so
eventually he's got to come up with the
cocaine.
What about this guy you said you could
flip, Lil' Turo?
I got him.
He's real close.
I don't know who you are anymore.
It's like, it's like you're out of this
limb, and you've been out there way too
long.
And you're saying that to say what?
I don't like going to the funerals of
my own men.
Well, then don't come, boss.
Don't come.
Okay.
I spent the last three years of my
life crawling through a Mexican sewer trying to
work my way up the line to get
next to Bobby Greco.
You can't take me off this now.
Jessup, he's close.
You can't take me off this now.
I know.
Not now.
With a worried gaze, Deb eyes the undercover
agent.
Jessup sits forward.
Two weeks.
Yeah, I'll flip Lil' Turo by then.
I'm pulling you out.
Lowering his gaze, Bobby gives a slight nod.
We're done.
Jessup stands and glances at Deb, then leaves
the room.
Keeping her eyes on Bobby, the exotic beauty
pulls a silver ring off her index finger
and slides it onto her thumb.
Bobby shifts his thoughtful gaze.
Nighttime.
In a seedy motel, a topless woman pours
a drink.
I think Jessup knows about us.
Deb faces Bobby.
What us?
You don't do us, remember?
Oh, I remember.
Besides, I'm dating.
She joins him in bed.
Right, right, right, right.
You're dating.
Mm-hmm.
Your imaginary boyfriend, Harvey.
Uh, he's not my boyfriend.
His name's not Harvey.
I like Harvey.
He has a nice ring to it.
Harvey.
You don't get to be jealous anymore, Bobby.
Harvey.
You pushed me away.
So you could be with Harvey.
Fuck you.
Deb turns away.
Lil' Turo's dead.
You told Jessup you were close to flipping
him.
I was.
But when I get down to the ranch,
Bobby's boys was throwing his head around in
the bag.
Well, that's game then.
With Lil' Turo off the board, Jessup's pulling
you out.
Not if you don't tell me.
I'm your control, Bobby.
That's correct.
I have to tell him.
That's why I need you to let me
rob Trace Chris' savings amount.
You want to rob a bank?
No, Stig wants to rob the bank.
It's his idea.
So there's no entrapment.
What I want is access to that money
that Poppy's got in that safe deposit box.
You know no judge is going to give
you a blanket warrant for the boxes.
We don't need a warrant.
Not if the money's evidence in a crime.
We just trace it back to ownership we
got Poppy on tax evasion, possible RICO.
Yeah?
Yeah.
And what about Stig?
What about him?
He's a side dish.
You bust him in front of the bank,
he does a smooth 20 years in the
penitentiary, you get a medal, the bank gets
us Poppy.
And that's all that matters, right?
Takes whatever it takes, baby.
Did you ever really love me?
Sitting close, Deb rubs her thumb over Bobby's
lips.
I really meant to love you.
Deb stares into his eyes with a wounded
gaze.
Daytime.
On an open cage elevator, Bobby arrives at
a floor and slides up the gate.
He strolls through a wide hallway with exposed
brick walls and stops outside a large metal
door.
The undercover agent leans close then knocks with
both hands.
As Stig slides the door open to his
spacious loft, Bobby peeks around with a big
smile.
You don't have to knock, you know, it's
always open.
Yeah, good.
Let's hit the bank.
Let's hit the bank.
Betray Scruces?
That's correct.
Oh, shit.
He and I am still spinning over how
we got Yank on the line at the
border.
So?
You in or you out?
I'm in, yeah, it's just...
I mean, have you ever had anything like
that happen to you before?
I mean, they were 100% convinced we
were holding.
And we would have if Poppy had any
wealth on that coat.
So are you saying that to say what?
I'm saying this only because you're hearing it.
No, you're saying something.
And if you're saying it, I'm hearing it
because you're saying it.
What are you saying?
Let it be said.
I think you're fucking playing.
Oh, you want to be playing?
I've been at your hip for 10 months,
but after this, I think maybe you're playing
me.
As Stig cocks his pistol, Bobby maintains a
rigid stare.
I got you.
No, you didn't.
Oh, I did.
The corny eye was twitching.
The corn?
Yeah.
That wasn't a twitch.
Yeah.
That was a wink.
That's my move.
Smiling, Bobby pumps his fist like a boxer.
In an affluent neighbourhood, Stig parks his vintage
muscle car eyeing a home across the street.
He and Bobby watch a boy kicking a
soccer ball in the yard.
That's Poppy's chubby little kid right there.
A woman emerges in a skimpy nightgown.
Oh my God.
She's chubby too.
Been all the right places.
How does an old fat ugly fucking girl
like that money?
Stig shakes his head.
All right, here we go.
A white pickup truck arrives at the house.
Same thing every two weeks.
Poppy flies over the border with a briefcase
full of cash, spends a week with the
mistress, ferret knows Julio, drives it out to
the church, cruises, savings, and whatnot.
Think they got three million in the bank,
huh?
Easy.
Bingo.
Poppy hands Julio a black briefcase.
Stig smiles at Bobby, then watches the young
man in the vest get back in the
white truck.
Poppy heads back into his large house as
the truck pulls away.
Stig waits briefly, then starts his car.
He slowly turns at a stop sign and
follows the truck through the lovely quiet neighbourhood.
In the small town, the freight train speeds
through the crossing as Stig and Bobby pull
up in the muscle car.
As the safety gates slowly rise, Stig cruises
over the tracks.
They arrive at the diner with their eyes
on Trace Cruz's savings and loan.
Julio steps out of the white truck and
heads inside with the briefcase.
Why don't you get to the diner and
check out the doughnuts?
What kind of moron in corned beef hash
would tell you the truth?
You never heard the saying, never rob a
bank across from a diner that has the
best doughnuts in three counties?
That's not a saying.
Yes, it is.
No, it's not.
I get what you're saying, but it's not
a saying.
It is a saying.
It's a saying.
The image freezes as Stig steps out.
In the bank, Julio puts the money in
a safety deposit box.
Bobby watches him leave.
Stig and Bobby sit in the diner booth
as the two cops enter.
Stig winks at the waitress.
Make a move.
Stig holds a lighter to the smoke detector,
then tosses it onto the stove.
Flames burst through the window as they approach
the car.
In the seedy motel, Deb takes off her
shirt and joins Bobby in bed.
Bad deviator.
Am I bad?
Yes, you are.
I'm a bad girl?
Yes, you are.
She crawls on top of Bobby and gives
him a gentle kiss.
Stig decided to hit the bank tomorrow.
Three o'clock.
Deb braces her brow.
Stig decided.
A wither without me is going in.
Well, I still haven't talked to Jessa.
Stig doesn't know that.
Three o'clock tomorrow, he's going in.
If we want poppy, I gotta go in
with him.
You're not even gonna give me a choice,
are you?
I'm giving you no other options.
There's a way to protect you.
Let's have the troops meet me outside the
bank at three o'clock when we come
out.
Three o'clock.
Okay.
Don't shoot me, even if you want to.
We'll see.
Now Bobby leaves the motel room and hurries
down the stairs.
On a dark urban street lined with tall
buildings, Bobby parks his black sedan by the
curb.
The undercover agent makes his way up a
steep, narrow staircase and enters a large apartment.
A wide fire escape spans several windows outside.
Releasing a deep breath, Bobby removes his fedora
and rubs his forehead.
At a remote desert location, Stig sits in
his car.
He places a sandwich on the dash as
a black SUV pulls up.
Leaving the driver's seat, a man in fatigues
approaches Stig's window with a flashlight.
Licence and registration, cowboy.
Stig holds up his middle finger.
Cute.
What's up, Timo?
What's up, brother?
How are you, brother?
Nice to meet you, man.
Nice to meet you, man.
That's a turkey burger.
Special sauce.
Commander wants to see you.
Yes, sir.
The commander's name tag reads, Quince.
Half a mile from home.
Got Bobby all wound up and ready to
go, sir.
Ordinance you requested.
He opens a bag of devices shaped like
hockey pucks.
You know the admiral's proud of what you've
done.
You've gone way out on a limb.
If the bank falls right tomorrow, says you
can come in from the cold, rejoin your
brothers.
Right.
Could just put the uniform back on, sir.
I mean, then join the Navy to commit
felonies and hang with drug dealers, you know?
Even if you're damn good at it?
I do what I do for the Navy,
sir.
That's all part of the admiral's plan.
We get the three million from the bank.
We run cross-border ops on Poppy and
all the other cartels.
Tomorrow, clean and precise.
Take all the boxes.
Nothing left undone.
Got it?
Yes, sir.
Let's go.
Grabbing the bag, Stig gives Timo a playful
shove and heads to his car.
Hey, nice jacket.
Hey, tell your mother she's got to move
out of my house at some point, man.
At home, Bobby sticks tiny gold pieces onto
his upper teeth and eyes them in a
mirror.
In his loft, Stig works on the hockey
puck-shaped devices with a soldering iron.
Bobby carefully places a stylish black fedora on
his head and runs his fingers along the
brim.
Holding a sealed device, Stig turns its tiny
red light on and off.
Daytime.
The clock inside Trace Cruise's bank shows 2
.54 as Stig reverses an old Ford Bronco
right up to the entrance.
Bobby sits beside him.
Inside, a few customers face teller windows as
the ageing security guard sits by the door.
All right, who do you want?
Cloud or Frankie?
Frankie.
Bobby removes his hat and steps out with
a Frankenstein mask in hand.
Holding a clown mask, Stig casually hangs a
backpack over his shoulder.
They move toward the bank door, then stroll
across the street.
In a police station, two cops work idly
at the front desk.
So what'd you do with the .22?
Traded it to my cousin for an espresso
machine.
You're going to need special beans for that,
right?
Bobby and Stig wear the masks.
You can reach via fire, I'll do it
real slow.
Any other people in the building?
They gather the cops.
What the hell is this?
It's a bank robbery.
Only instead of robbing the bank and letting
you chase after us, we decided to come
after you first.
Let's go.
Bobby locks them all in the station's holding
cell with several criminals.
The masked robbers stride across the lot as
a freight train thunders by.
With their pistols aimed, they burst through the
bank doors.
Bobby approaches the guard.
All right, give me a gun then.
Everybody sit down.
Everybody sit down on the floor.
Ladies behind the counter, keep your hands visible.
Not when you're locked, okay?
That's all right, girls.
Just give him the drawer cash.
Did we ask for the drawer cash?
Stig wrangles the tellers.
The guard draws a tiny pistol.
The guard, hey!
Bobby steps forward and takes the gun.
Look, I'm trying to be polite, all right?
Just sit tight and this will be over
soon.
Open the gate.
I don't have a key.
Aren't you sure?
Stig rips open the manager's shirt and pulls
a key from his neck.
Easy.
If you lie to me again, it's going
to be more than a fucking problem.
Get out of here now.
Get on the floor.
Stig enters the vault full of safety deposit
boxes and takes off the backpack.
In the lobby, the portly bank manager crouches
near a mother and her infant child.
Still wearing his disturbing Frankenstein mask, Bobby approaches
and lifts the baby from its stroller.
He playfully bounces the baby before his face.
It's okay.
He kisses the baby, then hands her back
to her mother.
Stig places a hockey puck-shaped device on
each deposit box and leaves the room.
Showtime.
Using a remote, Stig detonates the tiny explosives.
The hostages cower as each box shoots out
of the wall.
Cash covers the entire floor.
Stig opens a large box filled with money,
then continues down the line.
Holy shit!
Hey, Frankie, something's not right.
They're all stuffed with money.
I thought you said there would only be
one or two.
Every single one of them.
I'm at 32 boxes and counting.
But there's way more than three million.
And there's still a lot more.
The clock shows 3.03. All right, well,
take them all.
We'll figure it out later.
Bobby wheels a cart out of the vault,
neatly piled high with cash.
Using the stroller, Stig follows with a packed
duffel bag.
Go ahead.
I'll get the rest.
Bobby crunches by the guard.
Listen, there may be gunfire outside, OK?
So if it hits, you get everybody behind
the counters.
This is for the jail across the street.
You let the cops out.
He hands over a key, then wheels his
cart outside.
As Stig loads up the truck, Bobby shifts
his gaze around the quiet streets.
Now inside the vehicle, Stig speeds away from
the bank.
The empty stroller sits beside the cart on
the sidewalk.
With their masks off, Bobby adjusts the rear
view mirror and scans the empty street behind.
He shifts his brooding gaze forward.
Stig glances over as Bobby puts on sunglasses.
In the desert, Stig lowers the tailgate window.
They gaze at the mound of cash.
That's a hell of a lot more than
three million dollars.
Stig opens the tailgate.
How much you figure?
We couldn't be the luckiest chumps on the
face of the earth, could we?
You feel lucky?
No, I don't.
I mean, this can't be Poppy's money.
I mean, money like this?
Even going to chase us off the end
of the earth for money like this?
Oh, I hate to tell you this, Stig,
but I got more bad news.
Stig draws his gun.
Take that hand away nice and slow, Bobby.
Okay.
Put the gun down, Stig.
Bobby moves a hand away from his pistol.
Unseen by Stig, he holds a badge in
the other.
You know I really like you, right?
I like you too.
No, you don't.
Yes, I do.
No, you don't.
Nobody likes me, okay?
And I'm okay with that.
I do.
I like you more than most.
You're not just saying it because I got
a gun pointed to you.
Why don't you just put the gun down?
Shit.
He shoots Bobby in the arm.
I'm talking.
I'm sorry, man.
Bobby collapses.
What'd you do that for?
Shit, man, I had to.
Stig tosses him a bottle of water.
It's just a little flesh wound, okay?
You're gonna be all right.
Drink the water and then you'll be okay.
Stig notices the badge.
What is that?
In your hand.
Is that a badge in your hand?
Stig grabs the badge.
Tell me you're not a no-good two
-timing son of a bitch.
Two-timing?
Tell me.
You shot me.
Eddie, wait a minute.
Wait a minute.
I have to hang on.
No, you wait a minute.
Stig closes the tailgate and drives off, leaving
Bobby in the middle of the desert.
The wounded agent watches the bronco drive off
along a rocky ledge.
Now a moustached man with a bolo tie
and a large silver ring pokes thumbtacks through
an index card.
The United States is the greatest country in
the world because we accept a man is
at his call.
Greedy, selfish, and covetous.
I had no choice.
They took my key.
I would never willingly open the vault.
Keep your hands on the desk, please.
In America, we line everybody up.
Say you're on your own.
Grab all you can grab.
I'm innocent.
He puts the card on top of a
stack.
Nobody's innocent, friend.
There's just the guilty, the ignorant, and the
unlucky.
He slams the tax down on the bank
manager's hand.
The wounded man slowly pulls the sharp points
out.
Did you take our money?
FBI agents filled the bank lobby.
You fellas look like you're waiting for a
bust.
You guys let us know when you're done.
Oh, I'm done, and thank you for the
courtesy.
Who is that guy?
You heard of the hidden hand of God?
That's God's son of a bitch.
Wearing a straw hat, the man steps outside.
Call the DDO and get a list of
everyone who knew we had money in this
bank.
Two men in suits flank him.
You realise those sunglasses make you look like
arseholes.
Excuse me, when did that diner burn?
Yesterday.
I want interviews with the waitstaff and every
customer in the place.
It was just a grease fire.
He glares at the local cop.
Did I ask your opinion, Gomer?
You ever hear the saying, never rob a
bank crossing the diner with the best doughnuts
in three counties?
That diner fire's a coincidence.
It's only because we ain't looking hard enough.
Now Stig sits in front of two large
bags overflowing with cash.
A man in uniform leans against a piano
nearby.
As Quince enters the hotel suite sitting area,
Stig rises.
That is an impressive amount of greenbacks.
43,125,000 of them, sir.
All right, recount it, pack it up, we'll
steal it back in Corpus.
It was my impression we were supposed to
come out of that bank with three million
M.O., sir.
Whose money was it?
Bad men unworthy of it.
You know Bobby Beans was DEA?
Stig tosses in Bobby's badge.
No, I didn't.
No offence, sir, but you really need to
work on your surprise face.
Well, if he was DEA, he helped you
rob a bank, which means he's dirty and
for that I have no mercy.
Where'd you leave him?
In the desert.
He dead?
More than likely.
Quince shoots him a look, then glances at
his man.
More than likely.
You wanna tell me what that means?
You know, the whole point of you working
with Bobby Beans was to kill him off
and create a cutout so the op couldn't
get traced back to us.
My cover is solid, there's no way it'll
trace back.
My cover is solid, there's no way it'll
trace back, sir.
That's a call made above your pay grade.
Staring straight ahead, Stig nods.
Sir.
His blue-eyed commanding officer stares at him
and offers a stiff nod.
He turns to his man.
Sign two of the boys to stow the
money back to the naval base.
The rest will come with us to check
on the body of Mr. Beans.
Stigman, you'll come with me?
Stig shifts his thoughtful gaze.
A dazzling blue sky and wispy clouds fills
our view.
Bobby treads slowly across the arid landscape with
the water bottle.
Under a black button down, blood stains his
white tank top.
He gazes down at the dirt road before
him.
Turning, he sees a vehicle kicking up dust
in the distance.
Raising the hand holding the bottle, he waves
at an approaching dune buggy.
Two men sit in the front of the
small off-road vehicle.
The driver stops a few feet from Bobby
and cuts the engine.
The portly driver and his thin companion exit
the buggy.
Hey there, buddy.
Hey.
You Abla?
Yeah, yeah, I, uh, I Ablo.
Okay, that's good.
Go trust him.
Do you see his papers?
If he's got papers, I'll see his papers.
You got papers, right?
No, I got no papers.
Well, that's gonna be a problem.
See, Slim J and me, we done assigned
ourselves protection this here stretch of the border.
Officially, unofficially.
So we're really gonna have to see your
papers.
Make sure you ain't no Muslim or nothing.
Well, oh yeah, no, I, I do have...
He takes out a gun.
As-salamu alaykum.
Bobby points it at Slim J.
Let me have your gun.
Turning the gun on the driver, he tosses
Slim J his water.
He takes the driver's weapon.
Gracias.
Bobby glances at Slim J.
Now to pray.
Now the dune buggy pulls away as the
driver watches.
Slim J kneels on the ground with his
head bowed low.
A sandy cloud follows in the buggy's wake.
Elsewhere in the desert, Stig stands in front
of the side mirror of a car.
He stares at his reflection.
Timo.
How we doing, boys?
Any sign of Bobby Beans?
Checked all the washers to the southeast.
No sign of a body.
Quince looks over at Stig.
He removes his glasses.
Well, Stig, you put us in quite a
hole.
I don't see it that way, sir, but
you're the man with the oak leaves.
All that pride I had in you, that
loyalty, you just tossed it to the wind.
Yes, sir.
I'm sorry, sir.
An officer sneaks up with a black hood.
Stig punches him, then pushes him into Quince.
He grabs Quince's gun and slides down into
a gully.
The Navy men stand on the ledge overlooking
the shallow valley.
Now they make their way down the slope.
One of the men follows Quince, who aims
a weapon.
Stig runs along the side of a sheer
rock face.
He presses his back to it as a
man above peers down.
A second officer comes upon the now empty
spot.
Stig cautiously scans his surroundings with his gun
drawn.
Wearing his white naval uniform, Quince walks alone
on a dirt trail.
As one of the men emerges from behind
a boulder, Stig takes a position against the
rock wall.
Quince joins his subordinate.
Where you going, Stigman?
It doesn't matter if you run.
Your jacket's wired, so you're six months AWOL
after stabbing an MP.
You talk to anyone, they're just gonna hand
you right back over to me.
Stig sneaks up and shoots next to the
subordinate's ear.
Stig bashes his head against the boulder, then
knocks him to the ground.
As Stig hurries off, Quince comes around the
corner.
You all right?
Yeah.
Then get your ass up!
Stig comes up the rise behind an SUV.
A naval officer stands watch on the other
side.
Stig slides under the car in between the
officer's legs, aiming his gun at the man's
crotch.
Toss the gun.
The man complies.
Stig pats his pants pockets with the gun
barrel.
The man hands him the car keys.
Stig bashes his crotch.
Below, Quince and a bearded man run off.
In a second SUV, Stig grabs the keys
from the ignition, knocks a guy out with
a car door, and tosses the keys into
the desert.
Quince runs toward him.
Stig gets into the first SUV and drives
off as his commander shoots at the vehicle.
The SUV fishtails, then peels out through the
scattered brush.
Climbing up the slope, Quince takes a few
more shots at Stig.
He swiftly gets into the driver's side of
the remaining SUV.
He looks down at the steering column, then
looks ahead with a deep breath.
Now the dune buggy pulls into a driveway
behind an orange Mercedes station waggon.
A row of dog kennels sits beyond the
car.
Bobby steps out of the buggy with gun
in hand.
He shuts the small door behind him and
shoves the silver revolver into the back of
his waistband.
Bobby glances at the caged dogs as he
approaches them.
Jesus, what am I supposed to do with
this?
Inside, a veterinarian dabs Bobby's wound with a
cotton ball.
Come on.
I'm a vet, not a trauma surgeon.
I can't help you with this, man.
You gotta go.
Go where?
Just, you gotta leave.
I can't do anything.
Kenny, you remember a couple of months ago
you offered to sell me 500 hits of
ketamine?
Yeah.
You said you weren't interested?
Right.
Because I'm a DEA agent.
Smiling at Kenny, he takes the gold coverings
off his teeth.
If you don't fix me up, I'm gonna
go to the DEA.
I'm gonna tell them that you like Cruz
and Tori Amos concerts selling special K to
little weepy college girls.
There's no way you're a cop.
No?
No.
You sure?
I'm positive.
Bobby smacks his head onto the instrument tray.
You have the right to remain silent.
You have the right to have a lawyer
present during questioning.
Do I need to keep going?
No, I'm good.
You're a cop.
Bobby lightly slaps Kenny on the cheek.
Nice shirt.
Thanks.
It's JCPenney's.
Yeah?
All right.
Hold on one second.
Outside a federal building, Deb steps onto the
sidewalk and gets into a grey sedan.
Across the street, Bobby sits behind the wheel
of the orange station waggon.
A police cruiser passes with lights flashing.
Bobby sits up, then pulls toward the road.
Going through a gate, he makes a right
turn and follows Deb.
Inside the car, he tips a pill bottle
back at his mouth.
Deb turns into the valet area of a
fancy hotel.
Bobby drives past the building.
Deb exits her vehicle.
An old man in a tuxedo stands by
the doors.
Welcome to the Camino Real.
Thank you.
She heads into the hotel.
As she passes a staircase, Bobby ascends.
He crosses the well-appointed high-ceilinged lobby
and stops Deb's elevator doors from closing.
Hey.
You were late.
Jesus Christ.
What the hell happened?
As a man gets on the elevator, Bobby
and Deb step away.
You robbed a bank.
What happened to you?
I was there with six agents at 305.
You were late.
You went early.
I had to go.
It's not as if you couldn't have pulled
your badge at any time and stopped it.
I did.
Stig shot me.
What?
He shot me in the shoulder.
Well, we've got to take you to the
hospital.
I didn't interrupt your rendezvous with Harvey.
I don't think so.
This is what we need to do.
We need to find Stig.
We need to find the money.
Beside them, the elevator opens and a blonde
woman in a black dress steps off.
All right, listen.
Let me go upstairs, make my excuses, and
then we'll find Stig together, okay?
Let's do this.
Let's do this.
Why don't you recheck Stig's background?
Maybe there was something that we missed.
I'm going to Stig's apartment.
See what I can find out, all right?
Deb gets onto the elevator.
Well, Harvey, I said hi.
She shoots him a look, then reaches for
the button panel.
The elevator door slowly slides shut as she
leans against the back wall.
At the bed sawdust, the moustached man with
the polo tie faces Kenny.
What are you talking about?
What am I talking about?
He notices the bloody cotton ball.
Well, there's a dune buggy parked out back
that was stolen by a man with a
bullet hole in him.
Now, before he had a bullet hole in
him, he burned down a diner and robbed
a bank.
I don't know anything about that, so...
Okay.
Okay.
Then, say, let me ask you something.
He takes out a six-shooter.
Have you ever played Russian Roulette?
One of the suited men pushes him back
down.
Of course not.
What am I thinking?
He takes out the bullets.
Most people, they put the gun to the
table.
He sets them on the table.
That's just stupid.
He spins the chamber of the gun, then
snaps it shut.
The bullet's in the first chamber.
The moustached man presses the barrel to Kenny's
head.
You blow a man's head off before he's
had a chance to tell you what you
want to know.
He points the gun down at the veterinarian's
knee.
Oh, no.
No, no.
Come on, man.
A female assistant watches through a door window.
The moustached man tilts his head.
Case in point.
Outside Stig's loft, Bobby inserts a key in
the lock.
Stig!
With his ear to the door, he pulls
out his gun, then removes the keys.
Bobby slides the door open and peeks into
the dark interior.
Reaching a leg in, he pushes the door
wider with his knee.
Stig.
Bobby pushes the door shut and looks around.
With the gun at his side, he steps
straight ahead, past tall, paned windows.
Pick up, Bobby.
He freezes.
What the fuck are you doing here?
Eyeing the phone, he ducks down.
What are you ducking for, man?
You know I set you up, right?
They told me all about you.
Tough cat, knows everybody, doesn't have people.
That guy?
Oh, shit, that guy's a perfect cutout.
I mean, he takes a bullet, who's gonna
care, right?
On a roof, Stig aims a sniper rifle.
Pick up the phone.
Pick up the damn phone, Bobby.
Bobby Bristley walks across the room and hits
the speaker button.
You got anything to say?
First question.
If you're DEA and you're clean, why are
you here alone?
Where's your backup, Bobby?
Through the scope, Stig watches Bobby run through
the loft.
Come on, Bobby, it's this kind of attitude
makes me think you're not one of the
good guys.
Bobby hides behind a wall.
If I wanted you, I could have had
you before you walked into that building, Bobby.
Bobby peeks his head out with his back
to the window.
Stig locks his aim on the agent's face.
Stepping toward the window, Bobby keeps his head
at an angle.
That's a beautiful rifle, Stig.
With his face caught in the centre of
Stig's crosshairs, Bobby stares out the window.
That army issue?
You don't like that?
That's a Kmart Blue Line Special.
Now answer my question.
Where's your backup?
No, no, that's the military, right?
What's the military doing robbing banks, Stig?
Can we just have a straight-up conversation,
Bobby?
I got you dead to right.
Yeah?
Now shoot me.
Again.
A red light shines on Bobby's forehead.
No.
He raises his pistol.
I'll shoot myself.
As Bobby fires the shot, Stig ducks.
A shattered mirror shows the agent's reflection.
Stig looks back through his scope.
Huh, not bad.
I'm glad you're impressed.
Were you testing me to see if I
would shoot first?
Where's the money, Stig?
You know, if I thought you were clean,
I might tell you, but I don't, so
I can't.
You're lying.
You don't have it, do you?
Where's the money?
An SUV pulls up below.
What?
You're not the only one I was expecting,
Bobby.
Three very nasty men just showed up.
If they find you at my place, they
will get ugly.
Who are they?
Yesterday I said they were my family.
Today they kind of want to kill me.
I understand the feeling.
You know, fuck you.
What do you know about family?
You don't even have people.
No, Bobby, that's a stupid idea.
They're already coming up the stairs.
Bobby!
Bobby hurries out the door and down the
hallway.
He looks down the elevator shaft at two
armed men and sprints over to a stairwell.
A shadow moves up the wall.
The agent runs back into Stig's loft and
closes the door behind him.
I told you.
Now, Bobby, hang up the speaker and answer
your cell phone, okay?
If you want me to help you out,
listen.
Bobby opens the fuse box and shuts off
the electricity to the apartment.
Hiding behind a curtain, he answers his cell
phone.
Just stay in the shadows, okay?
I'm gonna guide you out from there.
Wait.
Timo tosses a flash grenade inside.
It explodes, releasing a blinding light and smoke.
As Bobby covers his ears, the men enter
the loft aiming high-powered assault rifles.
Coming up your ear, you better dart across
the hall.
Go over to the bedroom and hide behind
the lockers.
Go.
Bobby sneaks into the bedroom and hides behind
a set of three lockers as an armed
man enters.
All right, Bobby, you're gonna want to scoot
across the hall.
Go.
Bobby hurries behind the armed man, then ducks
behind a dresser as another armed man moves
into the room.
The agent sneaks past the bald bearded man
and hides behind a curtain.
The bearded man turns.
Hanging up the phone, Bobby aims his gun
through the curtain.
Backing away, the bearded man shines his light
over the fabric.
The agent locks his sight on the intruder.
On the rooftop, Stig removes his earpiece.
Shit.
Aiming through his scope, Stig locks on the
bearded man, who gestures Bobby's position to his
accomplices.
As the men aim their weapons and move
forward, Stig fires shots inside.
The men shoot out the window, exchanging gunfire
with Stig.
Bobby sprints to the door, firing his pistol
for cover.
The bearded man fires at Bobby as he
escapes the loft.
Stig exchanges shots with him, then shoots Timo
to the floor.
Sorry, Timo.
Bobby climbs into the station waggon and speeds
off.
Stig ducks back as bullets ricochet off the
roof.
He hurries away down the slanted backside.
Now a ceiling fan spins over a dimly
lit home office.
Agent Jessup places his weapon down on a
dark wood desk and takes a swig from
a bottle of pink antacid.
He puts the medicine down on a small
bar table and pours himself a drink.
Jessup slams his empty glass down and looks
to the door.
As he walks over, he wipes his hand
over his mouth.
Jessup opens up and stares slack-jawed.
A silver revolver aims at his face.
The agent backs away and the moustached man
enters.
That's our money.
I have no idea what you're talking about.
You think D.A. can just waltz into
our bank, steal our money, and we're not
gonna kick?
His two men aim at Jessup's head.
Your man Bobby Trench stole 43 million of
our dollars.
We'd like it back.
Because it's our money.
Because it's a blatant act of disrespect.
And because it's our money.
Outside, Bobby parks his car on the street.
Sitting in a dark room in front of
a computer, Deb answers her phone.
Please tell me it's you, Bobby.
Anything new on Stig?
He's coming up clean on every database I'm
cleared for.
No military connection, no record of service.
To go deeper, I need to get clearance
from Jessup.
Well, try your old contacts in the military.
I'm gonna tell Jessup everything I know.
Wait, are you sure?
Someone has to know whose money was in
the bank.
Yeah, Stig.
Stig didn't even know I was D.A.
Besides, somebody tried to kill him, too.
Bobby, let me help you.
What do you need?
Take it easy.
Bye.
Bobby.
Fuck.
As Bobby reaches for Jessup's door, an armed
man opens it from inside.
Bobby hits the gun away and tussles with
him.
While the fight distracts the moustached man, Jessup
hurries to his desk and grabs his pistol.
The moustached man fires a shot at the
agent's chest.
Bobby looks over to his injured boss.
The moustached man takes Bobby's gun and hits
his own man in the throat with it.
That's how you take down a man.
Shut the door.
The moustached man kicks his subordinate to the
floor, then walks over to Jessup.
He crouches over the wounded agent's body as
he struggles to breathe.
Just let it come.
Bobby watches as the two men hold guns
on him.
The moustached man stands.
Agent Robert Lynn Trench, a.k.a. Bobby
T, a.k.a. Bobby B, a.k
.a. Bobby Beans.
He walks past Bobby and pulls out a
chair, then looks back with a smile.
Let's have a chat.
The moustached man's gaze hardens.
Bobby glances at the armed man, then over
at Jessup.
He walks into the dining room as the
moustached man turns two seats facing each other.
He gestures for Bobby to sit first.
As the men sit down face-to-face,
the armed men lower their weapons.
You stole 43.125 million dollars that did
not belong to you.
Now, man-to-man, who at DEA authorised
you to rob our bank?
You're a banker.
The moustached man pulls out his revolver.
You ever play Russian roulette?
He unloads the ammo from the cylinder.
Thing is, most people put the gun to
the temple.
Well, that's just stupid.
Loading two bullets, he spins the cylinder, then
locks it into place with a flick of
his wrist.
He'd blow a man's head off before he's
had a chance to tell you that.
You want to know?
Mess up your suit, too.
He presses the revolver to Bobby's kneecap and
tightens his finger on the trigger.
The hammer pulls back.
The moustached man looks up to Bobby, cocking
his head with a smile.
Bobby flashes a light smirk and stares the
man down.
Who told you it was all right to
take our money?
Our money, our bank.
Who are you?
If you don't know who I am, how
did you know to steal our 43 million?
I don't know what you're talking about.
You don't?
No.
Well!
He puts the gun to Bobby's crotch.
Where's the money?
Oh, boy.
Well, uh, it ain't down there, I guarantee
you that.
The moustached man wets his lips.
He tightens his finger on the trigger and
cocks his head.
Watching Bobby's steady gaze, he pulls the trigger.
A.K.A. Bobby Ball, clean in shape.
With his gaze intensifying, the moustached man looks
over at Jessup, who struggles to raise his
head.
He holsters his revolver and pulls out a
handkerchief.
You know what you are.
He unfolds it and picks up Bobby's pistol.
You.
Are a dirty DEA agent.
That's right.
You're a dirty DEA agent who robbed a
bank and shot your boss.
The moustached man fires multiple shots into Jessup's
chest.
A pool of blood grows beneath the body.
Bobby stares.
A thug pulls out a plastic bag.
The moustached man secures Bobby's pistol in it.
Walk in there.
Any federal office, and that's the story they're
gonna have.
Wiping his face with the handkerchief, he sits
down across from Bobby.
Unless you bring me 43.125 million, and
you walk away clean.
Bobby glares.
Have I properly incentivised you?
Boy, then you know.
Unless you want to ride in jail, you
best get after it.
He slides a business card into Bobby's shirt
pocket and pats the agent's arm.
Come on, now.
Go on.
Fixing his hardened gaze on the moustached man,
Bobby wipes off his arm.
He quickly nods his head.
All right.
The agent rises from his seat and walks
to the door.
The men aim their guns as he looks
at Jessup's body.
You're thinking he deserved better?
You're right.
Bobby spits on the floor.
The moustached man glares as the agent walks
out.
Now Bobby sits in his car.
Outside his window, night quickly turns to day.
The window reflects Poppy's suburban home.
A man dressed in all white steps outside
and places two bags on the ground.
Poppy stands with his mistress as his son
hurries over to the white truck where a
husky thug waits.
The boy hands his book bag to Rudy,
who then loads it into the white pickup.
Bobby emerges from his car carrying a revolver.
Morning, Poppy.
Don't move.
Go inside.
Quick.
Mommy!
Whose money did we steal?
You really want to know.
I really want to know.
As a garbage truck passes, Stig's Bronco swarms
into Rudy, knocking him into a windshield.
Stig emerges and aims a gun at Poppy.
Easy, old man.
Get in there.
He closes Poppy into the bed of the
white truck.
Stig reaches for the keys on the ground.
Whoa, whoa, whoa, Bobby.
Drop the gun.
Give me the keys.
Give me the keys.
Nice and easy.
Can't do that.
Why not?
Well, I got them first.
I got dibs.
I got a .44. I'm taking Poppy.
Give me the keys.
He puts them down his pants.
Go get them.
I see the wheels turning.
You're thinking, hmm, a little blindfold.
Maybe use your teeth.
That's not what I'm thinking.
You know what I'm thinking?
What?
Bobby clocks him.
How's that?
That was uncalled for.
Shit.
You know, I liked you better when you
were, I know a guy, Bobby.
I mean, that Bobby was a good guy.
I liked you better when you were winking
at waitresses and shooting the heads off of
chickens.
Give me the keys.
Give me the keys.
Stig kicks the keys in the air and
reaches for a gun.
Bobby shoots at it.
Saw that move coming?
That's correct.
Give me the keys.
Damn, you're good.
One of us is going to have to
pick up those keys.
Guess.
All right, I'll get them, all right?
Get them.
But that must get away, man.
Get them.
Rudy fires at the men and they scramble.
Stig grabs his gun from the ground and
climbs into the pickup truck.
As Bobby hides, Rudy drops to the ground.
The agent notices Stig escaping and climbs into
the Bronco.
He speeds down the street after him.
Stig swarms away from an SUV and Bobby
rams his side.
The vehicles crash through a fence.
Leaving the gated community behind, they race side
by side in the desert.
Hey, pull over.
Pull over.
Hey, poppy, you like my drivers?
Poppy bounces around in the enclosed truck bed,
pressed up against each other.
The truck speed into a narrow path with
sloped sides.
Bobby crashes into a muddy puddle and yanks
the wheel in Stig's direction.
The vehicles barrel down a hill and speed
along a bumpy dirt road.
The Bronco bumps the driver's side of the
truck bed.
In the truck bed, Poppy bounces violently.
The truck swerve, picking up a massive cloud
of dirt.
In the pickup, Stig chases the Bronco down
a hill.
Bobby bumps the side of the truck, knocking
off Stig's door.
On a flat stretch, Stig stops the pickup.
Poppy pushes against the roof of the truck
bed.
Bobby continues forward in the Bronco.
He swerves and does a 180.
Stopped a hundred yards apart, the drivers stare
each other down.
Stig smiles and cocks his head.
What do you want to do?
Tightening his lips, Bobby speeds ahead.
Stig races toward it.
Gaining traction on the dirt, the trucks speed
toward each other.
Both drivers swerve away at the last moment.
Their cars skid toward each other and crash
driver's side to driver's side.
Through their windows, the men exchange punches to
the face.
Stig rips off a side mirror, blocking Bobby's
punch, then leaps into his foe's car.
The passenger door opens and the men tumble
out.
They wrestle on the ground, rolling around in
the dirt.
Tumbling back and forth, they take each other
in headlocks.
All right, all right, all right, let me
go.
You let me go first.
No, you let me go.
On three.
On three.
One, two, three.
Okay, now you're making me not be able
to trust you.
All right, on the count of three, we'll
let each other go.
All right.
All right?
That's fair.
One, two, three.
I knew it.
Let me go.
All right, I'm gonna let you go.
I'm gonna let you go.
One.
Bobby releases his grip and they roll away
from each other.
Come on, man, you gotta admit, that was
kind of fun, no?
You didn't like that?
Who are you?
Shit, huh?
US Navy intel?
Yeah.
Well, I was.
My commander flew by my jacket.
And now I'm AWOL for stabbing an MP.
You're lucky.
They got me framed for killing my boss.
Think your boss ordered your four closest friends
to kill you?
Well, you got me there.
Howdy, Officer Michael Stigman.
The men shake hands.
DEA Officer Bobby Trenchman.
I guess you know that already.
Pleasure.
So what?
You just happened to pick me, or you
got orders to set me up on purpose?
I had orders, man.
I didn't know you were DEA.
My people did.
In their intel, there's not much they don't
know.
Your people.
Now I'm just trying to piece together the
truth so I can take it over my
commander's head to the Admiral.
That's why they want to kill me and
why I want to talk to Poppy.
Right.
Well, I guess we can both talk to
him at the same time.
What, like we're working together?
No, not like we're working.
Yeah!
No, like we're working in the same vicinity.
Together.
In the same area code.
Together.
The same county.
And don't get all we are the world
on me either.
When this is over, I'm going to shoot
you.
Well, we're partners.
Yeah, but I'm still going to shoot you.
Come on, man.
Ebony and Ivory.
Shit, I think he puked.
He's puked or he's dead.
They open the truck back.
Oh, yeah, he puked.
Hey.
Ah, I'm going to fucking kill you both.
This might take a while.
I got all day, partner.
Hold on.
Let me put that in there with you.
Put that on here.
In a garage.
So, partner, how do you want to do
this?
I like that.
It's got a nice roll off your tongue
there.
Partner, we're not that good.
Don't kumbaya with me.
Don't kumbaya.
I'm going to get my bucket and towel
and waterboard his ass.
Nah, I'm going to give him a chance
to talk.
You got anything to say?
I hope you guys like the taste of
balls, because I'm going to chop yours off,
stuff them in your mouths.
See?
Or maybe I'll put yours in his and
his in yours.
I'm going to get the bucket.
Kumbaya.
Poppy faces the bound Poppy.
So, why were you putting so much money
in Tres Cruces?
Tres Cruces.
We thought you just stashed a little cash
there until we robbed the place, found 40
million.
Why is that?
You robbed Tres Cruces.
That's correct.
Why is that?
A fluorescent light overhead goes out.
That's funny.
You're dead.
Yeah, that is funny, isn't it?
You're both dead.
Poppy smacks him.
The light comes back on.
I told you not to kill you.
I thought you were sharp.
I know a guy, Bobby.
But you, you just ripped off the CIA.
Grinning, Bobby shifts his weight.
The CIA.
The CIA.
It's full of crap.
Why would he have money in the same
bank as the CIA?
Why would you have money in the same
bank as the CIA?
I don't have shit in that bank.
The only money I deliver to Tres Cruces
is a payment.
To the CIA.
The CIA.
They take 7% of my revenue.
In return, they let me use their planes
so I can get my shit across the
border.
The light goes out.
I could do a lot cheaper, but there
was really no negotiations.
You know, they take it from all the
cartels.
Bullshit.
Okay, they're still gonna kill you.
Bobby wipes his face.
The garage door opens.
Stig aims at Deb, who gets out of
her car with a gun.
Bobby?
You said stop by anytime.
Inside.
You kidnap a drug kingpin.
That's correct.
Puppy Greco.
And you tied him up in my garage.
Sorry.
May I, Stig, as he rummages through the
fridge?
Would you mind if I swipe a yoghurt?
Yeah, sure.
Please, help yourself to anything.
Take whatever you want.
That's just a yoghurt.
Yeah, but it's her yoghurt.
Just put it back.
Please.
You two like ex-boyfriend and girlfriend?
Actually, you know what?
We never put a name on it.
Oh, so what?
You broke his heart or he broke yours?
Wow, this guy will really ask anyone anything.
Anything at any time.
What do you see in this guy?
I could go on for hours.
But I don't know you.
I don't think this is the right time
for us to have this conversation, OK?
So, daddy issues, huh?
Daddy!
Garage, Poppy, go.
I get it now.
Go to the garage.
Oh, can I have the yoghurt?
You can have the yoghurt.
Here.
I don't like her, man.
Well, you don't get a vote.
I don't want you.
Bobby, what are you doing?
Are you 100% sure you can trust
this guy?
No, but he's all the help I got.
Jessup's dead.
The money we stole was CIA money.
They came looking for it.
I'm sorry, Deb.
I didn't mean to get you involved in
all this.
Bobby steps close to Deb and peers into
her eyes.
You OK?
As Stig enters the garage, Poppy looks away
with a smirk.
The light flickers on.
What are you smirking at?
I've been racking my brain, trying to figure
out who you look like, and it finally
dawned on me.
You look like a Mexican Albert Einstein.
Minus the genius factor, obviously.
You want some yoghurt?
Payback's a bitch.
Stig punches him in the face.
That's for little Toro.
He spits out his gun, then notices a
shadowy figure pass the side door.
Stepping toward it, Stig peeks through a glass
pane.
As he hides beside the door, the garage
light shuts off.
Quince creeps through the dark garage.
Another shadow passes, and Stig glances at Poppy.
As Quince nears Stig, the light comes on
and startles him.
Stig throws the yoghurt in Quince's face and
shoves him into a wall of shelves.
They fall back into Poppy, shattering his chair.
In the kitchen, Bobby looks away from Deb's
embrace.
In the garage, Quince tackles Stig through the
side door.
Poppy frees himself.
Deb grabs her gun.
With a revolver in hand, Bobby walks through
the dishevelled garage and stops by the broken
door.
Bobby rejoins Deb inside.
As they enter the kitchen, Stig crashes through
a large living room window.
Bobby and Deb take cover behind the counter
as Stig scurries over a couch.
Outside, Quince and his man fire silenced weapons
into the cushions.
Go!
Stig joins them in the kitchen.
He returns fire through a sliding glass door,
then follows them into the garage as bullets
strike the kitchen.
They hurry to Deb's car, and Bobby gets
behind the wheel.
Leaning out the passenger window, Stig puts two
bullets into Quince's SUV.
Steam bursts from the SUV's grill as Bobby
reverses through a fence and takes off down
the street.
Quince and his man fire ineffectively, then lower
their guns.
What was that about?
That was messed up.
What the hell's going on?
I don't know.
Stig chews a fresh stick of gum.
I don't know.
Poppy approaches a woman's car window.
Give me your phone.
Bobby speeds by the neighbour's driveway.
I'll take the car too.
Get out.
He climbs into the driver's seat and quickly
reverses out of her driveway.
Poppy takes off after them.
Keeping a safe distance, Poppy makes a call
as he follows Deb's car.
It's them, Grey Charger.
How do Stig's people know to come to
your house?
I don't know.
They must have followed you.
I don't think so.
We would have seen them.
We should have seen them.
How'd they know to come at your house?
Bobby eyes Deb in the rear view, and
she cocks her head at him.
She shifts her eyes away.
Why would they at your house, Debbie?
Oh no, you serious?
Stig glances back.
Deb leans forward.
Bobby.
A large truck T-bones their car, spinning
them into an SUV.
Stig's door hangs open as the car skids
to a stop.
Bobby slumps against the wheel.
With his face clenched, Stig rubs his neck.
Headlights gleam on an approaching car.
Bobby and Stig look around as the truck
driver gets out of his truck.
Several more vehicles slowly stop surrounding them.
Armed men pour out of each one and
close in on Deb's car.
Poppy arrives in the stolen SUV and joins
his man.
Two thugs pull Bobby and Stig from their
seats.
Kneeling with his hands raised, Bobby glances back
at the empty backseat.
He faces ahead as Poppy approaches with a
tense scowl.
I know some guys too, Bobby.
Dag them up.
Let's take them home.
Daytime.
In Mexico, Poppy's men guard a chicken coop.
Stig and Bobby sit inside with their wrists
bound.
You want to talk about it in there?
You sure?
Yeah, I'm sure.
Stig shakes his head.
I told you I didn't like her, man.
Shut up.
What are you getting mad at me for?
Because you talk too much.
What'd I ever do to you?
Besides shoot me?
You know what you are?
No, you're a misanthrope.
It's misanthrope.
I'm a misanthrope.
Did you know what I meant to say?
No, what did you mean to say?
That you don't like people.
Shut up.
A bearded thug enters.
He unties Stig's wrists and stands him up.
Time for my massage.
Yeah, I'll have housekeeping clean up your bed.
In a bull's pen, Bobby and Stig hang
upside down with their backs against a gate.
Poppy urinates on his own hands.
My grandfather cut cane for 30 years every
day and never got a blister.
Says it smells like hell.
Tough as hands.
He picks up an axe handle.
I know what I like about this.
Not only do I get to take my
time with you guys, but this time I
don't have to worry about leaving any marks.
Don't put your hands on me, man.
He whacks Stig in the stomach.
What did you say?
Just don't put those pissy hands on me,
man.
Poppy hits Stig again, then whacks Bobby twice
in the gut.
You ain't got a home, Bobby.
DEA doesn't want you around.
Not with your sins.
The old man leans into Stig.
Payback's a bitch.
Smell like warm corona, man.
Tightening his grip, Bobby swings two more times
at the hanging navy man, then hits Bobby's
chest.
You remember my prize-breathing bull with cojones
the size of coconuts?
You want to see him?
It's okay, we can see good from here.
Adios, Bobby.
No, no.
Poppy opens the door, releasing the massive bull.
Stig and Bobby share a nervous look.
The bull drags its hoof over the dirt,
then charges.
They bend at the waist.
The beast lunges at them, swinging its horns
beneath their heads.
Forty-three million dollars.
It's everything we stole from the CIA.
You let us go, we'll bring it to
you.
I got the money.
What are you talking about?
I got it.
You don't have it?
I know I don't have it.
He doesn't know that.
You don't have the money.
I know you don't have it, because I
have it.
You have it.
Where is it?
Commander Quint's a safe.
Corpus Christi Naval Air Station.
The bull charges, and they lift up again.
Where is it?
Yo.
Commander Quint's a safe.
Corpus Christi Naval Air Station.
The bull moves back to its pad.
I'm pissing on us, and you're asking if
we should fucking tell him.
If that's the truth, I might as well
just kill you now.
As Poppy prepares to swing, Julio whispers in
his ear.
In a sunny living room, the moustached man
picks his teeth.
He looks over to a sliding glass door
as Poppy enters.
Take my daughters to the other room.
I had a run-in with a couple
of boys out of your organisation.
Hello, Earl.
Mr. Bobby Beans and Mr. Michael Stigman.
Well, they're not from my organisation.
They're freelancers.
And Bobby Beans is undercover DEA.
And Mr. Stigman's AWOL U.S. Navy.
They stole $43.125 million from the trace
cruisers.
We want it back.
Is there a finder's fee?
Fee is we let you continue to do
business.
Fee is we don't raise our cut from
7% to 20%.
The fee is we don't come down here
with a squad of Apache A6 helicopters and
wipe you off the face of the earth.
You like my country weak and corrupt, don't
you?
So you can buy your cheap crap at
the mall.
Well, Earl, I'm not cheap.
Is this about pride, Manny?
About machismo?
Prove you got a big Mexican cock?
Well, your cock is huge.
It's massive.
And I, I'm in awe of your cock.
So what?
You're still a drug dealer.
And I'm still the government of the United
States.
Earl rises from his chair.
It's a free market, Manny.
Not a free world.
The CIA agent walks to the door.
I'll take a look.
Hard.
You look hard.
And every rock in Mexico.
As Earl leaves, Papi watches him from the
window.
Get those arseholes in the chicken coop cleaned
up.
If the guero's really U.S. Navy, you
and I might just get $43 million richer.
What about our friend from the CIA?
He can go fuck his mother.
I like it, boss.
Later, Julio pushes a gate open for Stig
and Papi, while a trio of armed men
follow behind.
I've decided to let you bring me the
$43 million.
The truck will take you north of the
border.
From there, you'll cross on foot with the
coyotes.
It's all the same, we'd rather drive.
With everybody looking for you, they'll pull you
out of line in two seconds.
No, you go the way you forced my
people.
Well, if we can't risk crossing, how are
we supposed to bring you back the money?
I'll meet you north of the border in
24 hours.
They climb into a truck.
Now, I'm trusting you to fulfil your part
of the bargain.
A barn door opens.
Inside, Deb sits bound and gagged.
She lowers her gaze to the ground.
As Bobby turns to get off the truck,
two men aim weapons.
Hey, Bobby, you got 24 hours to bring
me the money, or I'm gonna shoot her
right in the head.
The truck pulls away.
Then I'm gonna find you, and I'm gonna
gut you like a pig.
Men push the barn doors closed, leaving Deb
in darkness.
As the truck drives off, Bobby and Stig
sit down against the bed's wooden side railing.
A dozen other men sit in the bed
as well.
A young bearded man eyes the Americans.
The truck drives along an empty desert road
beneath a cloudy sky.
On foot, Stig and Bobby travel with a
large group, walking along the open desert.
Two armed men follow behind them.
Stig looks around, then lowers his gaze to
the ground.
An aerial view shows the travellers spaced apart
and walking in a line.
Hundreds of footprints trail behind them.
At night, they walk out over a rocky
peak and look down at a river.
Underwater, feet step on overturned barrels.
The travellers hold a rope as they walk
through the rough waters, carrying their belongings in
plastic bags.
A man slips off a barrel and the
water carries him away.
Bobby notices.
The agent tosses his bag to Stig and
dives into the water after the man.
Bobby puts his arms around the floating man
and pulls him across the river.
On land, Stig watches Bobby drag the man
out of the water and help him to
his feet.
As the other travellers continue on, Stig sits
at a rock and tosses Bobby his bag.
Shaking his boot upside down, Stig smiles at
the agent who flashes a grin.
Stig puts the boot back on his foot
and smiles at his partner.
At night, the men walk up a hill
toward a parking lot.
Locks are tricky, too many of them.
Okay, it's suburban.
That was 2010.
It's gonna get like two miles a gallon.
I ain't paying for all that gas.
You know, for a car thief, you're a
mighty particular.
I'll break into the Honda.
I look like I'm gonna ride in that
Honda, D?
Well, you could.
And you could pick something with a little
more class.
Well, I hate to remind you, but we're
breaking onto a high security Navy base, okay?
We ain't going to the hip hop opera.
Ain't no Les Miserables for you tonight, man.
Les Miserables.
Oh, man, whatever the fuck, man.
Don't remind me.
Look, it's not my fault Quince took the
money back to the base.
Oh, you said you took the money back
to the base.
No, I never said that.
So the money could be anywhere.
It could be in East Jabip, the Cayman
Islands.
No, the money is on the base, okay?
You gave it to Commander Quince at the
Camino Real.
He told the guys to take it back
to the base.
Right before he took you out and tried
to kill you.
That doesn't mean he's lying about the base.
Not everybody's as paranoid as you, Bobby.
Jeez.
What about the Prius?
You like the Prius?
Camino Real.
Yeah, it's a hotel.
I met Debbie at the Camino Real.
No shit?
Yeah.
What was she doing there?
She said you were there to meet her
boyfriend, Harvey.
Wait, your girlfriend has a boyfriend?
She's not my girlfriend.
Holy shit.
Here, just pick a car.
Right here.
You pick that one?
Stig uses a Slim Jim.
Fuck, you want a fucking Bentley?
Bobby smashes the window with his elbow.
Daytime.
In an old wood-panelled minivan, Stig and
Bobby pull into a waterfront parking lot.
A few empty picnic tables sit beneath the
overhang of a small boat repair shop.
Exiting the van, Stig leads Bobby inside.
Hi.
Hey.
They approach the pretty clerk.
Crazy question.
Wouldn't anybody know how to fix a snowmobile?
I don't think so.
Did you check for me?
I really need to fix mine tonight.
Why, big storm coming?
You're never gonna be too sure.
She smiles at Stig.
I'll be right back.
Bobby eyes his partner.
What?
She smiled at you.
You didn't wink at her.
Well, I'll wink at every woman I see.
Snowmobile in Texas, huh?
You must have been some serious shit-seller.
You got yourself a new claw, huh?
Hey, McPaul.
Yeah, pal.
So do you.
You still got my rainy day sash?
Yeah.
Stig and Bobby follow the man with the
prosthetic hook out of the shop.
See you later, Stig.
All right.
Outside, Stig opens a huge duffel bag full
of weapons.
You know what they say.
Talks often carrying M4 with a grenade launcher.
Wow.
Stig lifts a shotgun and pistol.
Which one you want?
Bobby takes the pistol.
What's your point of getting on the base?
I'm working on it.
In the minivan, Stig and Bobby arrive at
the Corpus Christi Naval Air Station.
Stig casually eyes his surroundings as he pulls
through the main entrance.
A short line of cars wait at a
security checkpoint guarded by military policemen.
All right, remember, once we get to the
command building, Quince's office is the first floor
end of the hall.
He's not in the field.
That's where he lives 18 hours a day.
Right, right.
But you still haven't told me what the
plan is to get through the gate.
Well, I got a plan.
I mean, I'm capable of coming up with
a plan.
I'm not saying you're not capable.
I'm just saying you haven't told me.
What is it?
I'm working on it.
Better work faster.
Stig watches the gate lower for the car
in front of them and glances at Bobby.
Much faster.
An MP waves them forward.
Fuck it.
Stig crashes through the gate.
Is that passing up for you?
Stig cuts off an SUV.
An MP fires his rifle hitting the back
of Bobby's seat.
As they speed further into the base, several
MPs rush into squad cars and pursue the
intruders.
Grinning, Stig checks his side mirror.
That was your plan?
Well, we're on the base, aren't we?
That's not a plan.
Nobody in their right mind breaks into a
naval base.
That's why it's a brilliant plan.
Nobody expected it.
You should have seen your face.
Damn, they were surprised.
All right, you'll stop coming up.
I'll play decoy, lead them away, trying to
get to the Admiral, okay?
All right.
Things go wrong, I'll see you back at
the boat yard.
Oh, things ain't going wrong.
I'm getting a medal.
I get to the Admiral, I'm getting a
medal.
Watch.
He stops at the command building.
You're going to wish me luck, aren't you?
Come on, man, let's hit it.
Good luck.
Quince's office is at the end of the
hall.
Remember, first call.
Stig takes off.
Bobby hides behind a pillar as the military
policemen speed by.
Grounding a corner, Stig parks the van and
hops out.
He rushes into another building as the MPs
pull up.
With their weapons drawn, they pursue Stig inside.
Inside, Stig rushes up the stairs and barges
into an officer's dining room.
He immediately salutes.
Sir, Petty Officer Michael Stigman, ID number 540333.
Wait a minute, what's the problem?
Stig punches the guard.
The MPs rush in and restrain him.
Sir, I've been in the service 12 years,
sir.
I've never stepped foot in an officer's mess,
much less crashed it.
Please, sir, it's an emergency.
Stand outside, please.
The MP releases Stig.
Leave us alone.
Thank you, sir.
Hey, I'm really sorry about that, man.
I didn't mean to hit you like that.
I apologise.
I'm listening, sailor.
Sit.
Thank you, sir.
In the command building, Bobby slips into a
room as Quince exits his office.
The commander strides down the hallway.
Bobby peeks out, then sneaks into Quince's office
and quietly closes the door behind him.
In the dining room, Stig sits with the
admiral.
You believe this stolen money will all be
used to fight drug cartels?
Yes, sir.
I thought the orders came down the valid
chain of command.
Blind loyalty is not loyalty.
I know that, sir.
That's why I'm here.
Well, you've shown a lot of tenacity and
a lot of guts bringing this to me.
Well, thank you, sir.
That means a world coming from you.
Unfortunately, there's a lot of people out there
who don't know what they're doing.
Nothing I can do for you.
Well, of course, sir.
I mean, you can just lock down the
base.
You can arrest Commander Quince.
The United States Navy does not rob banks.
Its personnel did not rob a bank.
I'm not going to tarnish the integrity of
the Navy over one crooked sailor.
If there was money taken from the bank
that was part of an illegal CIA slush
fund, the Navy had no knowledge the fund
existed.
The admiral wipes his mouth.
Your jacket has your six months AWOL?
Yes, sir.
It's going to stay that way.
Standing, the admiral strolls across the room.
Commander Quince's jacket will likewise be amended, so
he's also AWOL, making none of this the
Navy's problem.
Sir, this isn't right.
Well, I'd offer more.
But when the hand has gangrene, you chop
it off to save the body.
You don't keep the pinky around just because
it meant well.
Tensing his browstick, releases a short breath and
lowers his disgruntled gaze.
The stringent admiral opens the door for the
military policeman.
F.
Petty Officer Stigman dropped outside the main gate.
The MPs grab Stig.
He sets foot on a military base anywhere
in the world.
I want him shot.
This is bullshit.
You know, men like me fight and die
in the orders of men like you.
Without us, those dogs on your shoulder are
fucking costume.
In the command building, Quince returns to his
corner office and sits at the desk.
As Bobby emerges from another door, the commander
quickly retrieves a pistol.
Bobby grabs the gun, ejecting the magazine, and
whacks Quince in the face with the detached
slide.
He looms a gun at the commander's head.
Open the safe.
Does your boss know you're doing this?
Open it.
What if the CIA killed her like they
did Jessup?
What's it to you?
I don't like loose ends.
Neither do I.
Bobby.
Quince winks with a sly grin.
Well, my mother named me Harold.
I like Harvey.
Harvey has a nice ring to it.
Don't you like Harvey?
I don't know what you're talking about.
Yes, you do.
Been to the Camino Real Hotel lately.
Open the safe.
Quince reluctantly stands and inputs the combination.
Bobby glances outside as MPs arrive with armoured
trucks.
What did you do?
Let go!
Let go!
They surround the building entrance.
Quince glances at Bobby, then opens the safe.
It's empty, save for a few items.
Bobby shifts his perplexed glare.
Where's the money?
Tell me where Deb is.
She's getting the nails done.
Where is the money?
I don't know.
He grabs Quince and presses the gun to
his neck.
All right, tell me what you do now.
Well, your girl found out where the CIA
was stashing the money right about when I
did.
And when I told her that she and
I could get away with the money by
setting you and Stigman up, she didn't even
blink.
Don't lie to me.
Was she that unhappy, Bobby?
Using his pistol, Bobby hits Quince in the
neck and pings him onto the desk.
Where is the money?
Don't lie to me.
You think I'd keep it here with you
and Stigman still alive?
Come on, Bobby.
You gave it to her, didn't you?
With his head pressed to the desk, Quince
raises his brow.
Didn't you?
Commander, back up.
Bobby fires at the sailor, then shoves Quince
down and bolts from the office.
Outside, military policemen file out of the armoured
trucks in combat gear.
Wielding assault rifles, they approach the building.
Two MPs escort Stig outside.
Bobby peeks down the hall, then slips away.
He starts outside, but sees the gathered MPs
and instantly retreats down another hallway.
Bobby ducks into a room.
He hides in a large closet.
A formation of MPs march through the main
entrance.
Bobby thoughtfully looks across the closet and tucks
his pistol into his pants.
He steps beside a rack of hanging officer
uniforms and quickly selects one.
Draping it over his shoulder, the renegade agent
casually walks into a vacant office.
The formation of MPs shuffle down a hallway,
swiftly clearing every room they pass through.
Bobby moves through a kitchen supply closet as
chefs evacuate past him.
He stops inside the kitchen and scans the
room.
Setting the uniform down, Bobby glances into a
walk-in freezer, then approaches the stove.
Food sizzles on the hot surface as he
breaks a gas line.
The MPs continue into a large office.
As gas spews from the broken line, Bobby
pulls the fire alarm.
He collects the uniform and steps inside the
walk-in freezer.
With the door slightly open, Bobby shoots an
electrical panel.
He shuts himself in as fire erupts through
the kitchen.
The blast fills a nearby hall, knocking two
MPs to the ground, then first through the
first floor windows.
Stig and the MPs cower behind the vehicles
as debris rains down.
Flames cover the grass and pavement.
Inside, an MP helps his partner up.
Outside, Stig gets to his feet and stares
wide-eyed at the burning command building.
In the demolished kitchen, pots and pans cover
the floor as flames swell from the broken
gas line.
Wearing the officer's uniform, Bobby emerges from the
freezer.
He puts on a hat and walks away.
Holding a handkerchief over his mouth, Bobby exits
the building past firemen.
You okay, sir?
Yeah, I'm fine.
Bobby strolls away from the smouldering site.
Stig spots him from the back of the
squad car and Bobby gives a salute as
they pass.
With a big smile, Stig shakes his head.
Elsewhere, Poppy eats as Deb sits on a
couch.
This is really good barbecue.
You don't want to regret not trying it.
Why don't you stop wasting my time and
just kill me?
Even if Bobby was coming with the money,
he'd still kill us both.
Poppy wipes his mouth and continues eating.
But he's not coming.
He'll be here.
No, he won't.
You think he's just gonna let you die?
You think it was a coincidence?
The Navy came looking for Bobby at my
house?
If I couldn't have Bobby, at least I'd
have half of 43 million.
Poppy eyes the devious woman.
You set up Bobby Beans.
I wouldn't be coming for you either.
Where's the money?
Come on, I don't know.
Going out of the country.
It's certainly not on a Navy base, Poppy.
Where does that leave you?
As Poppy grabs a phone, Deb stares off.
Exactly where I deserve to be.
Behind the wheel of an empty squad car,
Bobby cruises down a remote desert road.
He answers a call on his cell.
Yeah?
Bobby?
You're late.
I got the money.
I don't believe you.
No, I got it.
Poppy hands the phone to Deb.
Where are you?
Hi, Bobby.
Debbie?
Can you hear us?
Just hang up the phone, I'm on it.
Okay, listen to me.
Tell him I got the money.
Hang up the phone.
Poppy watches her closely.
It's not your fault, just...
Debbie, tell him I have the money, okay?
And I know you know where the money
is.
Just tell him I have it.
Debbie, listen to me.
I'm sorry.
I really meant to love you.
Debbie?
As Poppy cocks his gun, Deb slides the
silver ring onto her thumb.
Where are you?
Debbie?
Poppy raises the pistol.
Hello?
Bobby slams on the brakes and slides to
a stop, keeping the phone to his ear.
Hello?
His bottom lip quivers.
Hello?
Debbie?
Lowering the phone, Bobby stares downward.
He slams the phone on the dashboard and
shifts his tense, agitated gaze.
At night, the squad car sits outside the
boat repair shop.
Stig enters and finds Bobby sipping a beer
alone.
What'd they say?
What'd the Admiral say?
What'd the Admiral say?
Admiral Washington is the whole thing.
Maybe he turned it back.
Where's the money?
There was no money, Stig.
What?
There was no money.
Of course there was.
I gave Quince the money.
Right, Quince gave it to Deb, and Deb
is dead.
Bobby lightly shakes his head.
Bobby killed her.
With his brow tensed, Stig looks away.
Fuck it.
Let's go down to Mexico.
We'll blow them all down.
I'll take every one of them out.
Kill them all.
And then what?
Well, at least Quince and Bobby would be
dead.
And then what?
Oh, you just want to let them escape?
You don't get it, do you, Stig?
I mean, God bless you.
You still think there's some kind of code.
There is no code.
You followed every order the Navy gave you.
They kicked you in the teeth.
There is no code, Stig.
No one fights for the Navy, okay?
It's not about the Navy.
You fight for the guy that's fighting next
to you.
That doesn't mean anything to you?
I'm going to Mexico.
All right, just so you know my code?
My code saved your life.
There's three inches between your heart and your
shoulder.
My bullet goes three inches left, you'd be
dead.
And I wouldn't be here, all right?
Because Quince only decided to kill me because
I let you live.
What, you think I missed?
Huh?
Is that what you think?
You think I missed?
When have you ever seen me miss?
Stig stares into his eyes.
You stay here.
I'm going to Mexico.
As Stig walks away, Bobby keeps his eyes
forward.
He turns his brooding stare after the ex
-sailor.
Later, Bobby slowly ascends the narrow staircase to
his apartment.
He opens the door and steps inside, finding
Deb's body on his couch.
Bobby tucks in the uniform shirt.
Letting the door shut behind him, he stumbles
forward with his eyes on the deceased beauty.
His mouth moves wordlessly.
Outside, Bobby slowly takes a seat on the
steps of his fire escape.
Inside, a clean bullet hole mars Deb's forehead.
Her lifeless eyes remain open.
Gazing at her through the window, Bobby notices
the silver ring on her thumb.
The agent stands.
Later, Bobby arrives at the Seedy Motel in
his luxury sedan.
He parks in the quiet lot, then opens
the door of their former rendezvous.
Stepping into the dark, vacant room, Bobby turns
on a light and closes the door behind
him.
His probing eyes land on the neatly made
bed.
Kneeling beside it, Bobby lifts the bedspread.
The agent taps a couple spots on the
frame as his eyes scan the room.
Beneath the mattress, Bobby finds a white board
lying atop the frame.
He climbs to his feet, then moves along
the foot of the bed.
Bobby grabs the queen-size mattress and pushes
it aside.
Bending over, he grips the edge of the
white board and lifts it off the frame,
finding the millions of dollars inside.
Dropping the board, Bobby releases a deep breath
and reaches into his pocket.
The agent flicks a business card in his
hand as he moves around the bed and
sits on the frame.
Eyeing the card, he lifts the hotel phone
and dials.
Bobby leans forward with the phone to his
ear.
How would the deal still stand?
I give you the money, I walk away
clean.
At Poppy's ranch, Stig stands beside his muscle
car wearing a jean jacket with a colourful
shark on the back.
Poppy and his armed men arrive in three
old pickup trucks with dead deer strapped to
the hoods.
Hola!
Looks like you had a better morning.
You better have my money.
Right here, every penny.
Where's Bobby?
Well, we had a philosophical fall now.
Open your trunk.
I just want your word, okay, that you
and your boys, Ferret knows Julio, all of
them, you help me kill Commander Quince.
Who's Commander Quince?
Two of Poppy's men drop.
That's him.
Poppy carves as an RPG strikes one of
the trucks.
Perched nearby, Quince holds the rocket launcher.
Mr. Stigman, you promised me 43 million dollars
for killing everyone on this ranch.
Got the money right here, sir.
Thing is, I promised Poppy the 43 million
too, so I'm afraid you two are gonna
have to duke it out.
Maybe he and I will just kill you
instead and split the money.
What do you say, Poppy?
50% of 40 million?
Better than 100% dead, right?
It'll double-cross you the minute your back
is turned, bullet in the head.
Poppy slowly faces Quince.
50-50.
The guy up on the roof says 60
-40.
He ain't got a trustworthy bone in his
body.
I came back, didn't I?
A helicopter swoops overhead, firing down at Poppy
and his scattering men.
Stig takes cover behind his car as bullets
strike the hood and top his front tyre.
Poppy glares up at the helicopter from behind
a truck as it circles back.
Quince and his men keep their weapons aimed.
The chopper slowly sets down in a grassy
clearing.
Earl steps off with a hand on his
hat.
His two armed men stand at his side.
Poppy lowers his gun.
You fucking CIA.
Red Rover, Red Rover.
Whoever's got my 43.125 million better come
the fuck on out.
You offer him the money, too?
I didn't call him.
It's in the trunk.
Why the fuck did you tell him that,
bean-chicolero?
Thank you, Commander.
Mr. Stigman, come on out and open the
trunk.
Nice and slow now.
Keeping his eyes on Earl, Poppy pops the
trunk and fully opens it.
Earl tries peering inside from across the yard.
Well, what do we got here?
Sounds like a Mexican wedding.
Stig smiles as Bobby pulls up in a
vintage red convertible.
A large black duffel bag protrudes from the
back seat.
Stig casually grabs a pistol from his trunk
and tucks it into his waistline and moves
around his car.
Wearing a brown fedora and a big smile,
Bobby parks at the centre of the standoff.
Earl's money fills the back seat.
Is that my 64 Impala?
That's correct.
Bobby eyes the beautiful car.
I told you.
I know a guy.
Now, who wants to see 43 million dollars?
Bobby pops the trunk, revealing the rest of
the cash.
For a minute there, I thought you had
me chasing my tail.
Earl cocks his holstered pistol.
You want to count it?
Oh, if you'll shorten me, I know where
to find you.
So we're good?
Did I not give you my word?
That's right.
Then don't treat me like an arsehole.
I'll try my best.
Bobby tosses Earl the keys.
You and Mr. Stigman are free to go.
Yes, sir.
I trust you can find your own way
home.
That's right.
What are you doing, Bobby?
Let's go.
I'm not gonna let him get away with
the money.
Let's go.
I hate these daggers.
They're not just gonna let us go and
I don't need to go.
I got a plan.
Hey, I got my M16 on the money.
I got a plan.
Don't worry about it.
I got a plan.
I'm capable of coming up with a plan.
Well, it better be a goddamn good one.
It's a good plan.
Make it rain.
Using a key fob, Bobby blows up the
Impala.
Money swirls in the smoke-filled air.
They draw pistols as everyone cowers from the
blast.
Bobby shoots Poppy in the chest and Stig
hits the guy on the roof.
In slow motion, the partners spin back to
back, taking out men with every shot as
cash rains over them.
Earl and his men step forward and fire
at Poppy's thugs.
Bobby empties his clip, then taps Stig and
bolts across the yard.
Earl's chopper lifts off without him.
The gunner fires as Bobby and Stig leap
over a concrete wall.
That was your plan to blow up 43
million dollars?
Yeah, that's why he's a brilliant plan.
That's what he expected.
Quince's man provides him cover fire.
Quince takes out a thug, allowing his man
to pursue Stig and Bobby in the stockyard.
The commander exchanges gunfire with Earl and kills
his agent, then heads to the stockyard.
Earl's chopper soars overhead.
A herd of bulls stampede through a narrow,
fenced-off path, funnelling into a large pen
as Bobby and Stig approach.
Quince's bearded navy man aims at Stig, but
Earl's second man shoots him from behind.
Stig quickly ducks within the herd and shoots
the CIA agent from the ground.
Quince and his man push their way through
the narrow path, congested with frantic bulls.
The helicopter gunner eyes Quince and his man
as they enter the large, round pen.
Soaring overhead, he opens fire but misses them
both.
Stig bolts toward the barn as the pilot
circles back.
Bobby waits inside.
A trail of bullets follows Stig as he
slips into the barn, taking cover beside Bobby.
Stig steps out and aims as the chopper
circles back.
His bullet hits the pilot in the head.
He smiles and winks.
Stig slips inside.
The helicopter nosedives into the stockyard, scattering the
herd.
Bobby ducks behind the pen as a piece
of the rotor blade crashes through the barn
roof.
The bulls stampede through a narrow path in
the barn.
One of Quince's men creeps through the dusty
barn with his rifle aimed.
Stig spots him as a group of bulls
trots by.
Ducking down, he waits for them to clear,
then shoots Quince's man in the head.
Bobby runs along a platform raised above the
pens.
Bobby dives forward and kills a man behind
Stig.
Quince arrives with his gun on his former
subordinate.
Earl stands over Bobby.
Stig keeps his gun on Earl.
Bobby holds his aim on Quince.
They simultaneously shoot Earl and Quince.
Earl's body drops off the platform and Stig
puts two more bullets into his chest.
As the CIA agent releases his final breath,
Bobby glances at his partner.
Outside, Poppy
sits against an overturned truck with a bullet
in his chest.
As Poppy weakly lifts his gun, they each
shoot him in the chest.
Bobby strides away.
Stig eyes the dead man and kicks dirt
onto his leg.
They stroll out of the ranch as a
few women gather the scattered cash.
Bobby aims at Stig.
He shoots him in the
leg.
Stig hobbles forward with his arm around Bobby.
The partners walk off into the vast desert.
In a bank vault, hands open a safety
deposit box.
Seen from the chest down, two men transfer
stacks of cash from a briefcase into the
box, then lock it away.
The suited men exit a small town bank.
Across the street, Bobby and Stig watch from
a diner booth.
Stig winks at the pretty waitress.
Bobby pulls out a wad of $100 bills.
Bobby smirks.
Stig raises his brow.
Stig leans forward.
Bobby winks.
Bobby's image fades into an image resembling a
pencil sketch on yellowed paper.
Directed by Baltasar Kormakur.
Screenplay by Blake Masters.
Based on The Boom Studios graphic novels by
Stephen Grant.
Produced by Mark Platt, Adam Siegel.
Produced by Randall Emmett, Norton Herrick, George Furlaugh.
Produced by Ross Ritchie, Andrew Cosby.
Executive Producers Mark Damon, Brant Anderson.
Executive Producers Motaz M.
Nabulzi, Joshua Skirla.
Executive Producers Jeff Rice, Jeffrey Stott, Scott Lambert.
Executive Producers Stefan Maturossian, Remington Chase.
Executive Producers Tamara Berkemau and Vitaly Gregorians.
Director of Photography Oliver Wood.
Production Designer Beth Mickel.
Edited by Michael Tronick, A.C.E. Co
-Producers Brandon Grimes, Robert Dorman.
Music by Clinton Shorter.
Music Supervisor Scott Venner.
Visual Effects Supervisor Janelle Croshaw.
Supervising Sound Editors Victor Ray Ennis, Lon Bender.
Costume Designer Laura Jean Shannon.
Casting by Sheila Jaffe, Denzel Washington, Mark Wahlberg,
Two Guns, Paula Patton, Bill Paxton, James Marsden,
Fred Ward and Edward James Olmos.
Emmett Furlaugh Films and Foresight Unlimited present in
association with Universal Pictures, a Mark Platt production.
In association with Oasis Ventures Entertainment Limited, Herrick
Entertainment, Boom Studios.
In association with Empire Media Capital and Vision
Entertainment.
A film by Baltasar Kormakur, Fade to Black.
Credits Roll.
Unit Production Manager Robert J.
Dorman.
First Assistant Director John Wildermuth.
Second Assistant Director Scott August.
Co-Producer Robert J.
Dorman.
Cast.
Denzel Washington as Bobby.
Mark Wahlberg as Stig.
Paula Patton as Dab.
Edward James Olmos as Poppy Greco.
Bill Paxton as Earl.
Robert John Brooke as Jessup.
James Marsden as Quince.
Craig Sprouls as Chief Lucas.
Fred Ward as Admiral Toohey.
Patrick Fischler as Dr. Kang.
Derek Solorzano as Ferret Nose Julio.
Edgar Arriola as Rudy, Poppy's man.
Kyle Russell Clements as Teemo.
Matthew Cook as Thick.
Timothy Bell as Lean.
K.J. Fletcher as Minnie.
Azura Parsons as Waitress Maggie.
John McConnell as Officer Day.
Jack A.
Landry as Officer Bill.
Richie Montgomery as Chief of Police.
Amber Childers as Ms. Young.
Robert Lariviere as Bank Manager.
Lucy Faust as Scared Woman.
George Wilson as Bank Guard.
Johansse Myles as Lead Agent FBI Man.
Evie Lewis-Thompson as Patsy, Dr. Ken's assistant.
Jesus Payan Jr. as Roughneck, Poppy's man.
Doris Morgato as Daisy.
Samuel Baca-Garcia as Javier, Poppy's son.
Michael Beasley as Hardcase Border Patrol.
Christopher Dempsey as Border Guard.
Bill Stinchcomb as Uniformed Border Agent.
Mark Adam as Navy Firefighter.
David Kensey as Lead MP, Shore Patrol.
Hilbert Rosales as Skinny Immigrant.
Peter Gabb as Dormant.
Jason Kirkpatrick as Tommy Boy.
Tony Sanford as Slim Jay.
Tim Lucky Johnson as Tim Corrales.
Lindsey Smith as Gina Corrales.
Lindsey Gord as Waitress Marjorie.
Hillel M.
Sharman as Roughneck No.
2.
Aaron Zell as Roughneck No.
3.
Henry Ponzi as Roughneck No.
4.
Stunt Coordinator, Darren Prescott.
Second Unit Stunt Coordinator, Wade Allen.
Bobby Stunt Double, Robert Powell.
Bobby Stunt Double, J.
Jaleel Lynch.
Bobby Stunt Double, Clay Donahue-Fontenot.
Stig Stunt Double, Sean Graham.
Deb Stunt Double, Kara Kimmer.
Deb Stunt Double, Keisha K.
Smith.
Poppy Stunt Double, Eric Salas.
Poppy Stunt Double, Edward J.
Fernandez.
Earl Stunt Double, Greg Rementer.
Quinn Stunt Double, Todd Schneider.
Stunt Drivers, Matthew Thomas Moss.
Randall Reitenbach, Stanton Barrett.
Stunt Riggers, Lex Gettings.
Chris Fletcher, Ben Jensen, John Zimmerman.
Stunts, Monty Simons, Regis Harrington, Chris Anthony Palermo.
Additional voices provided by The Loop Squad.
Patty Connolly, Mark Sussman.
Marco Aguilera, Richard Mero.
David Barron, Jonathan Nichols.
Vicky Davis, Frank Sharp.
Greg Finley, Dennis Singletary.
Mike Gomez, Linda Sipien.
David Michie, Ruth Zaluando.
Art Director, Kevin Hargison.
Assistant Art Director, Bill King.
Set Decorator, Leonard Spears.
A-Camera Operator, Steadicam, Joe Chess.
First Assistant A-Camera, Maricela Ramirez.
Second Assistant A-Camera, Blake Alcantara.
B-Camera Operator, Adam Ward.
First Assistant B-Camera, Robert Baird.
Second Assistant B-Camera, Penelope Helmer.
Camera Loader, Billy Salazar.
Still Photographer, Patty Perrette.
Post-Production Producer, Janice Tashtian.
Additional Editor, Erin Brock.
Visual Effects Editor, Jill Piguar.
Apprentice Editors, Brian Torres, Joe Zapia.
Visual Effects Coordinator, Eric Kimmelton.
Sound Mixer, Willie Burton.
Room Operator, Gary Theard.
Sound Utility, Rene DeFrancais.
All The Blues I Need, written by Jai
Josephs.
Performed by Erica Alexander.
Divorciata, written by Andy Gonzalez.
Entregate, written by Matt Hurt, Mark Ferrari, Francisco
Rodriguez.
Performed by Matt Hurt and Francisco Rodriguez.
Mi Corazon Mi Amor, written by Lionel Wendling.
Sacrifice, written and performed by Nicholas Acquamaccaro.
Two Against One, featuring Jack White.
Written by Danielle Lupe, Brian Burton, and Jack
White.
Performed by Danger Mouse and Danielle Lupe.
Crazy Things, written by Nicholas Acquamaccaro and Nicole
Leidinger.
Performed by Nicholas Acquamaccaro, featuring Nikki Darling.
Are You Ready For Me?
Performed by The Unknown.
Written by Dave Bassett and Tim Myers.
The producers wish to thank State of Louisiana,
Double Eagle II Airport, Amite City Chamber of
Commerce, New Orleans Office of Film and Video,
Wesley and Kathy Lehman, U.S. Fish and
Wildlife, St. Tammany Parish, Estancia, New Mexico, Louisiana
Wildlife and Fisheries, U.S. Marine Corps, Stepan
Matarossian, County of Santa Fe, International High School
of New Orleans, City of New Orleans, Sandia
Casino, Marlon DeFeo, Jefferson Parish, Billy and Joy
Rye, Amite City Police Department, Tangipahoa Parish, Abeta
Trujillo-Asakia Association, State of New Mexico, U
.S. Coast Guard, Remington Chase, City of Albuquerque,
Federal City, Agnes Johansson, Dedicated to Ethan and
Leslie Emmett.
In loving memory of Thea Emmett, Justin Holacek,
Chris Lighty.
American Humane Association monitored the animal action.
No animals were harmed.
Copyright 2013 Georgia Film Fund 15, LLC and
Universal Studios.
All rights reserved.
All material is protected by copyright laws of
the United States and all countries throughout the
world.
All rights reserved.
Georgia Film Fund 15, LLC and Universal Studios
are the authors of this motion picture for
purposes of copyright and other laws.
This picture is protected under the laws of
the United States and other countries.
Unauthorised duplication, distribution, or exhibition may result in
civil liability and criminal prosecution.
The story, all names, characters, and incidents portrayed
in this production are fictitious.
No identification with actual persons, places, buildings, and
products is intended or should be inferred.
This film has been described by the Media
Access Group at WGBH with funding from Universal
Pictures.
Read by Miles Neff.
For more information about Motion Picture Access, visit
our website at access.wgbh.org.
More From 2 Guns (2013)
2 Guns (2013) Screenplay
Interviews with Denzel Washington, Mark Wahlberg, Paula Patton and Bill Paxton
Emmy winner Jake Hamilton sits down to talk with the stars of 2 GUNS – Denzel Washington, Mark Wahlberg, Paula Patton and Bill Paxton.
Interview from Jake’s Takes YouTube channel.
Interviews with Denzel Washington, Mark Wahlberg, Paula Patton and Bill Paxton
You ever heard the saying, never rob a
bank across from a diner that has the
best doughnuts in three counties?
That's not a saying.
Yes, it is.
No, it's not.
I've never heard it.
It's a saying, but it's not a saying.
It is a saying.
Okay.
It's a saying, man.
Go!
Everybody sit down on the floor.
Fire in the hole!
Let's go, come on!
How much you figure?
Forty million.
Forty million dollars?
But I got bad news for you.
What is that?
Is that a badge in your hand?
DEA.
I gotta tell you, I've always been fascinated
with people.
I've slapped this dude in the face before.
Listen, don't look at me, don't look at
me like that.
Turn the other cheek.
Word.
This boy is good.
He did.
He slapped me.
He said something real off the wall.
For real?
For real.
Yeah, he said some off the wall shit
to me.
And I heard you talked about that interview
the entire PA tour.
Yeah.
That worked out well for me.
I smacked him in the face.
I gotta tell you, I've always been fascinated
with people that go undercover.
Because, you know, they have the pressure of
knowing that if their performance isn't good, their
life can be on the line.
So I was wondering, in the grand scheme
of that, what's the most pressure you've ever
felt to get a role right?
Playing Malcolm X.
Why is that?
Why particularly that one?
Because people said if he didn't, we'd kill
you.
I'm serious.
Really?
Yeah.
Yeah, man.
Wow.
I didn't understand that.
And Cry Freedom, playing Steven Biko.
Because we couldn't go to South Africa.
They said if I stepped foot in South
Africa, they'd kill me.
But we also had a lot of death
threats and all that kind of stuff in
Zimbabwe.
And had tonnes of security and all that.
Mr. Wahlberg, any pressure you felt?
Not like that.
Well, just recently, the last movie that I
filmed, Marcus Luttrell, Lone Survivor, the worst tragedy
in the history of the Navy SEALs.
So portraying him and his team of guys
that didn't make it off that mountain.
And knowing how much it meant to their
families and their loved ones.
Certainly a lot of pressure.
That's an amazing book.
But also a lot of support.
So, you know, you couldn't be up there
complaining.
Knowing that you would walk off that mountain
and go back to your comfy hotel room
and get a good night's sleep.
Considering what those guys went through.
So that was a huge amount of pressure.
Well, guys, I'm already thinking sequel.
I know this is going to be a
success.
I'm thinking three guns.
I want to be the third gun.
We could just slap him around.
What do I need to do?
What are some tips you can give me?
Some audition process?
Why don't we practise now?
Okay, let's do this.
This is how it started.
I'm telling you.
Dude, this is how it started.
Oh, really?
That's how it went.
That's why you didn't reach that far over.
I noticed that.
You kind of gave it that.
There's a light in your eyes.
I saw that.
I was like, geez.
There's a little mark after that.
So that's it.
You guys are going to slap me around
and that's three guns?
That's it.
You heard it here.
Jay Camelton.
I want my name right there on the
top.
Above us?
And you're going to earn it.
They're going to say, look how method you
went.
You went right for the top.
You guys are lucky enough to be in
a position in which you can pretty much
pick and choose any role you want.
I'm always sitting across from actors that always
tell me why they chose a role.
But I always keep being curious, what are
the reasons in which you turn down roles?
There's never one reason.
I mean, there's never one reason.
I don't want to play an alcoholic pilot
right now.
Right.
I mean, you're trying to do new and
fresh things, but it just depends.
Variety stuff?
Yeah.
Yeah, it depends on the particular situation.
And it's usually after you've done something, then
they offer you something very similar.
And then they expect you to be like,
oh yeah, I want to do that.
Why don't I just, you know.
But you guys are accepting three guns because
to work with you just is it.
Yep.
But you don't get paid, though.
I barely get paid for this.
What are you talking about?
Ow.
Ow.
I'll do this for free because it's an
honour for me, man.
Take a back-end kicker.
There you go.
I'll take it.
Guys, it's always an honour to sit across
from you guys.
That's where the real money gets.
Net.
I'm in.
I'm in.
I'll take the net.
Adjusted net.
Hey, Officer Michael Stigman.
You know Bobby Beans was DEA?
Man, your boy Stig's a piece of work.
Did you know he was Special Forces?
You've been on his lap way too long.
Pull over.
Did you miss me?
Ow.
Ow.
Ow.
Ow.
Ow.
Ow.
Ow.
One, two, three.
Now you're making me not be able to
trust you.
You know how to butter one up.
I do.
It's all downhill from there, really.
It's all, you know.
Alright.
It's all just me staring awkwardly and breathing
heavily.
This is J.
Hamilton with KRIV Fox Houston.
You have to be...
Ms. Padd.
Yes?
On behalf of all men around the planet,
I'd like to thank you for getting naked
in this movie.
It's awesome.
So, that was a way to start an
interview.
Here you go.
In all seriousness, there's been a lot of
talk about the fact that your incredibly talented
husband Robin Thicke has the music video in
which the girls are topless.
Is there a conversation to be had like
if someone's like hey we're going to have
this or hey I may get topless in
the movie?
Is it an awkward conversation?
No, not with us because we're partners in
crime and we're partners in art and the
night before I had to do that scene
it was a revelation I had.
I had been thinking about it for a
while but then I thought it just doesn't
seem natural for this woman who's been lovers
with this man for quite a while and
this conversation happens after they've been together right
afterwards that she'd have a shirt on and
so I just thought I shouldn't have one
on and I called Robin and I'm like
what do you think and he's like absolutely
go for it.
Have you ever turned down nudity like just
like you know what this doesn't feel right
you know I don't think I'm going to
do this?
You know I've never been like it's not
been about nudity but perhaps something's been a
little bit too risque for me and it
just doesn't feel natural and right for me
to do.
And it was natural in this.
Oh well thank you.
It wasn't gratuitous I promise.
You know one of the things I love
about all the characters in this movie they're
characters that you have to take a second
glance at.
They're like you know what I don't really
know what's going on there.
You've been in so many incredible films.
What is a film that like maybe came
out didn't do as well as you wanted
it to but you'd like people to give
it a second chance just to maybe check
it out one more time.
Gosh you know I think Disconnect.
I really love that movie.
That's a great movie.
And I just think it had such a
just it revealed so much about the world
we're living in and so it was an
indie movie so it didn't probably reach as
many people but I would have liked for
more people to see it.
Netflix it's awesome.
Um you know I uh you know I
always tell you how beautiful you are and
you know that's that's gonna be a great
thing in this business.
I was wondering is there ever a downside
to being beautiful in this business?
Is there ever one of those things where
it's like you know what they're not gonna
give me a role because of this or
that?
God if I only saw myself through your
eyes.
Trust me it's awesome.
Can you give it to me?
You know what?
I don't think like that because I don't
walk around feeling that way.
Right okay.
Fair enough.
I totally understand that.
So uh you know I'm thinking of I'm
trying to find a woman like you to
you know one day possibly settle down with.
What did Mr. Thicke do right to like
what tips do you think he did right
that he would give me if I could
you know?
Perseverance.
Perseverance.
Good to know.
Good to know I'm writing these things down.
Is that it?
That's it?
No no no he's gosh you know what
he really just loves and respects women and
and he makes me laugh and he cares
deeply for me.
He's been like my biggest supporter.
I wouldn't be an actress today if it
wasn't for his support.
So I just think you know when you
do find that right person don't hold back.
Give them all the love and support they
need.
I am so screwed.
I'm never I'm never gonna be able to
figure this out.
I always love talking to you.
You're so fantastic.
Take care.
Have a good day.
See you later.
Bye.
Thank you.
The bank was a setup.
We got to figure out whose money that
was.
What like we're working together?
No not like we're working.
No like we're working in the same vicinity.
Together.
In the same area code.
Together.
He ripped off the CIA.
Where's the money?
It ain't down there.
I can guarantee you that.
But honestly I love you in this movie
and I love one of the things your
character does.
He repeats the uh the Russian roulette thing
over you know it's kind of that's like
his signature thing.
I was wondering as an actor obviously you
don't want to repeat yourself over and over
but is it ever beneficial to have like
a thing that you do over and over
again?
No each one's built to measure.
You know custom built.
You know you're always using some facet of
yourself but this was particularly fun because it
was broad and theatrical and I could have
some fun with it.
You seem to be having fun.
You seem to be having a lot of
fun.
Yeah well also it works as a good
device because you've seen the you know you've
seen what happens.
Exactly.
The gun goes off.
Yes.
So then when I pull it on on
Denzel you know what's coming.
Exactly and you know that adds a little
yeah that adds a little I think suspense
to the scene.
For sure.
Now you're one of those actors whenever I
tell my buddies I'm going to interview you
they all be like oh you got to
talk to him about this you got there
are 10,000 different movies they all wanted
me to talk to you about which I
think is a testament to you as an
actor.
So I was curious what is the movie
that most people come up to me they're
like Bill I loved you in this.
It's different ones but I'll tell you one
that never seems to go out of style
and it's not my performance in the movie
but it's the movie is Tombstone.
Yes.
People love it.
This is a modern western.
I would say this kind of has a
western feel to it.
Very much so.
Fact speaking of Doc Holliday I just saw
Val Kilmer do his one man show of
Mark Twain.
How was that?
It was phenomenal.
Was that out in LA?
Phenomenal.
I would have killed to have seen that.
He's trying to bring it to New York
but it was great.
I hadn't seen Val in a while.
I went backstage and it was really cool.
That would be cool with you guys running
into each other again.
That would be pretty incredible.
It was a lot of fun because I
think all of us who did Tombstone feel
that was kind of a special.
You got 24 hours to bring me the
money.
So partner what's your plan?
I got a plan.
I mean I'm capable of coming up with
my plan.
I'm not capable I'm just saying you haven't
told me what it is.
I'm working on it.
Screw it.
What's your plan?
No one expected it.
You should have seen your face.
You sure you can trust this guy?
Who are they?
Well yesterday I said they were my family.
Today they kind of want to kill me.
I understand the feeling.
What did I ever do to you besides
shoot me?
I think time's over.
Have I properly incentivised you?
Well then you know.
Make it rain.
You're my people and there's a code.
You fight for the guy that's fighting next
to you.
Give me the keys.
You want them?
Come get them.
Oh man.
What was I called for?
Give me the keys.
You saw that move coming?
That's correct.
Give me the keys.
bank across from a diner that has the
best doughnuts in three counties?
That's not a saying.
Yes, it is.
No, it's not.
I've never heard it.
It's a saying, but it's not a saying.
It is a saying.
Okay.
It's a saying, man.
Go!
Everybody sit down on the floor.
Fire in the hole!
Let's go, come on!
How much you figure?
Forty million.
Forty million dollars?
But I got bad news for you.
What is that?
Is that a badge in your hand?
DEA.
I gotta tell you, I've always been fascinated
with people.
I've slapped this dude in the face before.
Listen, don't look at me, don't look at
me like that.
Turn the other cheek.
Word.
This boy is good.
He did.
He slapped me.
He said something real off the wall.
For real?
For real.
Yeah, he said some off the wall shit
to me.
And I heard you talked about that interview
the entire PA tour.
Yeah.
That worked out well for me.
I smacked him in the face.
I gotta tell you, I've always been fascinated
with people that go undercover.
Because, you know, they have the pressure of
knowing that if their performance isn't good, their
life can be on the line.
So I was wondering, in the grand scheme
of that, what's the most pressure you've ever
felt to get a role right?
Playing Malcolm X.
Why is that?
Why particularly that one?
Because people said if he didn't, we'd kill
you.
I'm serious.
Really?
Yeah.
Yeah, man.
Wow.
I didn't understand that.
And Cry Freedom, playing Steven Biko.
Because we couldn't go to South Africa.
They said if I stepped foot in South
Africa, they'd kill me.
But we also had a lot of death
threats and all that kind of stuff in
Zimbabwe.
And had tonnes of security and all that.
Mr. Wahlberg, any pressure you felt?
Not like that.
Well, just recently, the last movie that I
filmed, Marcus Luttrell, Lone Survivor, the worst tragedy
in the history of the Navy SEALs.
So portraying him and his team of guys
that didn't make it off that mountain.
And knowing how much it meant to their
families and their loved ones.
Certainly a lot of pressure.
That's an amazing book.
But also a lot of support.
So, you know, you couldn't be up there
complaining.
Knowing that you would walk off that mountain
and go back to your comfy hotel room
and get a good night's sleep.
Considering what those guys went through.
So that was a huge amount of pressure.
Well, guys, I'm already thinking sequel.
I know this is going to be a
success.
I'm thinking three guns.
I want to be the third gun.
We could just slap him around.
What do I need to do?
What are some tips you can give me?
Some audition process?
Why don't we practise now?
Okay, let's do this.
This is how it started.
I'm telling you.
Dude, this is how it started.
Oh, really?
That's how it went.
That's why you didn't reach that far over.
I noticed that.
You kind of gave it that.
There's a light in your eyes.
I saw that.
I was like, geez.
There's a little mark after that.
So that's it.
You guys are going to slap me around
and that's three guns?
That's it.
You heard it here.
Jay Camelton.
I want my name right there on the
top.
Above us?
And you're going to earn it.
They're going to say, look how method you
went.
You went right for the top.
You guys are lucky enough to be in
a position in which you can pretty much
pick and choose any role you want.
I'm always sitting across from actors that always
tell me why they chose a role.
But I always keep being curious, what are
the reasons in which you turn down roles?
There's never one reason.
I mean, there's never one reason.
I don't want to play an alcoholic pilot
right now.
Right.
I mean, you're trying to do new and
fresh things, but it just depends.
Variety stuff?
Yeah.
Yeah, it depends on the particular situation.
And it's usually after you've done something, then
they offer you something very similar.
And then they expect you to be like,
oh yeah, I want to do that.
Why don't I just, you know.
But you guys are accepting three guns because
to work with you just is it.
Yep.
But you don't get paid, though.
I barely get paid for this.
What are you talking about?
Ow.
Ow.
I'll do this for free because it's an
honour for me, man.
Take a back-end kicker.
There you go.
I'll take it.
Guys, it's always an honour to sit across
from you guys.
That's where the real money gets.
Net.
I'm in.
I'm in.
I'll take the net.
Adjusted net.
Hey, Officer Michael Stigman.
You know Bobby Beans was DEA?
Man, your boy Stig's a piece of work.
Did you know he was Special Forces?
You've been on his lap way too long.
Pull over.
Did you miss me?
Ow.
Ow.
Ow.
Ow.
Ow.
Ow.
Ow.
One, two, three.
Now you're making me not be able to
trust you.
You know how to butter one up.
I do.
It's all downhill from there, really.
It's all, you know.
Alright.
It's all just me staring awkwardly and breathing
heavily.
This is J.
Hamilton with KRIV Fox Houston.
You have to be...
Ms. Padd.
Yes?
On behalf of all men around the planet,
I'd like to thank you for getting naked
in this movie.
It's awesome.
So, that was a way to start an
interview.
Here you go.
In all seriousness, there's been a lot of
talk about the fact that your incredibly talented
husband Robin Thicke has the music video in
which the girls are topless.
Is there a conversation to be had like
if someone's like hey we're going to have
this or hey I may get topless in
the movie?
Is it an awkward conversation?
No, not with us because we're partners in
crime and we're partners in art and the
night before I had to do that scene
it was a revelation I had.
I had been thinking about it for a
while but then I thought it just doesn't
seem natural for this woman who's been lovers
with this man for quite a while and
this conversation happens after they've been together right
afterwards that she'd have a shirt on and
so I just thought I shouldn't have one
on and I called Robin and I'm like
what do you think and he's like absolutely
go for it.
Have you ever turned down nudity like just
like you know what this doesn't feel right
you know I don't think I'm going to
do this?
You know I've never been like it's not
been about nudity but perhaps something's been a
little bit too risque for me and it
just doesn't feel natural and right for me
to do.
And it was natural in this.
Oh well thank you.
It wasn't gratuitous I promise.
You know one of the things I love
about all the characters in this movie they're
characters that you have to take a second
glance at.
They're like you know what I don't really
know what's going on there.
You've been in so many incredible films.
What is a film that like maybe came
out didn't do as well as you wanted
it to but you'd like people to give
it a second chance just to maybe check
it out one more time.
Gosh you know I think Disconnect.
I really love that movie.
That's a great movie.
And I just think it had such a
just it revealed so much about the world
we're living in and so it was an
indie movie so it didn't probably reach as
many people but I would have liked for
more people to see it.
Netflix it's awesome.
Um you know I uh you know I
always tell you how beautiful you are and
you know that's that's gonna be a great
thing in this business.
I was wondering is there ever a downside
to being beautiful in this business?
Is there ever one of those things where
it's like you know what they're not gonna
give me a role because of this or
that?
God if I only saw myself through your
eyes.
Trust me it's awesome.
Can you give it to me?
You know what?
I don't think like that because I don't
walk around feeling that way.
Right okay.
Fair enough.
I totally understand that.
So uh you know I'm thinking of I'm
trying to find a woman like you to
you know one day possibly settle down with.
What did Mr. Thicke do right to like
what tips do you think he did right
that he would give me if I could
you know?
Perseverance.
Perseverance.
Good to know.
Good to know I'm writing these things down.
Is that it?
That's it?
No no no he's gosh you know what
he really just loves and respects women and
and he makes me laugh and he cares
deeply for me.
He's been like my biggest supporter.
I wouldn't be an actress today if it
wasn't for his support.
So I just think you know when you
do find that right person don't hold back.
Give them all the love and support they
need.
I am so screwed.
I'm never I'm never gonna be able to
figure this out.
I always love talking to you.
You're so fantastic.
Take care.
Have a good day.
See you later.
Bye.
Thank you.
The bank was a setup.
We got to figure out whose money that
was.
What like we're working together?
No not like we're working.
No like we're working in the same vicinity.
Together.
In the same area code.
Together.
He ripped off the CIA.
Where's the money?
It ain't down there.
I can guarantee you that.
But honestly I love you in this movie
and I love one of the things your
character does.
He repeats the uh the Russian roulette thing
over you know it's kind of that's like
his signature thing.
I was wondering as an actor obviously you
don't want to repeat yourself over and over
but is it ever beneficial to have like
a thing that you do over and over
again?
No each one's built to measure.
You know custom built.
You know you're always using some facet of
yourself but this was particularly fun because it
was broad and theatrical and I could have
some fun with it.
You seem to be having fun.
You seem to be having a lot of
fun.
Yeah well also it works as a good
device because you've seen the you know you've
seen what happens.
Exactly.
The gun goes off.
Yes.
So then when I pull it on on
Denzel you know what's coming.
Exactly and you know that adds a little
yeah that adds a little I think suspense
to the scene.
For sure.
Now you're one of those actors whenever I
tell my buddies I'm going to interview you
they all be like oh you got to
talk to him about this you got there
are 10,000 different movies they all wanted
me to talk to you about which I
think is a testament to you as an
actor.
So I was curious what is the movie
that most people come up to me they're
like Bill I loved you in this.
It's different ones but I'll tell you one
that never seems to go out of style
and it's not my performance in the movie
but it's the movie is Tombstone.
Yes.
People love it.
This is a modern western.
I would say this kind of has a
western feel to it.
Very much so.
Fact speaking of Doc Holliday I just saw
Val Kilmer do his one man show of
Mark Twain.
How was that?
It was phenomenal.
Was that out in LA?
Phenomenal.
I would have killed to have seen that.
He's trying to bring it to New York
but it was great.
I hadn't seen Val in a while.
I went backstage and it was really cool.
That would be cool with you guys running
into each other again.
That would be pretty incredible.
It was a lot of fun because I
think all of us who did Tombstone feel
that was kind of a special.
You got 24 hours to bring me the
money.
So partner what's your plan?
I got a plan.
I mean I'm capable of coming up with
my plan.
I'm not capable I'm just saying you haven't
told me what it is.
I'm working on it.
Screw it.
What's your plan?
No one expected it.
You should have seen your face.
You sure you can trust this guy?
Who are they?
Well yesterday I said they were my family.
Today they kind of want to kill me.
I understand the feeling.
What did I ever do to you besides
shoot me?
I think time's over.
Have I properly incentivised you?
Well then you know.
Make it rain.
You're my people and there's a code.
You fight for the guy that's fighting next
to you.
Give me the keys.
You want them?
Come get them.
Oh man.
What was I called for?
Give me the keys.
You saw that move coming?
That's correct.
Give me the keys.
2 Fast 2 Furious (2003)